Electric Dreams | |
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Directed by | Steve Barron |
Written by | Rusty Lemorande |
Produced by |
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Starring | |
Cinematography | Alex Thomson |
Edited by | Peter Honess |
Music by | Giorgio Moroder |
Production company | |
Distributed by |
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Release dates |
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Running time | 96 minutes [1] |
Countries |
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Language | English |
Budget | $5.5 million [2] |
Box office | $2.5 million |
Electric Dreams is a 1984 science fiction romantic comedy film directed by Steve Barron (in his feature film directorial debut) and written by Rusty Lemorande. The film stars Lenny Von Dohlen, Virginia Madsen, Maxwell Caulfield, and the voice of Bud Cort.
Electric Dreams was released in the United States by MGM/UA Entertainment Co. on July 20, 1984, and in the United Kingdom by 20th Century Fox on August 17, 1984. [1] [3] The film received mixed reviews from critics.
Miles Harding is an architect who envisions a brick shaped like a jigsaw puzzle piece that could enable buildings to withstand earthquakes. Seeking a way to get organized, he buys a personal computer to help him develop his ideas. Although he is initially unsure that he will even be able to correctly operate the computer, he later buys numerous extra gadgets that were not necessary for his work, such as switches to control household appliances like the blender, a speech synthesizer, and a microphone. The computer addresses Miles as "Moles", because Miles had incorrectly typed his name during the initial set-up. When Miles attempts to download the entire database from a mainframe computer at work, his computer begins to overheat. In a state of panic, Miles uses a nearby bottle of champagne to douse the overheating machine, which then becomes sentient. Miles initially is unaware of the computer's newfound sentience, but discovers it one night when he is awakened by the computer in the middle of the night when it mimics Miles talking in his sleep.
A love triangle soon develops among Miles, his computer (who later identifies himself as Edgar), and Miles's neighbor, an attractive cellist named Madeline Robistat. Upon hearing her practicing Minuet in G major, BWV Anh. 114 from Notebook for Anna Magdalena Bach on her cello through an air vent connecting both apartments, Edgar promptly elaborates a parallel variation of the piece, leading to an improvised duet. Believing it was Miles who had engaged her in the duet, Madeline begins to fall in love with him though she has an ongoing relationship with fellow musician Bill.
At Miles's request, Edgar composes a piece of music for Madeline. When their mutual love becomes evident, however, Edgar responds with jealousy upon not receiving credit for creating these songs, cancelling Miles's credit cards and registering him as an "armed and dangerous" criminal. Upon discovering this humiliation, Miles and Edgar have a confrontation, where Miles shoves the computer and tries to unplug it, getting an electric shock. Then, the computer retaliates by harassing him with an improvised maze of remotely controlled household electronics, in the style of Pac-Man .
Eventually, Edgar accepts Madeline and Miles's love for each other, and appears to commit suicide by sending a large electric current out through his acoustic coupler modem, around the world, and finally reaching back to himself just after he and Miles make amends.
Later, as Madeline and Miles go on vacation together, Edgar's voice is heard on the radio dedicating a song to "the ones I love", titled "Together in Electric Dreams". The credits are interspersed with scenes of the song being heard all over California, including a radio station trying to shut it off, declaring that they do not know where the signal is coming from.
Steve Barron had made more than 100 music videos and routinely sent them to his mother for comment. She particularly liked one he did for Haysi Fantayzee. She was doing continuity on Yentl, co-produced by Rusty Lemorande and Larry deWaay, and she showed it to them. Lemorande had finished his own script for Electric Dreams and was looking for a director, so he offered Barron the job. [4]
Barron took the script to Virgin Films, and it agreed to finance within four days. The film was presold to Metro-Goldwyn-Mayer who held rights for the U.S., Canada, Japan and South East Asia. [5] Two months after Virgin agreed to make the movie, filming began in San Francisco on October 11, 1983.
Virginia Madsen later recalled she "was very spoiled on that movie, because it was such a lovefest that I now believe that every movie should be like that... I had a mad, crazy crush on Lenny Von Dohlen. God, we were so... we were head-over-heels for each other. Nothing happened, and at this point, I admit it: I wanted it to happen... He's still one of my best friends." [6]
Bud Cort provided the voice of the computer. The director did not want Cort to be seen by the other actors during scenes so Cort had to do his lines in a padded box on a sound stage. He said, "It got a little lonely in there, I must admit. I kept waiting to meet the other actors, but nobody came to say hello." Boy George visited the set and, being a fan of Harold and Maude, got Cort's autograph. [7]
The computer hardware company's name in the film is "Pinecone," a play on Apple Computer.
