The Dragon of Wantley is a legend of a dragon-slaying by a knight on Wharncliffe Crags in South Yorkshire, recounted in a comic broadside ballad of 1685. It was later included in Thomas Percy's 1767 Reliques of Ancient English Poetry , enjoying widespread popularity in the 18th and 19th centuries, although less well-known today. In 1737, the ballad was adapted (in English) into one of the more successful operas to appear in London up to that point.
The ballad tells of how a huge dragon - almost as big as the Trojan Horse - devours anything it wishes, even trees and buildings, until the Falstaffian knight Moore of Moore Hall obtains a bespoke suit of spiked Sheffield armour and delivers a fatal kick to the dragon's "arse-gut" - its only vulnerable spot, as the dragon explains with its dying breath.
The topography of the ballad is accurate in its detail as regards Wharncliffe Crags and environs, but the story, and its burlesque humour, has been enjoyed in places far from the landscape from which it appears to derive and has been used to make a number of points unrelated to it.
More Hall is a 15th-century (or earlier) residence immediately below the gritstone edge of Wharncliffe Crags—Wharncliffe being formerly known in the local vernacular as Wantley—The dragon was reputed to reside in a den, and to fly across the valley to Allman (Dragon's) Well on the Waldershelf ridge above Deepcar.
One member of the More family of More Hall, George More, was involved in the Throckmorton Plot against Elizabeth I in 1583. [1]
A lawsuit was taken out in 1573 by one George More of Sheffield on behalf of the Sheffield Burgery (the 'free men' of Sheffield) against the Lord of the manor of Sheffield, George Talbot, the sixth Earl of Shrewsbury, in respect of his appropriation of the proceeds of Sheffield 'waste' land, which hitherto had paid for Sheffield's poor, civic works and the parish church. [2] [3] This had long been the practice under an agreement in 1297 by one of Talbot's predecessors, one Thomas Furnival, [4] and had seemed secure after a successful petition some two decades previously to the newly enthroned Queen Mary with the full support of George Talbot's father (the previous—fifth—Earl of Shrewsbury, Francis Talbot). [5]
In his Reliques of Ancient English Poetry Thomas Percy holds that the story of The Dragon of Wantley relates to a dispute over the alleged misappropriation of church tithes in Wharncliffe by Sir Francis Wortley who was opposed by a local lawyer named More. [6]
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Henry Carey wrote the libretto to a burlesque opera called The Dragon of Wantley in 1737. The opera, with music composed by John Frederick Lampe, punctured the vacuous operatic conventions and pointed a satirical barb at Robert Walpole and his taxation policies. This Augustan parody was a huge success and its initial run was 69 performances in the first season; a number which exceeded even The Beggar's Opera (1728).
The opera debuted at the Haymarket Theatre, where its coded attack on Walpole would have been clear, but its long run occurred after it moved to Covent Garden, which had a much greater capacity for staging. Part of its satire of opera was that all the words were sung, including the recitatives and da capo arias. The play itself is very brief on the page, as it relied extensively on absurd theatrics, dances, and other non-textual entertainments. The Musical Entertainer from 1739 contains engravings showing how the work was performed.
The piece is at once a satire of the ridiculousness of operatic staging and an indirect satire of the government's tax policy. In Carey's play, Moore of Moorehall, "a valiant knight, in love with Margery", is a drunk who pauses to deal with the dragon only between bouts of drinking and carousing with women. Margery offers herself as a human sacrifice to Moore to persuade him to take on the cause of battling the dragon, and she is opposed by Mauxalinda, Moore's "cast-off mistress", who has interest in him now that a rival has appeared.
The battle with the dragon takes place entirely offstage, and Moore only wounds the dragon (who is more reasonable than Moore in his dialogue) in its anus. The main action concerns the lavish dances and songs by the two sopranos and Moore.
