This article needs additional citations for verification .(July 2015) |
Downtown 81 | |
---|---|
Directed by | Edo Bertoglio |
Written by | Glenn O'Brien |
Produced by | Glenn O'Brien |
Starring | Jean-Michel Basquiat Anne Carlisle |
Cinematography | John McNulty |
Edited by | Pamela French |
Music by | Vincent Gallo |
Release date |
|
Running time | 72 minutes |
Country | United States |
Language | English |
Box office | $108,058 [1] [2] |
Downtown 81 is a 2000 American film that was shot in 1980-1981. [3] The film was directed by Edo Bertoglio and written and produced by Glenn O'Brien and Patrick Montgomery, with post-production in 1999-2000 by Glenn O'Brien and Maripol. It is a rare real-life snapshot of an ultra-hip subculture of post-punk era Manhattan. Starring renowned artist Jean-Michel Basquiat and featuring such East Village artists as James Chance, Amos Poe, Walter Steding, Tav Falco and Elliott Murphy, the film is a bizarre elliptical urban fairy tale. In 1999, Michael Zilkha, founder of ZE Records (the label of several of the film's artists), became the film's executive producer.
The film opens with Jean (Basquiat) in hospital with an undisclosed ailment. After checking out, he happens upon an enigmatic woman, Beatrice (Anna Schroeder), who drives around in a convertible. He arrives at his apartment only to discover that his landlord, played by former Yardbirds manager Giorgio Gomelsky, is evicting him.
Later, while trying to sell his art work, he encounters many downtown New York characters, from musician Arto Lindsay and his band DNA to David McDermott to graffiti artists Lee Quiñones and Fab Five Freddy. Jean eventually does manage to sell some of his art work to a rich middle-aged woman who is interested in more than just his art, but she pays with a check. As the film progresses, he wanders the streets of New York City, looking for Beatrice. He catches performances by Kid Creole and the Coconuts and James White and the Blacks. Finally he happens upon a bag lady (Debbie Harry) who turns into a princess when he kisses her. As a reward, she gives him a stack of cash.
Writer and producer O'Brien had a popular music column "Glenn O'Brien's Beat" in Interview magazine and created the film to showcase the bands that he had been writing about. The film was initially titled New York Beat, referencing the music. The story was created to string together the live performances, shot on the RCA 24-track mobile recording unit, the best live recording technology at the time. O'Brien, who knew Basquiat from his TV Party program and the Mudd Club, cast then-unknown Basquiat in the film, and said of the movie: "The film is an exaggerated version of life," he said. [4]
Jean-Michel Basquiat was homeless at the time of the movie and slept in the production office during most of the shooting. "The production bought Jean his first real art supplies and gave him his first real studio, which he lived in," said Gina Nanni, widow of O'Brien. "All of the books that talk about [art dealer] Annina Nosei giving Jean-Michel his first studio, that wasn't actually true. The film production gave him his first studio, and the first paintings that he made were the paintings that you saw him carrying around in the film." [5] [6]
Debbie Harry (who plays the fairy princess who gives him money), and her boyfriend Chris Stein, both of the band Blondie, bought a painting of Basquiat’s for $200 after the end of shooting. [7]
New York Beat was shot over December 1980 and January 1981. The film was funded by Rizzoli, but the movie was abandoned in the mid-'80s due to financial problems. Producer O'Brien resurrected the film after acquiring the rights in 1999 (over a decade after Basquiat's death). It was released in 2000 as Downtown 81 at the 2000 Cannes Film Festival.
The dialogue audio for the film was lost, so actor Saul Williams dubbed the late Basquiat's voice. However, the musical soundtrack, mostly live club performances recorded on location using an RCA 24-track mobile unit, survived.
The soundtrack features music by: Jean-Michel Basquiat with Andy Hernandez; Basquiat's own band, Gray; John Lurie and the Lounge Lizards, DNA, Tuxedomoon, the Plastics, Marvin Pontiac, Kenny Burrell, the Specials, Chris Stein, Melle Mel with Blondie, Liquid Liquid, Kid Creole and the Coconuts, James White and the Blacks, Vincent Gallo, Lydia Lunch and Suicide. Many of the recordings were of live performances, but DNA and Tuxedomoon were recorded in the studio for the soundtrack.
After it premiered as "Downtown '81" at the 2000 Cannes Film Festival, reviews were mostly favorable. Variety called it “an extraordinary real-life snapshot of hip, arty, clubland Manhattan in the post-punk era.” [8]
A rare movie review in Artforum said, "Basquiat is a joy to watch. He floats through the movie with cool grace and unflagging energy; he's a natural in front of the lens..." [9]
British art critic Adrian Searle wrote that "Downtown 81 captures that New York moment when punk, emerging rap, art school cool and the East Village art and music scenes were at their creative best.” [10]
While the main appeal of the film seems to have been the art and music, some commentators also appreciated giving the modern viewer a peek at the decimated Lower East Side of 1980, saying "the real star of the film is the gritty milieu of a New York long gone", [9] and that "New York Beat...conveys the vast gulf between Manhattan’s rich and the forgotten corners of the city, and the marginal existence of the artistic underground who tried to survive in between these worlds." [5]
Jean-Michel Basquiat was an American artist who rose to success during the 1980s as part of the Neo-expressionism movement.
