Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century ars nova, the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the contenance angloise style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period.
John Jenkins (1592–1678), was an English composer who was born in Maidstone, Kent and who died at Kimberley, Norfolk.
Christopher Jarvis Haley Hogwood was an English conductor, harpsichordist, writer, and musicologist. Founder of the early music ensemble the Academy of Ancient Music, he was an authority on historically informed performance and a leading figure in the early music revival of the late 20th century.
David John Munrow was a British musician and early music historian.
Anthony [Antony] Holborne [Holburne] was a composer of music for lute, cittern, and instrumental consort during the reign of Queen Elizabeth I.
The Taverner Choir, Consort and Players is a British music ensemble which specialises in the performance of Early and Baroque music. The ensemble is made up of a Baroque orchestra, a vocal consort and a Choir. Performers place emphasis on a historically informed performance practice and players work with restored or replicated period instruments.
Anthems in Eden is a 1969 album by Shirley and Dolly Collins, with the Early Music Consort of London, directed by David Munrow. The album originally consisted of a 28-minute set of folk songs plus seven other individual pieces performed by the same group. The musical arrangements for these eight pieces included early music instruments, such as viols, recorders, sackbuts and crumhorns. In 1976, six new songs were recorded with a different assortment of accompanists, to replace the original seven individual songs. This 1976 album consisting of the 28-minute set plus the six new songs was released by Harvest Records under the title Amaranth. Subsequent releases have combined all fourteen pieces under the original title, Anthems in Eden.
James Thomas Bowman was an English countertenor. His career spanned opera, oratorio, contemporary music and solo recitals. Arguably, he was after Alfred Deller the most important countertenor in the 20th century revival of the voice part. He combined early and baroque repertoire with contemporary work, becoming recognised for his portrayal of Oberon in Britten's A Midsummer Night's Dream and performing world premieres.
An early music revival is a renewed interest in music from ancient history or prehistory. The general discussion of how to perform music from ancient or earlier times did not become an important subject of interest until the 19th century, when Europeans began looking to ancient culture generally, and musicians began to discover the musical riches from earlier centuries. The idea of performing early music more "authentically", with a sense of incorporating historically accurate performance practice, was more completely established in the 20th century, creating a modern early music revival that continues today.
Paul Raymond O'Dette is an American lutenist, conductor, and musicologist specializing in early music.
James Tyler was a 20th-century American lutenist, banjoist, guitarist, composer, musicologist and author, who helped pioneer an early music revival with more than 60 recordings.
"Flow, my tears" is a lute song by the accomplished lutenist and composer John Dowland (1563–1626). Originally composed as an instrumental under the name "Lachrimae pavane" in 1596, it is Dowland's most famous ayre, and became his signature song, literally as well as metaphorically: he would occasionally sign his name "Jo: dolandi de Lachrimae".
Nigel North is an English lutenist, musicologist, and pedagogue.
Francis Cutting (c.1550–1595/6) was an English lutenist and composer of the Renaissance period. He is best known for "Packington's Pound" and a variation of "Greensleeves" called "Divisions on Greensleeves", both pieces originally intended for the lute.
Daniel Bacheler, also variously spelt Bachiler, Batchiler or Batchelar, was an English lutenist and composer. Of all the English lutenist-composers, he is now credited as probably being the most successful in his own lifetime.
The Dublin Virginal Manuscript is an important anthology of keyboard music kept in the library of Trinity College Dublin, where it has been since the 17th century under the present shelf-list TCD Ms D.3.29.
Studio der frühen Musik was an early music group active from 1960–1980 and based in Munich.
Rogers Henry Lewis Covey-Crump is an English tenor noted for his performances in both early music and contemporary classical music. He has sometimes been identified as an haute-contre tenor. He has performed for over 50 years in choirs and ensembles such as the Hilliard Ensemble, and as a soloist. He has been especially in demand for the part of the Evangelist in Bach's St Matthew Passion and St John Passion. He also specialises in vocal tuning, and has written articles on the subject.
Martyn Hill is a British tenor.
Mary Teresa Elizabeth Remnant, was an English musician, scholar, musicologist and medievalist. She was a leading figure in the Early music revival in the United Kingdom.
