Related Research Articles
Performance poetry is poetry that is specifically composed for or during a performance before an audience. It covers a variety of styles and genres.
A scop was a poet as represented in Old English poetry. The scop is the Old English counterpart of the Old Norse skald, with the important difference that "skald" was applied to historical persons, and scop is used, for the most part, to designate oral poets within Old English literature. Very little is known about scops, and their historical existence is questioned by some scholars.
Thai literature is the literature of the Thai people, almost exclusively written in the Thai language. Most of imaginative literary works in Thai, before the 19th century, were composed in poetry. Prose was reserved for historical records, chronicles, and legal documents. Consequently, the poetical forms in the Thai language are both numerous and highly developed. The corpus of Thailand's pre-modern poetic works is large. Thus, although many literary works were lost with the sack of Ayutthaya in 1767, Thailand still possesses a large number of epic poems or long poetic tales —some with original stories and some with stories drawn from foreign sources. There is thus a sharp contrast between the Thai literary tradition and that of other East Asian literary traditions, such as Chinese and Japanese, where long poetic tales are rare and epic poems are almost non-existent. The Thai classical literature exerted a considerable influence on the literature of neighboring countries in mainland Southeast Asia, especially Cambodia and Burma.
Japanese poetry is poetry typical of Japan, or written, spoken, or chanted in the Japanese language, which includes Old Japanese, Early Middle Japanese, Late Middle Japanese, and Modern Japanese, as well as poetry in Japan which was written in the Chinese language or ryūka from the Okinawa Islands: it is possible to make a more accurate distinction between Japanese poetry written in Japan or by Japanese people in other languages versus that written in the Japanese language by speaking of Japanese-language poetry. Much of the literary record of Japanese poetry begins when Japanese poets encountered Chinese poetry during the Tang dynasty. Under the influence of the Chinese poets of this era Japanese began to compose poetry in Chinese kanshi); and, as part of this tradition, poetry in Japan tended to be intimately associated with pictorial painting, partly because of the influence of Chinese arts, and the tradition of the use of ink and brush for both writing and drawing. It took several hundred years to digest the foreign impact and make it an integral part of Japanese culture and to merge this kanshi poetry into a Japanese language literary tradition, and then later to develop the diversity of unique poetic forms of native poetry, such as waka, haikai, and other more Japanese poetic specialties. For example, in the Tale of Genji both kanshi and waka are frequently mentioned. The history of Japanese poetry goes from an early semi-historical/mythological phase, through the early Old Japanese literature inclusions, just before the Nara period, the Nara period itself, the Heian period, the Kamakura period, and so on, up through the poetically important Edo period and modern times; however, the history of poetry often is different from socio-political history.
Ankole was a traditional Bantu kingdom in Uganda and lasted from the 15th century until 1967. The kingdom was located in south-western Uganda, east of Lake Edward.
The qaṣīda is an ancient Arabic word and form of poetry, often translated as ode. The qasida originated in pre-Islamic Arabic poetry and passed into non-Arabic cultures after the Arab Muslim expansion.
Alur are a Nilotic ethnic group who live in northwestern Uganda and northeastern Democratic Republic of the Congo (DRC). They are part of the larger Luo group.
Islamic poetry is a form of spoken word written & recited by Muslims. Islamic poetry, and notably Sufi poetry, has been written in many languages including Urdu and Turkish.
Nkore is a Bantu language spoken by the Nkore ("Banyankore") of south-western Uganda in the former province of Ankole, as well as in Tanzania, the DR Congo, Rwanda and Burundi.
The Hororo or Bahororo are a Bantu-speaking ethnicity mainly residing in the north of the former Kigezi District in southwestern Uganda. In 1905, they were described by a British officer as a "quiet, inoffensive people" who owned cattle. They are made up mostly of the Hima ethnic group and the Bantu ethnic group. They reside mainly in Rujumbura in southwestern Uganda and are related to the Banyankole, Banyoro, Batooro, Songora and Tutsi peoples respectively. Rujumbura was ruled by the BeeneKirenzi sub-clan with Omukama Karegyesa as their last king. The Bahororo speak a dialect of Nkore-Kiga, Ruhororo. They are subdivided into clans that are similar to those of the kingdom of Ankole. Unlike Ankole, which was ruled by the Hinda clan, Mpororo was led by the Bashambo clan.
