Dyke Action Machine!

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Dyke Action Machine! or DAM! is a public art and activist duo made up of painter and graphic designer Carrie Moyer and photographer Sue Schaffner. DAM! gained notoriety in the 1990s for using commercial photography styling with lesbian imagery in public art.

Contents

History

Sue Schaffner and Carrie Moyer formed Dyke Action Machine! (DAM!) in 1991 in New York City. They met when in 1990 working together in Queer Nation, splitting from the group in 1991 because they saw a need for lesbian representation in particular. DAM!'s name was chosen to signal "that lesbians had their own particular set of oppressions and social conditions – separate from gay men – that needed attending to." [1] DAM! specifically targeted lesbophobia, the marginalization of lesbians not only in favor of heterosexuality but also within LGBTQ+ circles, where Schaffner and Moyer saw the male homosexual as privileged. [2]

The duo created radical feminist public art, putting images of lesbians into commercialized styles and settings. [3] Between 1991 and 2005, [4] DAM! worked from January to June to create pieces for Pride Week. [5] Together with groups like Guerilla Girls and Toxic Titties, DAM! resisted sexism and consumerism. [2] DAM! has been described as intentionally pluralistic, embracing many identities and issues. [6]

With Schaffner's experience as a commercial photographer and Moyer's work as a designer and painter, the duo captured and created images reminiscent of commercial advertising but delivered messages that raised the profile of lesbians. Much of DAM!'s work were spoofs on popular advertisements using models that were easily-identifiable as lesbians as the main subject in their reverse marketing strategy. [7] DAM! created posters, postcards, matchbooks, and a website displaying their work. [6] [5] This material was then placed where ads were typically seen, such as bus stops, telephone booths, and construction site barricades. [3] Giving out the artwork for free was important to DAM!'s message because, as Schaffner described, "lesbians don't have that much stuff that's specifically for them." [5]

DAM!'s method of presenting lesbian activist art in typically commercial landscapes creates an effect described by some as "agit-prop". [8] Schaffner and Moyer remained anonymous for eight years, signing their work only with Dyke Action Machine!. [9] Among their influences for their work were Gran Fury, Barbara Kruger, and Fran Winant. [9] [10] The duo is mainly active in the New York City area, although their work has been shown internationally and they make some available to be downloaded and distributed by anyone. [2] [11]

The work of Dyke Action Machine! is held at the Cooper-Hewitt National Design Museum. [12] It has been included in anthologies and encyclopedias of queer and lesbian art, where their work has been discussed alongside LGBT artist activists Chloe Atkins, Kay Shumack, Marion Moore, Jill Posener, the Australian Word of Mouth Collective. [3] [13] In 2000, Schaffner and Moyer won a Creative Capital award for visual arts to create Gynadome: A Separate Paradise . [14]

Work

The GAP campaign (1991)

DAM!’s first poster project, released in June of 1991, purpose was to expose the lack of lesbian representation in American popular culture. [1] [2] These politicized posters were intended to be read as advertisements fitting seamlessly into a commercialized streetscape. [1] The project consisted of 500 posters placed all over the city of New York – on mass transit busses and payphone kiosks – highlighting the fact that for one to “exist” or be visible in mainstream media, one must belong to a recognizable consumer group. The campaign replaced the photos of mostly-unknown celebrities featured in the GAP ads with pictures of obviously queer lesbians. [1] [2] The GAP Campaign critiques lesbian invisibility as well as tackling the psychology of advertising. [1]

Do You Love the Dyke in Your Life? (1993)

In their 1993 poster series, "Do You Love the Dyke in Your Life?", DAM! mimicked Calvin Kelin's underwear campaign feature lesbians in place of Mark Wahlberg. [15] This work was a play on the idealized, muscular male body being replaced by "identifiable lesbians." [15]

Gynadome (2001)

Gynadome is a work of cyberfeminist separatism where DAM! imagines a post-apocalyptic world inhabited by super-natural lesbians. [16] Created in 2001, Gynadome was inspired by "sexploitation and action flics" of the 1970s but through a lesbian perspective. [16]