The opera is now rarely performed. Isleworth Baroque (now Richmond Opera) have produced two fully-staged productions, in 2012 and 2021. [7] [8] The University of Birmingham also performed the opera as part of their Summer Festival in the Barber Institute of Fine Arts. It is being produced for two performances in Chicago's Haymarket Opera Company in October 2019 [9] and the Boston Early Music Festival has announced performances in November 2023.
John Frederick Lampe: The Dragon of Wantley - Mary Bevan, Catherine Carby, Mark Wilde, John Savournin, The Brook Street Band, John Andrews. Resonus Classics 2022
A novel, The Dragon of Wantley, was written by Owen Wister, best known as the author of The Virginian , in 1892. [10] Wister described the story as a comic "burlesque" concerning the "true" story of the Dragon. It is a romantic story set at Christmastime in the early 13th century. The book was a surprise success, going through four editions over the next ten years.[ citation needed ]
There is a representation of the dragon above More Hall on the opposite side of the valley to Wharncliffe Crags. The snaking stone wall culminating in a carved dragon's head can be found at the southern edge of Bitholmes Wood (Grid Ref:SK 295 959). There is also a bas-relief frieze of a knight killing a dragon, said to be a representation of More and the Dragon of Wantley, in the entrance hall to Sheffield Town Hall. [11]
In his Chronicles of Barsetshire novels, Anthony Trollope names an inn and posting house in Barchester The Dragon of Wantley. When it is first mentioned, in The Warden , this pub is owned by John Bold, a local doctor, who is pursuing a dispute with the church authorities over the alleged misapplication of ecclesiastical revenues. [6] The dragon is also mentioned in the first paragraph of the opening chapter of Sir Walter Scott's novel Ivanhoe where Scott writes "In that pleasant district of Merry England which is watered by the River Don, there extended in ancient times a large forest...Here haunted of yore the fabulous Dragon of Wantley." In Chapter XXXVIII of David Copperfield, David writes a letter to Mr. Spenlow in which David "addressed him...as if...he had been an Ogre, or the Dragon of Wantley." In Chapter III of The Railway Children by E. Nesbit, the children name trains after dragons, dubbing one "the Worm of Wantley." [12]
Henry Fielding was an English writer and magistrate known for the use of humour and satire in his works. His 1749 comic novel The History of Tom Jones, a Foundling was a seminal work in the genre. Along with Samuel Richardson, Fielding is seen as the founder of the traditional English novel. He also played an important role in the history of law enforcement in the United Kingdom, using his authority as a magistrate to found the Bow Street Runners, London's first professional police force.
Edith Nesbit was an English writer and poet, who published her books for children as E. Nesbit. She wrote or collaborated on more than 60 such books. She was also a political activist and co-founder of the Fabian Society, a socialist organisation later affiliated to the Labour Party.
This article contains information about the literary events and publications of 1737.
Hallamshire is the historical name for an area of South Yorkshire, England, approximating to the current City of Sheffield local government area.
A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla – a joke, ridicule or mockery.
The Theatre Royal Haymarket is a West End theatre on Haymarket in the City of Westminster which dates back to 1720, making it the third-oldest London playhouse still in use. Samuel Foote acquired the lease in 1747, and in 1766 he gained a royal patent to play legitimate drama in the summer months. The original building was a little further north in the same street. It has been at its current location since 1821, when it was redesigned by John Nash. It is a Grade I listed building, with a seating capacity of 888. The freehold of the theatre is owned by the Crown Estate.
In Latin literature, Augustan poetry is the poetry that flourished during the reign of Caesar Augustus as Emperor of Rome, most notably including the works of Virgil, Horace, and Ovid. In English literature, Augustan poetry is a branch of Augustan literature, and refers to the poetry of the 18th century, specifically the first half of the century. The term comes most originally from a term that George I had used for himself. He saw himself as an Augustus. Therefore, the British poets picked up that term as a way of referring to their endeavours, for it fit in another respect: 18th-century English poetry was political, satirical, and marked by the central philosophical problem of whether the individual or society took precedence as the subject of the verse.
