Tap dance is a form of dance characterized by using the sounds of tap shoes striking the floor as a form of percussion. Two major variations on tap dance exist: rhythm (jazz) tap and Broadway tap. Broadway tap focuses on dance; it is widely performed in musical theater. Rhythm tap focuses on musicality, and practitioners consider themselves to be a part of the jazz tradition.
Yankee Doodle Dandy is a 1942 American biographical musical film about George M. Cohan, known as "The Man Who Owned Broadway". It stars James Cagney, Joan Leslie, Walter Huston, and Richard Whorf, and features Irene Manning, George Tobias, Rosemary DeCamp, Jeanne Cagney, and Vera Lewis. Joan Leslie's singing voice was partially dubbed by Sally Sweetland.
Raymond Wallace Bolger was an American actor, dancer, singer, vaudevillian, and stage performer who started his movie career in the silent-film era.
Edwin Fitzgerald, known professionally as Eddie Foy and Eddie Foy Sr., was an American actor, comedian, dancer and vaudevillian.
Bill Robinson, nicknamed Bojangles, was an American tap dancer, actor, and singer, the best known and the most highly paid African-American entertainer in the United States during the first half of the 20th century. His long career mirrored changes in American entertainment tastes and technology. His career began in the age of minstrel shows and moved to vaudeville, Broadway theatre, the recording industry, Hollywood films, radio, and television.
Clog dancing is a form of step dance characterised by the wearing of inflexible, wooden soled clogs. Clog dancing developed into differing intricate forms both in Wales and also in the North of England. Welsh clog dancing mainly originates from various slate mines where workers would compete against each other during work breaks. Northern English traditional clog dancing originates from Lancashire, Yorkshire, County Durham, Northumberland and the Lake District.
George M! is a Broadway musical based on the life of George M. Cohan, the biggest Broadway star of his day who was known as "The Man Who Owned Broadway." The book for the musical was written by Michael Stewart, John Pascal, and Francine Pascal. Music and lyrics were by George M. Cohan himself, with revisions for the musical by Cohan's daughter, Mary Cohan.
Flash dancing was a form of tap dance that evolved in the 1920s–1930s, which combined dance with acrobatics. Prominent flash dance acts of the time include the Nicholas Brothers, The Four Step Brothers and the Berry Brothers.
Perry Bradford was an American composer, songwriter, and vaudeville performer. His most notable songs included "Crazy Blues," "That Thing Called Love," and "You Can't Keep A Good Man Down." He was nicknamed "Mule" because of his stubbornness, and he is credited with finally persuading Okeh Records to work with Mamie Smith leading to her historic blues recording in 1920.
Betty Knox was an American dancer and journalist. Her early career was in American vaudeville and British variety as the original ‘Betty’ (1928–1941) of Wilson, Keppel and Betty – a dance trio who performed slick comedy routines in Egyptian dress, including the Sand Dance and the Dance of the Seven Veils. When she retired from dancing she became a journalist for the London Evening Standard and was subsequently a war correspondent in Normandy and a reporter at the Nuremberg trials.
Marshall Winslow Stearns was an American jazz critic and musicologist. He was the founder of the Institute of Jazz Studies.
George Michael Cohan was an American entertainer, playwright, composer, lyricist, actor, singer, dancer and theatrical producer.
James Edward Barton was an American vaudevillian, stage performer, and a character actor in films and on television.
Sanding, also known as sand jigging or sand dancing, is a type of dance performed as a series of slides and shuffles on a sand-strewn floor. In some instances, the sand is spread across an entire stage. In other cases, it is kept in a box that the dancer stays in throughout the dance. Originally a soft-shoe technique, scratching in sand can also add a different texture to the percussion of tap. There is no one type of shoe used to sand dance; traditional tap shoes are used alongside soft shoes and leather boots, all creating a distinctive sound. Willie "The Lion" Smith said of sanding, "You could really hear and feel the rhythm when the dancers shuffled around in a nice pair of patent-leather shoes".
Wilson, Keppel and Betty formed a popular British music hall and vaudeville act in the middle decades of the 20th century. They capitalised on the fashion for Ancient Egyptian imagery following the discovery of the tomb of Tutankhamun. The "sand dance" that formed the highlight of their act was a parody of postures from Egyptian tomb paintings, combined with references to Arabic costume. The lithe and extremely lanky Wilson and Keppel, who wore long moustaches and make-up to emphasise the sharp angularity of their features and make them appear almost identical, demonstrated their impressive suppleness in adopting wild gestures and dancing in identical "stereo" movements, while Betty joined their antics. The act included a soft-shoe routine performed on a layer of sand spread on the stage to create a rhythmic scratching with their shuffling feet and was usually performed to the familiar Egyptian Ballet (1875), by Alexandre Luigini.
Joe Bennett was an American vaudeville eccentric dancer. Harland Dixon described him as "[having] legs of iron ... He only had a few routines but they were gifts from heaven - the greatest comedy dancer I ever saw."
Ulysses "Slow Kid" Thompson was a comedian, singer, tap and acrobatic dancer whose nickname was inspired by his ability to perform a comical, and incredibly slow, dance routine. His career included work in circus, medicine, minstrel, vaudeville, and Broadway.
Nellie Breen was an American comedian and dancer. In vaudeville, she appeared in a double act with Lester Allen. Her Broadway theater credits include: Everything (1918), The Passing Show of 1922 (1922), Ginger, Mercenary Mary, Florida Girl, and The Desert Song. In 1922, she did the first tap dance on radio.
The Whitman Sisters were four African-American sisters who were stars of Black Vaudeville. They ran their own performing touring company for over forty years from 1900 to 1943, becoming the longest-running and best-paid act on the T.O.B.A. circuit. They comprised Mabel (May) (b. Ohio; 1880–1942), Essie (Essie Barbara Whitman; b. Osceola, Arkansas, July 4, 1882 – May 7, 1963), Alberta "Bert" (b. Kansas; 1887–1964) and Alice (b. Georgia; 1900–December 29, 1968).
Miller Brothers and Lois, a renowned tap dance class act team, comprising Danny Miller, George Miller and Lois Bright, was a peak of platform dancing with the tall and graceful Lois said to distinguish the trio. The group performed the majority of their act on platforms of various heights, with the initial platform spelling out M-I-L-L-E-R. They performed over-the-tops, barrel turns and wings on six-foot-high pedestals. They toured theatres coast to coast with Jimmy Lunceford and his Orchestra, Cab Calloway and his Orchestra, and the Count Basie Band.
