Moonlighting is the debut album by the contemporary jazz ensemble the Rippingtons. It was released in 1986 on Passport Jazz and GRP labels, and reached number 5 on Billboard's Jazz chart.
This is also the first appearance of the Jazz Cat on the album cover by artist Bill Mayer. The Jazz Cat has since been on the cover of every Rippingtons album.
Welcome to the Wrecking Ball! is Grace Slick's 1981 follow-up to her solo album Dreams (1980). Her third solo album, it was released before stepping back into her old position in Jefferson Starship. The lyrics of the first track include numerous references to Slick's dislike of rock journalists and critics. The album rose to #48 on the Billboard charts.
Come Upstairs is the ninth studio album by American singer-songwriter Carly Simon, released by Warner Bros. Records on June 16, 1980.
Modern Times is the sixth album by Jefferson Starship and was released in 1981. Grace Slick appeared on this album after a three-year absence. She returned near the end of the recording sessions, providing background vocals on some tracks as well as lead vocals on the single "Stranger" as a duet with lead singer Mickey Thomas. "Stranger" had previously been performed live by Jefferson Starship as early as December 1979, and the first studio version was made for Modern Times. Although not appearing in the band picture on the gatefold cover, Slick is listed on the back cover of the LP with the credit "Introducing Grace Slick" and her picture is on the lyric sleeve with the note "Grace Slick courtesy of Grace Slick." She joined the band officially for the 1981 tour. This was the first Jefferson Starship album to have promotional music videos. It was also the first album to feature a charting single on the Mainstream Rock Tracks chart, which had premiered earlier in the year. The single "Find Your Way Back" reached No. 3 on the Mainstream Rock chart.
Why Do Fools Fall in Love is the twelfth studio album by American R&B singer Diana Ross, released on September 14, 1981, by RCA Records. It was Ross' first of six albums released by the label during the decade. It peaked at No. 15 in the United States, No. 17 in the United Kingdom and the top ten in Sweden, Norway and the Netherlands.
Winds of Change is the seventh album by Jefferson Starship and was released in 1982. It was the first studio album produced after Grace Slick rejoined the band as a full member. Aynsley Dunbar plays drums on the album, but was replaced by Donny Baldwin for the supporting tour. The album reached number 26 on the Billboard charts.
Pastiche is an album by the Manhattan Transfer, released in 1978 by Atlantic Records. This was the last studio album the Manhattan Transfer recorded with Laurel Massé, who because of a car accident in early 1979 decided to end her association with the group. The album was re-issued on CD with Rhino as distributor in 1994.
Sky Islands is the second album by Jazz fusion group Caldera released in 1977 on Capitol Records. The album rose to No. 18 on the Cashbox Top 40 Jazz Albums chart.
Sunfighter is a 1971 album created by Paul Kantner and Grace Slick from Jefferson Airplane. The album was released shortly after the Airplane album Bark was released, and is the second record released on the Airplane's own Grunt vanity label, distributed by RCA Records. The album features a picture of their baby daughter, China Wing Kantner, on the cover. Many Bay Area musicians perform on the album, including all of the then current lineup of Jefferson Airplane, members of the Grateful Dead, Crosby, Stills, and Nash, and the horn group, Tower of Power. This album is also the first time a 17-year old Craig Chaquico recorded with Paul Kantner and Grace Slick. He would go on to become the lead guitarist for Jefferson Starship.
Planet Earth Rock and Roll Orchestra is the final solo album by Paul Kantner and the only Kantner solo release to be solely credited to the singer-songwriter. The title comes from an unofficial name for San Francisco artists who recorded on various albums in 1970–1973, also known as PERRO. "The Mountain Song" is dedicated "to David C, Jerry G, Graham N, Grace S, David F, Billy K and Mickey H and to one summer when all of our schedules almost didn't conflict," and was written during the 1970s recording sessions by Kantner and Jerry Garcia. On the album, Kantner utilizes many of his collaborators and family members to front an extended musical trip similar to his then-recent Jefferson Starship efforts.
Windows of Heaven is Jefferson Starship's first studio album since reforming in 1992 and ninth album overall. It was first released in Germany, but the band told fans to wait for a new American remixed version. The single "Let Me Fly" was released along with the American release, but did not chart on the Billboard charts. Grace Slick joined the band in the studio to record vocals on "I'm on Fire" which only appears on the American and Japanese versions. The track "Maybe for You" later reappeared on the 2008 album, Jefferson's Tree of Liberty.
Highway is a solo album by Sean Delaney. Delaney's recording of this album was related to his work on Gene Simmons' and Peter Criss' solo albums. Sean used his studio musicians to record some demo material for Peter Criss that was simply released on Peter's solo album. It has also been suggested (unsubstantiated) that Casablanca president Neil Bogart used the solo album as leverage against Sean for song-writing agreements and compliance with the KISS project.
Reel Life is the second album by American pop singer-songwriting duo Boy Meets Girl, released in 1988 by RCA Records/BMG. The album features the duo's sole top ten hit as a recording act, "Waiting for a Star to Fall," as well as the minor follow-up, "Bring Down the Moon."
Goodbye Girl is an album by the American musician David Gates, released in 1978. The title track was used in the film of the same name. The album peaked at No. 165 on the Billboard 200.
There's No Gettin' Over Me is the thirteenth studio album by American country music artist Ronnie Milsap, released in 1981 by RCA Records. The album produced two No. 1 hits for Milsap, including the title track, which also peaked at No. 2 on the Adult Contemporary chart and No. 5 on the Billboard Hot 100. "I Wouldn't Have Missed It For the World," the other #1 single, also reached No. 20 and No. 3 on the Billboard Hot 100 and Adult Contemporary charts, respectively.
Night Birds, released in 1982 on the Polydor label, is the second album by English jazz-funk band Shakatak. Night Birds established Shakatak's trademark jazz-funk sound, and contains two of the band's biggest hits, "Easier Said than Done" and "Night Birds", the former reaching the No. 12 spot in 1981, the latter climbing to No. 9 in the following year.
Jill Jones is the self-titled debut solo album from the artist of the same name; Jill Jones. The album was released in 1987 on Paisley Park / Warner Bros. Records. It was produced by Jones and Prince.
20/20 is a studio album by George Benson, released on the Warner Bros. record label in 1985. The lead single by the same name reached #48 on the Billboard Hot 100. The album was certified Gold by the RIAA. "You Are the Love of My Life" is a duet with Roberta Flack. It was one of a number of songs used for Eden Capwell and Cruz Castillo on the American soap opera Santa Barbara. Also included on 20/20 is the original version of the song "Nothing's Gonna Change My Love for You" which would later become a smash hit for Hawaiian singer Glenn Medeiros.
Master of the Game is the thirteenth studio album by American keyboardist and record producer George Duke. It was released in 1979 through Epic Records. Recording sessions for this full-length album took place at Westlake Recording Studios in Los Angeles. The album features contributions from vocalists Lynn Davis, Josie James and Napoleon Murphy Brock, guitarists David Myles, Ray Obiedo and Roland Bautista, bassists Byron Miller and Freddie Washington, drummer Ricky Lawson, percussionist Sheila Escovedo, trombonist Bill Reichenbach, trumpeters Jerry Hey and Gary Grant, and saxophonist Gary Herbig.
Looking at You, Looking at Me is the seventh full-length studio recording from singer/songwriter/drummer/producer Narada Michael Walden. It was Walden's last album to be released by Atlantic Records and peaked at No. 51 on the Billboard Top R&B albums chart.
