A gomesi, also known as a Busuuti or Bodingi, is a colorful floor-length dress. It is the most commonly used costume for women in Buganda and Busoga. [1] Traditional male attire is the kanzu. [1] [2] The gomesi has had many changes in its uses and design since its origination.
The best scholarship traces the origins of the Gomesi to 1905. The dress was introduced by a Goan designer, Caetano Gomes, then resident in Uganda which was a British Protectorate at the time. The dress did not gain wide use until the wife of Daudi Cwa II of Buganda, the Kabaka, or king over Buganda, wore it at her 18-year-old husband's official coronation (he had been kabaka since age 1) in 1914. [3]
The gomesi can also be traced back to the former, traditional style of clothing in Uganda called Lubugo, originating in 600 AD. [4] The women of Uganda adopted the gomesi once in was introduced by Europeans. [5] The implementation of the gomesi can now serve as traditional, formal, and everyday clothing. [4] When the gomesi is worn as causal clothing, it is usually one made of lighter weight and less formal fabrics. [5]
This article of clothing has gone through four main stages of evolution, with changes in material and decorative style, starting in the 1960's. [6] The gomesi originated as bark-cloth, and then developed into a cotton gomesi in the 1960's. By the 1970's it transformed into a Khadi gomesi, and most recently a kikooyi gomesi. [6]
The gomesi is a floor-length, brightly colored cloth dress with a square neckline and short, puffed sleeves. The dress is tied with a sash placed below the waist over the hips. The gomesi has two buttons on the left side of the neckline. Most gomesi are made of silk, cotton, satin, polyester, or linen fabric, with silk being the most expensive. [7] [4] The gomesi is often made of bright, colorful fabrics with the addition of shoulder pads. [8] A kikooyi or kanga is tied underneath the linen gomesi to ensure that the fabric does not stick to the body. [2] [1] This fabric sash is typically 3 to 4 meters long, and it helps hold the outfit together while defining the women's feminine shape. [4] A well-made Gomesi can require up to six metres of cloth. [1]
The gomesi can be worn for any occasion, and in the rural areas it's the form of daily dress. Residents of cities and urban areas tend to wear it on special occasions such as funerals, and weddings. The gomesi is worn at wedding ceremonies during the introduction, also known as the Kwanjula. During the Kwanjula, all female members of the groom's family are required to appear dressed in Gomesi. Other times a gomesi may be worn include church functions, marriage betrothals, national formal events, and events where dignitaries are present. [8]
The kimono is a traditional Japanese garment and the national dress of Japan. The kimono is a wrapped-front garment with square sleeves and a rectangular body, and is worn left side wrapped over right, unless the wearer is deceased. The kimono is traditionally worn with a broad sash, called an obi, and is commonly worn with accessories such as zōri sandals and tabi socks.
A blouse is a loose-fitting upper garment that may be worn by workmen, peasants, artists, women, and children. It is typically gathered at the waist or hips so that it hangs loosely ("blouses") over the wearer's body. Today, the word most commonly refers to a girl's or woman's dress shirt, although there is considerable confusion between a true blouse and a women's shirt. It can also refer to a man's shirt if it is a loose-fitting style, though it rarely is. Traditionally, the term has been used to refer to a shirt which blouses out or has an unmistakably feminine appearance, although even many "standard" shirts today have a somewhat blousy fit, and the numbers of men wearing such shirts may match that of women wearing actual blouses.
The barong tagalog, more commonly known simply as barong, is an embroidered long-sleeved formal shirt for men and a national dress of the Philippines. Barong tagalog combines elements from both the precolonial native Filipino and colonial Spanish clothing styles. It is traditionally made with sheer textiles (nipis) woven from piña or abacá; although in modern times, cheaper materials like organza silk, ramie or polyester are also used.
A kebaya is an upper garment traditionally worn by women in Southeast Asia, notably in Brunei, Indonesia, Malaysia, Singapore, and Southern Thailand.
Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period. The French and English styles of fashion were very different from one another. French style was defined by elaborate court dress, colourful and rich in decoration, worn by such iconic fashion figures as Marie Antoinette.
Kurdish traditional clothing, also known as Kurdish dress, refers to the folk costumes of the Kurdish people. The traditions typically vary across different regions and tribes of Kurdistan, but it has some common elements. Historically, Kurdish clothing was more complex and varied, but it has evolved to a simpler form over time. It is also prominently worn during festivals and special occasions such as Newroz.
The wrapper, lappa, or pagne is a colorful garment widely worn in West Africa by both men and women. It has formal and informal versions and varies from simple draped clothing to fully tailored ensembles. The formality of the wrapper depends on the fabric used to create or design it.