Somali literature is the literature used by the ethnic Somalis of Somalia, Somaliland, Djibouti, Yemen, Eritrea, Ogadenia, and Kenya.
Ruhanga features in Bantu spirituality as the remote creator and sky-God, recognized among the Rutara people. The Bahima further recognise him as the arbiter of life, sickness, and death. However, unlike creator figures in other religious systems, Ruhanga is generally not a focus of worship.
"On the Pulse of Morning" is a poem by writer and poet Maya Angelou that she read at the first inauguration of President Bill Clinton on January 20, 1993. With her public recitation, Angelou became the second poet in history to read a poem at a presidential inauguration, and the first African American and woman. Angelou's audio recording of the poem won the 1994 Grammy Award in the "Best Spoken Word" category, resulting in more fame and recognition for her previous works, and broadening her appeal.
Occasional poetry is poetry composed for a particular occasion. In the history of literature, it is often studied in connection with orality, performance, and patronage.
Nabaṭī, historically also known as najdi, is a vernacular Arabic poetry that stems from the Arabic varieties of the Arabian Peninsula. It exists in contrast to the poetry written according to the classical rules of literary Arabic.Nabati poetry holds significant cultural value in Arabian society, offering insights into Bedouin life, values, and traditions. Unlike traditional Arabic poetry, which follows strict classical forms, nabati is more accessible and informal, often composed in colloquial Arabic, allowing for a more intimate connection with its audience.
The Nkole people, also known as the Banyankole, are a Bantu ethnic group native to the Ankole region of Uganda. They are primarily found in the southwestern part of the country, in what was historically known as the Ankole Kingdom. The Banyankole are known for their rich cultural heritage and traditional cattle-keeping practices. They are closely related to other Bantu peoples of the region, namely the Nyoro, Kiga, Toro and Hema people.
African poetry encompasses a wide variety of traditions arising from Africa's 55 countries and from evolving trends within different literary genres. The field is complex, primarily because of Africa's original linguistic and cultural diversity and partly because of the effects of slavery and colonisation, the believe in religion and social life which resulted in English, Portuguese and French, as well as creole or pidgin versions of these European languages, being spoken and written by Africans across the continent. Poetry written by Africans mostly talks about either war or cultural difference. For instance, a poem like The Dining Table talk about war that happened in Sere Leon and poem like The Anvil and the Hammer also talks about cultural difference.
An imbongi, or a Xhosa praise poet, is a member of the Xhosa community who performs ceremonial activities at important events. An imbongi is traditionally a male who recites emotive poetry, sings, explains family relationships, re-tells historical events and comments on current affairs.
Sesotho poetry is a form of artistic expression using the written and spoken word practiced by the Basotho people in Southern Africa. Written poetry in the Sesotho language has existed for over 150 years however, the oral poetry has been practiced throughout Basotho history.
Kadodi dance is a traditional dance performed by the Bamasaba people, also known as the Bagisu or the Gishu, who live in the eastern part of Uganda and the western part of Kenya. Kadodi dance is mainly associated with the Imbalu the male circumcision ceremony that marks the transition from boyhood to manhood among the Bamasaba. Kadodi dance is also performed at other occasions, such as weddings, festivals, and cultural events.
References
- 1 2 Karungi, Viola (2012). "Kinyankore folk poetry: structure and context". African Performance Review. 6 (2): 58–74. ISSN 1753-5964.
- ↑ joomlasupport (2010-08-22). "It all began with ebyevugo for BBC winner". The Observer - Uganda. Retrieved 2024-01-10.
- 1 2 "Reflections on the creation and performance of ekyevugo and ibyivugo". Ebrary. Retrieved 2024-01-10.
- 1 2 Auty, Robert (1980). Traditions of Heroic and Epic Poetry: The traditions. MHRA. ISBN 978-0-900547-72-0.
- ↑ Wilgus, D. K. (1974). "Review of The Hammons Family: A Study of a West Virginia Family's Traditions". Ethnomusicology. 18 (2): 347–349. doi:10.2307/850604. ISSN 0014-1836. JSTOR 850604.
- 1 2 Morris, Henry Francis (1964). The Heroic Recitations of the Bahima of Ankole. Clarendon Press.