Exhibitions

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References

  1. 1 2 3 4 5 Burk, Tara Jean-Kelly (2015). Let The Record Show: Mapping Queer Art and Activism in New York City, 1986-1995 (PhD dissertation). City University of New York. pp. 167–175.
  2. 1 2 3 4 5 Raizada, Kristen (2007-01-01). "An Interview with the Guerrilla Girls, Dyke Action Machine (DAM!), and the Toxic Titties". NWSA Journal. 19 (1): 39–58. JSTOR   4317230. S2CID   145443495.
  3. 1 2 3 Summers, Claude J. (2004). The Queer Encyclopedia of the Visual Arts. Cleis Press. p. 256. ISBN   9781573441919.
  4. ↑ Moyer, Carrie; Pepe, Sheila (2021-09-02). "Carrie Moyer and Sheila Pepe in Conversation". The Journal of Modern Craft. 14 (3): 275–279. doi:10.1080/17496772.2021.2024345. ISSN   1749-6772. S2CID   246445317.
  5. 1 2 3 Miya-Jervis, Lisa (January 31, 1999). "Dyke Action Machine". Bitch. 52 (10). ProQuest   212024487 – via ProQuest.
  6. 1 2 Loos, Ted (Dec 22, 1998). "Lesbian Poster Girls: Dyke Action Machine! Founders Sue Schaffner and Carrie Moyer Talk about their Savvy Satires of Commercial Art". The Advocate. No. 775.
  7. ↑ Schorr, Collier (1994). "Poster Girls". Artforum International. Retrieved 17 December 2023.
  8. ↑ Blake, Nayland and Lawrence Rinder. "In a Different Light." Exhibition Catalog. University of California, Berkeley Art Museum. January 11 – April 19, 1995.
  9. 1 2 Hieber, Lutz (2014-11-20). Politisierung der Kunst: Avantgarde und US-Kunstwelt (in German). Springer-Verlag. ISBN   9783658020156.
  10. ↑ Rando, Flavia (1996-01-01). "Reflections on a Name: We're Here: Gay and Lesbian Presence in Art and Art History". Art Journal. 55 (4): 8–10. doi:10.2307/777647. JSTOR   777647.
  11. ↑ Fox, Katrina (August 14, 2010). "Agitprop artist: Carrie Moyer". The Scavenger. Archived from the original on August 6, 2016. Retrieved 2016-07-04.{{cite web}}: CS1 maint: unfit URL (link)
  12. ↑ Lupton, Ellen; Museum, Cooper-Hewitt (1996-09-01). Mixing Messages. Princeton Architectural Press. ISBN   9781568980997.
  13. ↑ Hammond, Harmony (2000). Lesbian Art in America: A Contemporary History. Random House Incorporated. ISBN   9780847822485.
  14. ↑ "Project – Gynadome: A Separate Paradise". Creative Capital – Investing in Artists who Shape the Future. Retrieved 2020-12-10.
  15. 1 2 Puelo, Risa (2015). "New Territories of Queer Separatism". Art Papers Magazine. pp. 46–49.
  16. 1 2 3 Dyke Action Machine; Moyer, Carrie; Schaffner, Sue; Atkins, Robert; Center for the Arts at Yerba Buena Gardens (2002-01-01). Straight to hell: 10 years of Dyke Action Machine! : May 4 – July 14, 2002. Yerba Buena Center for the Arts. ISBN   0971971102. OCLC   50209391.
  17. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 "Bibliography". www.dykeactionmachine.com. Retrieved 2020-12-10.
  18. ↑ Neuer Aachener Kunstverein. "Unbehagen". www.neueraachenerkunstverein.de. Retrieved 2016-06-30.
  19. ↑ "Carrie Moyer | Exhibitions". Carrie Moyer. Retrieved 2020-12-10.
  20. ↑ Break the rules!: Sammlungen Hieber/Theising, 6.1.-3.2.2008, Mannheimer Kunstverein (in German). Mannheim: Mannheimer Kunstverein. 2008-01-01. OCLC   298777058.
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