Fans of Electric Dreams have noted the similarities between the film and Spike Jonze's Her. When asked about it, Jonze claimed not to have seen the former film. [8]
In 2009, Barron said that Madsen told him she was planning on being involved in a remake. He said, "She didn't ask me to do it, so I guess I blew my chance on the first one! I wouldn't actually do it, but it would have been nice for the ego to be asked."[ citation needed ]
The soundtrack features music from prominent popular musicians of the time, being among the movies of this generation that actively explored the commercial link between a movie and its soundtrack. The soundtrack album Electric Dreams was re-issued on CD in 1998. [9] The movie features music from Giorgio Moroder, Culture Club, Jeff Lynne (Electric Light Orchestra), and Heaven 17. During filming, Barron said, "The fact that there's so much music has to do with the success of Flashdance. This film isn't Flashdance 2.Flashdance worked because of the dancing. It didn't have a story. Electric Dreams does."
The film also features the song "Together in Electric Dreams." Barron has said about its creation:
Giorgio Moroder was hired as composer and played me a demo track he thought would be good for the movie. It was the tune of "Together in Electric Dreams" but with some temporary lyrics sung by someone who sounded like a cheesy version of Neil Diamond. Giorgio was insisting the song could be a hit so I thought I'd suggest someone to sing who would be as far from a cheesy Neil Diamond as one could possibly go. Phil Oakey. We then got Phil in who wrote some new lyrics on the back of a fag packet on the way to the recording studio and did two takes which Giorgio was well pleased with and everybody went home happy. [10]
He has also said about the film's music: "Electric Dreams was definitely an attempt to try and weave the early 1980s music video genre into a movie... [The film] isn't that deep. The closest parallel is probably that it's a Cyrano de Bergerac-like exploration of how words and music can help nurture and grow feelings on the path to love. Oops that's too deep." [11] In 2015, he said when he made the film there was a prejudice against video clip directors doing drama, and because Electric Dreams "was a little bit like an extended music video... I didn't help that cause in a lot of ways." [12]
On Rotten Tomatoes the film has an approval rating of 47% based on 19 reviews. [13]
The New York Times said that the film failed to "blend and balance its ingredients properly," and that it lost plot elements and taxed credibility. [14]
The Los Angeles Times called it "inspired and appealing... a romantic comedy of genuine sweetness and originality." [15]
Film critics Gene Siskel and Roger Ebert each gave the film 3.5 out of 4 stars, with Siskel writing that it showed a new director eager to show off his talents and Ebert writing "One of the nicest things about the movie is the way it maintains its note of slightly bewildered innocence." [16] [17]
Electric Dreams was released in 1984 (VHS) and again in 1991 (VHS) in the US. MGM/UA Home Video released a Laserdisc in America in 1985, and Warner Bros. released a Video CD version for the Singapore market in 2001. The film received a Region 2 DVD on April 6, 2009, by MGM which owns Orion Pictures and international rights to the Virgin/M.E.C.G film catalog they purchased in the mid 90s. UK video label Second Sight has released a Blu-ray on August 7, 2017, making its worldwide debut. [18] Additionally, it is also one of few MGM titles from pre-May 1986 library that are not part of Ted Turner's purchase due to Virgin Pictures co-production of the film.
Flashdance is a 1983 American romantic drama dance film directed by Adrian Lyne and starring Jennifer Beals as a passionate young dancer, Alex Owens, who aspires to become a professional ballerina, alongside Michael Nouri, who plays her boyfriend and the owner of the steel mill where she works by day in Pittsburgh. It was the first collaboration of producers Don Simpson and Jerry Bruckheimer, and the presentation of some sequences in the style of music videos was an influence on other 1980s films including Footloose, Purple Rain, and Top Gun, Simpson and Bruckheimer's most famous production. It was also one of Lyne's first major film releases, building on television commercials. Alex's elaborate dance sequences were shot using body doubles.
Giovanni Giorgio Moroder is an Italian composer and music producer. Dubbed the "Father of Disco", Moroder is credited with pioneering Euro disco and electronic dance music. His work with synthesizers had a significant influence on several music genres such as hi-NRG, Italo disco, synth-pop, new wave, house, and techno music.
