Little Games is the fourth American album by English rock band the Yardbirds. Recorded and released in 1967, it was their first album recorded after becoming a quartet with Jimmy Page as the sole guitarist and Chris Dreja switching to bass. It was also the only Yardbirds album produced by Mickie Most.
Benefit is the third studio album by the British rock band Jethro Tull, released in April 1970. It was the first Tull album to include pianist and organist John Evan – though he was not yet considered a permanent member of the group – and the last to include bass guitarist Glenn Cornick, who was fired from the band upon completion of touring for the album. It was recorded at Morgan Studios, the same studio where the band recorded its previous album Stand Up; however, they experimented with more advanced recording techniques.
Stampede is the fifth studio album by American rock band The Doobie Brothers. The album was released on April 25, 1975, by Warner Bros. Records. It was the final album by the band before Michael McDonald replaced Tom Johnston as lead vocalist and primary songwriter. The album has been certified gold by the RIAA.
Matthew and Son is the debut studio album by English singer-songwriter Cat Stevens, released in March 1967.
For Your Love is the first American album by English rock band the Yardbirds. Released in July 1965, it contains new studio recordings along with previously released singles. The album features some of the earliest recordings by guitarists Eric Clapton and his replacement Jeff Beck.
Truth is the debut studio album by English guitarist Jeff Beck, released in 29 July 1968 in the United Kingdom on Columbia Records and in the United States on Epic Records. It introduced the talents of his backing band the Jeff Beck Group, specifically Rod Stewart and Ronnie Wood, to a larger audience, and peaked at number 15 on the Billboard 200.
Duncan John Browne was an English singer-songwriter and musician. He is most remembered for his moderate hit single "Journey," which peaked at No. 23 in the U.K in 1972, and it's corresponding 1973 album Duncan Browne, which has since garnered a cult status among fans of 1970s folk rock.
And Then... Along Comes the Association is the debut studio album by the American sunshine pop band the Association and was released on Valiant Records, in July 1966. It became one of the top-selling LPs in America, peaking at number five, and remains the Association's most successful album release, except for their Greatest Hits compilation. The album's success was primarily credited to the inclusion of their two U.S. hits "Along Comes Mary" and "Cherish", which peaked at number seven and number one respectively on the Billboard Hot 100; "Cherish" was number one on Billboard's Top 40 list for three weeks starting in September 24, 1966.
The Best of The Doors is a compilation album by American rock group the Doors. Released in 1985, the double LP set contains 18 songs from their first six albums with lead singer Jim Morrison, including charting singles and selected album cuts. Danny Sugerman contributed a short essay which discussed the band's origins, influences and Morrison's personality, and was printed inside the gatefold sleeve.
Seven Turns is an album by the Allman Brothers Band, released in 1990. Their first studio album since Brothers of the Road in 1981, it was well-received, and peaked at #53. Hit singles were "Good Clean Fun" ; "Seven Turns" (#12) and "It Ain't Over Yet" (#26).
Animal Tracks is the Animals' third album in the United States, released as both LP Record and Reel to reel tape. Musically, it was a hodge-podge of the group's recent hit singles mixed in with tracks of assorted vintage that had not been included on either of The Animals' first two U.S. albums. As such it bore little resemblance in content or purpose to the band's British release also named Animal Tracks from four months earlier. "The Story of Bo Diddley" is an adaptation and expansion of a song recorded by Bo Diddley in 1960, utilizing some of the original lyrics but with additional verses and melody recapping the musician's life in a talking blues style.
Insight Out is the third album by the American pop band the Association and was released on June 8, 1967 on Warner Bros. Records. It was the band's first album release for the Warner Brothers label and it became one of the top selling LPs of the year in America, peaking at number 8 on the Billboard Top LPs chart and being certified gold by the Recording Industry Association of America. Critic Richie Unterberger has attributed much of the album's success to the inclusion of the U.S. hits "Windy" and "Never My Love", which reached number 1 and number 2 on the Billboard Hot 100 chart respectively and were among the most-played records on AM radio during the late 1960s.
Crazy Nights is the second studio album released by country music band Lonestar. Four singles were released from this album: "Come Cryin' to Me", "You Walked In", "Say When", and "Everything's Changed". "Come Cryin' to Me" reached number one on the Hot Country Songs charts. Also included is a cover of country rock band Pure Prairie League's single "Amie".
Ashes Are Burning is the fourth studio album by the English progressive rock band Renaissance, released in 1973. It was the first of several Renaissance albums to feature an orchestra playing along with the band. It was the band's first album to make the Billboard 200 album chart, peaking at No. 171.
This Thing Called Wantin' and Havin' It All is the eleventh studio album released by the American country music band Sawyer Brown. Their fourth studio album for Curb Records, it produced four hit singles on the Billboard country music charts between 1995 and 1996: the title track, "'Round Here", "Treat Her Right", and "She's Gettin' There". "She's Gettin' There" was also the band's first single since 1991's "Mama's Little Baby Loves Me" to miss the country Top 40.
Tommy is a soundtrack album by The Who with contributions from numerous artists. The soundtrack was used in the 1975 Tommy film that was based on the original album that was released by The Who in 1969. Pete Townshend oversaw the production of this double-LP recording that returned the music to its rock roots, and on which the unrecorded orchestral arrangements he had envisaged for the original Tommy LP were realised by the extensive use of synthesiser. Although unmarked, according the August 9, 1975 issue of Billboard "QLP POLYDOR TOMMY/ORIGINAL SOUNDTRACK RECORDING $9.98" it is Quadraphonic encoded.
Eyes Wide Open is the debut studio album by American singer Sabrina Carpenter. It was released by Hollywood Records on April 14, 2015. Carpenter began planning the project in 2014, after she launched her debut EP Can't Blame a Girl for Trying, she wanted to make a full-length LP. All the tracks on that EP were included on the album. The album was recorded from 2013 - 2015 with the majority of the album being recorded in 2014. Musically, Eyes Wide Open is a pop record with folk, pop rock and teen pop influences. Its production consists on guitars, piano, drums and keyboards. In general, the album talks about Carpenter's personal experiences, friendship, love and teenage problems.
The Wild Places is the third studio album by English singer-songwriter and musician Duncan Browne. Released in 1978 through Logo and Sire Records, it is Browne's first solo album since his departure from the band Metro that year, and features contributions from session musicians Tony Hymas, John Giblin and Simon Phillips. In contrast to his previous self-titled solo record, the sound of the album is fully electric and ranges from progressive rock to straightforward rock music and synthpop.
Give Me Take You is the debut studio album by English singer-songwriter and musician Duncan Browne. It was released in 1968 through Andrew Loog Oldham's Immediate Records. On the record, Browne employs a folk music sound that is informed by rock, pop, and classical elements, with baroque—inspired arrangements. The album spawned the single, "On the Bombsite," which failed to chart.
Streets of Fire is the fourth studio album by English singer-songwriter and musician Duncan Browne. It was released in 1978 through Logo and Sire Records. The album features contributions from saxophone player Dick Morrissey, as well as previous contributors Tony Hymas and John Giblin. The record retains Browne's distinguishable art rock influences while muting and subsuming the progressive rock elements of the preceding record, The Wild Places (1978), to its synthesizer work.