Henry Carey was an English poet, dramatist and composer. He is remembered as an anti-Walpolean satirist and also as a patriot. Several of his melodies continue to be sung today, and he was widely praised in the generation after his death. Because he worked in anonymity, selling his own compositions to others to pass off as their own, contemporary scholarship can only be certain of some of his poetry, and a great deal of the music he composed was written for theatrical incidental music. However, under his own name and hand, he was a prolific songwriter and balladeer, and he wrote the lyrics for almost all of these songs. Further, he wrote numerous operas and plays. His life is illustrative of the professional author in the early 18th century. Without inheritance or title or governmental position, he wrote for all of the remunerative venues, and yet he also kept his own political point of view and was able to score significant points against the ministry of the day. Further, he was one of the leading lights of the new "Patriotic" movement in drama.
Bishop Richard Corbet was an English clergyman who rose to be a bishop in the Church of England. He is also remembered as a humorist and as a poet, although his work was not published until after his death.
Thomas Percy was Bishop of Dromore, County Down, Ireland. Before being made bishop, he was chaplain to George III of the United Kingdom. Percy's greatest contribution is considered to be his Reliques of Ancient English Poetry (1765), the first of the great ballad collections, which was the one work most responsible for the ballad revival in English poetry that was a significant part of the Romantic movement.
The history of Sheffield, a city in South Yorkshire, England, can be traced back to the founding of a settlement in a clearing beside the River Sheaf in the second half of the 1st millennium AD. The area now known as Sheffield had seen human occupation since at least the last ice age, but significant growth in the settlements that are now incorporated into the city did not occur until the Industrial Revolution.
Sir Francis Cowley Burnand, usually known as F. C. Burnand, was an English comic writer and prolific playwright, best known today as the librettist of Arthur Sullivan's opera Cox and Box.
Chrononhotonthologos is a satirical play by the English poet and songwriter Henry Carey from 1734. Although the play has been seen as nonsense verse, it was also seen and celebrated at the time as a satire on Robert Walpole and Queen Caroline, wife of George II.
This timeline of Sheffield history summarises key events in the history of Sheffield, a city in England. The origins of the city can be traced back to the founding of a settlement in a clearing beside the River Sheaf in the second half of the 1st millennium AD. The area had seen human occupation since at least the last ice age, but significant growth in the settlements that are now incorporated into the city did not occur until the Industrial Revolution.
Augustan drama can refer to the dramas of Ancient Rome during the reign of Caesar Augustus, but it most commonly refers to the plays of Great Britain in the early 18th century, a subset of 18th-century Augustan literature. King George I referred to himself as "Augustus," and the poets of the era took this reference as apropos, as the literature of Rome during Augustus moved from historical and didactic poetry to the poetry of highly finished and sophisticated epics and satire.
Sir William Schwenck Gilbert was an English dramatist, librettist, poet and illustrator best known for his collaboration with composer Arthur Sullivan, which produced fourteen comic operas. The most famous of these include H.M.S. Pinafore, The Pirates of Penzance and one of the most frequently performed works in the history of musical theatre, The Mikado. The popularity of these works was supported for over a century by year-round performances of them, in Britain and abroad, by the repertory company that Gilbert, Sullivan and their producer Richard D'Oyly Carte founded, the D'Oyly Carte Opera Company. These Savoy operas are still frequently performed in the English-speaking world and beyond.
Wharncliffe Crags is a gritstone escarpment or edge situated approximately 6 miles (10 km) north-west of the city of Sheffield in South Yorkshire, England. It is a geological Site of Special Scientific Interest.
Isabella Hill, better known as Mrs Howard Paul, was an English actress, operatic singer and actress-manager of the Victorian era, best remembered for creating the role of Lady Sangazure in the Gilbert and Sullivan comic opera The Sorcerer (1877).
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George More was an English supporter of Mary, Queen of Scots, and a participant in the Throckmorton Plot. A Catholic exiled in the Spanish Netherlands, he visited the royal court of Scotland in 1598.