This article needs additional citations for verification .(December 2012) |
wind | |
---|---|
Other names | Somas stabules |
Classification | Aerophone |
Hornbostel–Sachs classification | 422.22-62 |
Inventor(s) | Folk instrument |
Related instruments | |
torupill, dūdmaišis | |
Musicians | |
Auļi, Kaspars Bārbals, Dūdinieki, Mārtiņš Tiltnieks, Dainis Stalts, Pēteris Šeflers, Valdis Muktupāvels, Māris Muktupāvels, Suitu dūdenieki, Māris Jansons | |
Builders | |
Māris Jansons, Eduards Klints, Mārtiņs Tiltnieks, Uldis Austriņš |
Dūdas or somas stabules is a type of bagpipe native to Latvia, popular from the 16th to 18th centuries.
The instrument is believed to have first appeared in Livonia in the 15th century, with the first documentary evidence of such appearing in the 16th century. The 1550 publication Cosmographia by the scientist Sebastian Münster of Basel shows images of a witch and devils dancing accompanied by a bagpiper, a lutanist, and a lyre player. It is, however, not clear whether the instrument in the drawing is meant to represent instrument used within Livonia or instruments, or is taken from the general style of representing music players in European artwork.
As more direct evidence, Balthasar Russow, in his Livonian Chronicle gave the following description of Livonian peasants: "As early as Saturday farmers came from a large distance with their wives, daughters and servants, and immediately resorted to drinking. Dūdas was audible almost a mile away, such hilarity went on all the night until morning. The peasants came drunk to worship God, they talked so loud that the pastor almost lost consciousness from the noise. And when they, having learned nothing, left the church, then began again drinking, dancing, songs and jumping, one could pass out of the great noise, women singing, and the sound from many dūdas. " [1]
Playing the dūdas was banned from 1753 on, but the greatest work of destroying the dūdas tradition was done by the Moravian Church movement – in the areas of Vidzeme, where Moravian Church congregations were the most active, almost all the instruments were collected and destroyed, as a result little is known about older musical traditions of lower classes.
At the end of the 19th century, such musical instruments had disappeared throughout most of Latvia, and only in Alsunga were pipers still present in the beginning of the 20th century. The best-known of these was the bagpiper Pēteris Šeflers (1861-1945), he made a record in 1930s and can also be seen playing in the first Latvian sound film Dzimtene sauc (The Motherland Calls).
A dūdas is made of a leather bag, and no less than three pipes of different size: the iemutnis ("nipple"), stabule (chanter) and bāga or burdons ("drone").
The bag is traditionally made from the whole skin of a sheep, goat, dog or calf or (in more modern versions) is sewn from hide. The hide is first sewn with fur inside and with only single minimal (double stitch) seam. An additional leather band is then stitched on top of double stitch to create an airtight seal on the bag. Three holes are made – the one is left open at the neck and two are made at the top.
The iemutnis is a small maple pipe gradually narrowing toward the top. It is used to blow air inside the bag. It is inserted through the right front leg or the hole in the upper part of the bag and the skin is sealed by tying it tightly with thin rope. Iemutnis also has a valve made of leather or rubber piece.
The two (or more) other pipes are for playing music. The smaller one - the stabule - is used to play the melody and traditionally was inserted into the left front leg of the skin. The stabule is traditionally made from a stick burned through its entire length by a metal rod. Six to eight playing holes are then burned through the side. The holes are placed at the same distance from each other but had different diameters. In eight-hole design, the seventh hole is on the reverse side of the pipe, and the eighth hole is at the bottom of the pipe on the side. A split goose feather or a cane reed - mēlīte or spiedze - is inserted into one end of the stabule, which is inserted in the bag and tightly sealed with a thin rope. The other end of the stabule is attached to a curved horn - rags - with a widening opening made out of cow's horn. Traditionally Latvian dūdas (bagpipes) are tuned in G or D.
Finally, the bāga or burdons (drone pipe) was made out of large maple stick, also with a spiedze or mēlīte, but without any holes. It produces only a single base tone, called boordon. Traditionally both the stabule and the bāga were not only made of the same type of wood, but also from the very same tree to sound in tune. It is possible that two drone pipes are attached.