Serbian traditional clothing, also called as Serbian national costume or Serbian dress, refers to the traditional clothing worn by Serbs living in Serbia, Croatia, Bosnia and Herzegovina, Montenegro, and the extended Serbian diaspora communities in Austria, Australia, Bulgaria, Canada, France, Germany, Greece, Hungary, North Macedonia, Romania, Russia, Slovenia, United States, etc. Like any traditional dress of a nation or culture, it has been lost to the advent of urbanization, industrialization, and the growing market of international clothing trends. The wide range of regional folk costumes show influence from historical Austrian, Hungarian, German, Italian, and Ottoman Turkish presence. Nonetheless, the costumes are still a pinnacle part of Serbian folk culture. From the 19th century and onwards, Serbs have adopted western-styled clothing. This change has started in larger settlements such as cities and towns, although it was not uncommon to see rural women in traditional working costumes all the way until the end of 1970s. Today, these national costumes are only worn by some elderly in rural areas but are most often worn with connection to special events and celebrations, mostly at ethnic festivals, religious and national holidays, weddings, tourist attractions, and by dancing groups who dance the traditional Serbian kolo, or circle dance.
Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s. This era is defined as late Baroque/Rococo style. The new fashion trends introduced during this era had a greater impact on society, affecting not only royalty and aristocrats, but also middle and even lower classes. Clothing during this time can be characterized by soft pastels, light, airy, and asymmetrical designs, and playful styles. Wigs remained essential for men and women of substance, and were often white; natural hair was powdered to achieve the fashionable look. The costume of the eighteenth century, if lacking in the refinement and grace of earlier times, was distinctly quaint and picturesque.
The Armenian Taraz, also known as Armenian traditional clothing, reflects a rich cultural tradition. Wool and fur were used by the Armenians along with the cotton that was grown in the fertile valleys. During the Urartian period, silk imported from China was used by royalty. Later, the Armenians cultivated silkworms and produced their own silk.
A fichu is a large, square kerchief worn by women to fill in the low neckline of a bodice.
Pakaian is the term for clothing in Malaysia's national language. It is referring to things to wear such as shirts, pants, shoes etc. Since Malaysia is a multicultural nation: Malay, Chinese, Indian and hundreds of other indigenous groups of Malay Peninsula and Borneo, each has its own traditional and religious articles of clothing all of which are gender-specific and may be adapted to local influences and conditions. Previously, traditional clothes were worn daily. However, by excluding Baju Melayu, Baju Kurung many are now only worn on special occasions such as marriage ceremonies and cultural events.
A kanzu is a white or cream coloured robe worn by men in the African Great Lakes region. It is referred to as a tunic in English, and as the Thawb in Arab countries. The kanzu is an ankle or floor length garment. It serves as the national costume of Tanzania as well as the Comoros, where it is called/pronounced 'Kandu' as well as thawb. The robe is also worn in some coastal Muslim regions of Tanzania and Kenya. The men of Uganda consider it their most important dress. Kanzu is a Ganda word of Swahili origin, which means "robe" or "tunic". In Tanzania, the term is used interchangeably with kaftan.
Croatian national costume, also called as Croatian traditional clothing or Croatian dress, refers to the traditional clothing worn by Croats living in Croatia, Bosnia and Herzegovina, Serbia, with smaller communities in Hungary, Austria, Montenegro, and Romania. Since today Croats wear Western-style clothing on a daily basis, the national costumes are most often worn with connection to special events and celebrations, mostly at ethnic festivals, religious holidays, weddings, and by dancing groups who dance the traditional Croatian kolo, or circle dance.
Fashion in the twenty years between 1775 and 1795 in Western culture became simpler and less elaborate. These changes were a result of emerging modern ideals of selfhood, the declining fashionability of highly elaborate Rococo styles, and the widespread embrace of the rationalistic or "classical" ideals of Enlightenment philosophes.
The national costume of Indonesia is the national attire that represents the Republic of Indonesia. It is derived from Indonesian culture and Indonesian traditional textile traditions. Today the most widely recognized Indonesian national attires include batik and kebaya, although originally those attires mainly belong within the island of Java and Bali, most prominently within Javanese, Sundanese and Balinese culture. Since Java has been the political and population center of Indonesia, folk attire from the island has become elevated into national status.
Mughal clothing refers to clothing worn by the Mughals in the 16th, 17th and 18th centuries throughout the extent of their empire. Much of them were already being used in the past centuries before their arrival in Indian subcontinent. It was characterized by luxurious styles and was made with muslin, silk, velvet and brocade. Elaborate patterns including dots, checks, and waves were used with colors from various dyes including cochineal, sulfate of iron, sulfate of copper, and sulfate of antimony were used.
The jellabiya, also jalabiya, galabeya or jalamia is a loose-fitting, traditional garment from the Nile Valley. Today, it is associated with farmers living in Egypt and comes in rich color varieties. The garment is also worn in Sudan, but has other textures and is usually white, as well as some communities from Eritrea and Ethiopia. The colorful Egyptian style is used by both men and women.
Egyptian cultural dress is the clothes, shoes, jewelry, and other items of fashion common to the Egyptian people and recognizable as particularly representative of Egyptian culture.