Fred Brathwaite, more popularly known as Fab 5 Freddy, is an American visual artist, filmmaker, and hip hop pioneer. He is considered one of the architects of the street art movement. Freddy emerged in New York's downtown underground creative scene in the late 1970s as a graffiti artist. He was the bridge between the burgeoning uptown rap scene and the downtown No Wave art scene. He gained wider recognition in 1981 when Debbie Harry rapped on the Blondie song "Rapture" that "Fab 5 Freddy told me everybody's fly." In the late 1980s, Freddy became the first host of the groundbreaking hip-hop music video show Yo! MTV Raps.
Basquiat is a 1996 American biographical drama film directed, written and co-composed by Julian Schnabel in his feature directorial debut. The film is based on the life of American postmodernist/neo expressionist artist Jean-Michel Basquiat. It is the first film about an American painter written and directed by another artist.
The Mudd Club was a nightclub located at 77 White Street in the TriBeCa neighborhood of Lower Manhattan in New York City. It operated from 1978 to 1983 as a venue for post punk underground music and no wave counterculture events. It was opened by Steve Mass, Diego Cortez and Anya Phillips.
Maripol is an artist, film producer, fashion designer and stylist. She has had an influence on the looks of influential artists such as Madonna and Grace Jones. As part of the 1980s New York downtown scene, she captured the likes of Jean-Michel Basquiat, Keith Haring, Andy Warhol, and Debbie Harry with her Polaroid camera. Maripol also produced films, most notably Downtown 81.
Edo Bertoglio is a Swiss photographer, film director and screenwriter. He is the director of Downtown 81 and Face Addict.
Michael Thomas Holman is a New York-based artist, writer, filmmaker and musician. He is also an early 1980s downtown scene subculturalist and creator of the Hip Hop music program Graffiti Rock. Holman is a founding member, along with Jean-Michel Basquiat, of the experimental band Gray.
Glenn O'Brien was an American writer who focused largely on the subjects of art, music, and fashion. He was featured for many years as "The Style Guy" in GQ magazine and published a book with that title. He worked as a writer and editor at a number of publications, including Rolling Stone, Playboy, Interview, High Times, Spin, and Details. He also published the arts and literature magazine Bald Ego from 2003 to 2005.
SAMO is a graffiti tag originally used on the streets of New York City from 1978 to 1980. The tag, written with a copyright symbol as "SAMO©", and pronounced Same-Oh, is primarily associated with the artist Jean-Michel Basquiat, but was originally developed as a collaboration between Basquiat and Al Diaz.
"Beat Bop" is a song by American hip-hop artists Rammellzee and K-Rob. It was produced and arranged by Jean-Michel Basquiat. Initially, it was made as a test pressing by Tartown Inc. in 1983. That same year, the song was released as a single by Profile Records, and featured in the hip-hop documentary film Style Wars (1983).
Jean-Michel Basquiat: The Radiant Child is a 2010 documentary film directed by Tamra Davis. It crosscuts excerpts from Davis' on-camera interview with the artist Jean-Michel Basquiat and anecdotes from his friends and associates. The film was shown at the Sundance Film Festival in 2010.
Becky Johnston is an American screenwriter and No Wave filmmaker.
James Allan Curtis, known professionally as Diego Cortez, was an American filmmaker and art curator closely associated with the no wave period in New York City. Cortez was the co-founder of the Mudd Club, and he curated the influential post-punk art show New York/New Wave, which brought the then aspiring artist Jean-Michel Basquiat to fame.
Hollywood Africans is a painting created by American artist Jean-Michel Basquiat in 1983. The artwork is Basquiat's response to the portrayals of African Americans in the entertainment industry.
Boom for Real: The Late Teenage Years of Jean-Michel Basquiat is a 2017 American documentary film directed by Sara Driver. It tells the story about Jean-Michel Basquiat and the New York City art scene in the late 1970s. The film had its premiere at the 2017 Toronto International Film Festival on September 8, 2017. It was released in the United States on May 11, 2018.
Untitled (Gem Spa) is a 1982 painting created by American artist Jean-Michel Basquiat in 1982. It is an autobiographical work depicting a sparsely rendered figure atop a bicycle "drowned in darkness."
Gray is an American experimental band formed by artist Jean-Michel Basquiat and filmmaker Michael Holman in 1979, of whom filmmaker Vincent Gallo was also a member. The group was influenced by the members' artist backgrounds and the sonic experimentation of their contemporaries in New York's No Wave scene. Gray performed at venues such as the Mudd Club and CBGB which were the epicenter of New York's underground scene in the late 1970s and early 1980s.
Suzanne Mallouk is a Canadian-born painter, psychiatrist, and psychoanalyst, based in New York City. She is best known for her role within a core of East Village creatives in the 1980s and for her relationship with artist Jean-Michel Basquiat, much of which her friend Jennifer Clement chronicled in Widow Basquiat: A Memoir. In 2015, Vogue magazine listed Basquiat and Mallouk among "The 21 Most Stylish Art World Couples of All Time."
Cadillac Moon is a painting created by American artist Jean-Michel Basquiat in 1981. It is notable for being the first purchased Basquiat painting; bought by singer Debbie Harry for $200.
New York/New Wave was an exhibition curated by Diego Cortez in 1981. Held at the Long Island City gallery P.S.1, it documented the crossover between the downtown art and music scenes. The show featured a coalition of No wave musicians, painters, graffiti artists, poets, and photographers.