The playing of dūdas was reborn in the 1970s and 1980s. Dainis Stalts, Valdis and Māris Muktupāvels, and Māris Jansons are considered the first players of the revived dūdas. The instruments were reconstructed using examples found in the archives of the history museum and images of the instrument. In 1990s there was an attempt to unite all players in a band called Dūdinieki. In 2000 the record company "Upe" issued a collection of dūdas recordings in the album Dūdas Latvijā. [2]
Bagpipes are a woodwind instrument using enclosed reeds fed from a constant reservoir of air in the form of a bag. The Great Highland bagpipes are well known, but people have played bagpipes for centuries throughout large parts of Europe, Northern Africa, Western Asia, around the Persian Gulf and northern parts of South Asia.
The uilleann pipes, also known as Union pipes and sometimes called Irish pipes, are the characteristic national bagpipe of Ireland. Their current name is a partial translation of the Irish language terms píobaí uilleann, from their method of inflation. There is no historical record of the name or use of the term uilleann pipes before the 20th century. It was an invention of Grattan Flood and the name stuck. People mistook the term 'union' to refer to the 1800 Act of Union; however, this is incorrect as Breandán Breathnach points out that a poem published in 1796 uses the term 'union'.
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The great Highland bagpipe is a type of bagpipe native to Scotland, and the Scottish analogue to the great Irish warpipes. It has acquired widespread recognition through its usage in the British military and in pipe bands throughout the world.
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Swedish bagpipes are a variety of bagpipes from Sweden. The term itself generically translates to "bagpipes" in Swedish, but is used in English to describe the specifically Swedish bagpipe from the Dalarna region.
Zampogna is a generic term for a number of Italian double chantered bagpipes that can be found as far north as the southern part of the Marche, throughout areas in Abruzzo, Latium, Molise, Basilicata, Campania, Calabria, Apulia and Sicily. The tradition is now mostly associated with Christmas, and the most famous Italian carol, "Tu scendi dalle stelle" is derived from traditional zampogna music. However, there is an ongoing resurgence of the instrument in secular use seen with the increasing number of folk music festivals and folk music ensembles.
A Koza is the generic term for one of five basic types of bagpipes used in Polish folk music. The koza comes from the southern mountainous region of Poland known as Podhale and differs considerably from other types of bagpipes in its construction. Its scale is: b,c,d,e,f,g. The instrument is known for producing a continuous, low pitch.
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The Hungarian duda is the traditional bagpipe of Hungary. It is an example of a group of bagpipes called Medio-Carparthian bagpipes.
Kokle or historically kokles (kūkles) is a Latvian plucked string instrument (chordophone) belonging to the Baltic box zither family known as the Baltic psaltery along with Lithuanian kanklės, Estonian kannel, Finnish kantele, and Russian krylovidnye gusli. The first possible kokles related archaeological findings in the territory of modern Latvia are from the 13th century, while the first reliable written information about kokles playing comes from the beginning of the 17th century. The first known kokles tune was notated in 1891, but the first kokles recordings into gramophone records and movies were made in the 1930s. Both kokles and kokles playing are included in the Latvian Culture Canon.
The torupill is a traditional bagpipe from Estonia.
This article defines a number of terms that are exclusive, or whose meaning is exclusive, to piping and pipers.
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The gudastviri is a droneless, double-chantered, horn-belled bagpipe played in Georgia. The term comes from the words guda (bag) and stviri (whistling). In some regions, the instrument is called the chiboni, stviri, or tulumi.
The gaita de boto is a type of bagpipe native to the Aragon region of northern Spain.
Irish warpipes are an Irish analogue of the Scottish great Highland bagpipe. "Warpipes" is originally an English term. The first use of the Gaelic term in Ireland was recorded in a poem by Seán Ó Neachtain, in which the bagpipes are referred to as píb mhór.
Dūdmaišis or Labonoro dūda is a Lithuanian bagpipe with a single chanter and drone. The Lithuanian bagpipe was traditionally played at a variety of events, including May Day festivities, and spring caroling. A 1955 publication by the Lituanus Foundation noted that: "The Labanoro Dūda or Bagpipe was at one time very widely used, though it is almost forgotten."
Shuttle pipes are a type of bagpipes which derive their name from the drones used to produce the harmony. Rather than the long tube-like drones of most bagpipes, shuttle pipes use a shuttle drone, a cylindrical chamber enclosing a series of folded drone tubes, each terminating in a slot covered by a sliding "shuttle" which can be adjusted to lengthen or shorten the distance traveled by air moving through the tube, thus flattening or sharpening the pitch of the note produced.