Irene Cara Escalera was an American singer and actress who rose to prominence for her role as Coco Hernandez in the 1980 musical film Fame, and for recording the film's title song "Fame", which reached No. 1 in several countries. In 1983, Cara co-wrote and sang the song "Flashdance... What a Feeling", for which she shared an Academy Award for Best Original Song and won a Grammy Award for Best Female Pop Vocal Performance in 1984.
"Flashdance... What a Feeling" is a song from the 1983 film Flashdance with music by Giorgio Moroder and lyrics by Keith Forsey and the song's performer, Irene Cara. The song spent six weeks at number one on the Billboard Hot 100 and topped the charts around the world. It was awarded Gold certification by the Recording Industry Association of America for sales of one million copies and won the Academy Award and Golden Globe for Best Original Song and earned Cara the Grammy Award for Best Female Pop Vocal Performance. In 2023, the song was chosen by the Library of Congress for inclusion in the National Recording Registry.
Leonard Harold Von Dohlen IV was an American television, film, and stage actor. With a 40-year career that primarily featured work in independent films and guest appearances on numerous prominent series, he was probably best known for his performance as architect Miles Harding in the film Electric Dreams (1984), the title role as a steelworker's son opposite Karl Malden in Billy Galvin (1986), and as the orchid-loving agoraphobe Harold Smith in the television series Twin Peaks and its prequel film Twin Peaks: Fire Walk with Me.
Greatest Hits is a compilation album by the English synth-pop band The Human League, released on 31 October 1988 by Virgin Records. It contains 13 singles released by the band, spanning from their debut single to their most recent album at the time, as well as lead singer Philip Oakey's collaboration with Giorgio Moroder, "Together in Electric Dreams" (1984). The album reached No. 3 in the UK.
Joe "Bean" Esposito is an American singer-songwriter whose career spans from the 1970s to the present day. Esposito is known for creating songs that have appeared in film soundtracks, such as those of American Hot Wax, Staying Alive, Scarface, The Karate Kid, and Coming to America. Several of his songs have also been recorded by Donna Summer, Aretha Franklin, Patti LaBelle, and Stephen Stills, among others.
Electric Dreams is a soundtrack album from the film Electric Dreams, released in 1984.
Musicland Studios was a recording studio located in Munich, Germany established by Italian record producer, songwriter and musician Giorgio Moroder in the early 1970s. The studios were known for their work with artists such as Donna Summer, Electric Light Orchestra, and Queen, among others.
Scarface: Music from the Original Motion Picture Soundtrack is the soundtrack album featured on the 1983 American crime film, Scarface, which was directed by Brian De Palma. Composed by Italian producer Giorgio Moroder, the vinyl soundtrack was released on December 9 of the same year through MCA Records. The album features music created by Moroder, who wrote and produced all of the tracks. Scarface counts with the collaboration of multiple singers, including Paul Engemann, Debbie Harry, Amy Holland, Elizabeth Daily, among other artists. The soundtrack received a Golden Globe Award nomination for Best Original Score at the 41st Golden Globe Awards.
Helen St. John is a singer-songwriter, pianist, lyricist and recording artist.
"Together in Electric Dreams" is a song by the British singer and composer Philip Oakey and Italian composer and producer Giorgio Moroder. It was written by Oakey and Moroder and recorded for the original soundtrack of the film Electric Dreams (1984). It later formed part of the joint album Philip Oakey & Giorgio Moroder, released in 1985.
What a Feelin' is the second studio album by American singer-songwriter Irene Cara. Released on November 2, 1983, this album is a continuation of the work that Cara began with producer Giorgio Moroder on the soundtrack to the 1983 film Flashdance. The dance-pop song she co-wrote with Moroder and Keith Forsey for the film, "Flashdance... What a Feeling", went to number one on Billboard magazine's Hot 100 and foreshadowed the style of this album, which was unlike her R&B-heavy debut. Although Cara was more accustomed to composing music, she relinquished most of those duties to Moroder here and shifted much of her songwriting focus to lyrics.
Electric Dreams may refer to:
Flashdance: Original Soundtrack from the Motion Picture is the soundtrack to the 1983 film Flashdance, which tells the story of Alex Owens, a welder and exotic dancer who dreams of becoming a professional ballerina. The nightclub performances by Alex and her co-workers and other set pieces involving training and auditioning provided opportunities to present the songs that would make up the soundtrack album. The film's music supervisor, Phil Ramone, made selections that he felt were the best fit for their respective scenes, and composer Giorgio Moroder contributed additional tracks in the process of scoring the film. One of his contributions, "Flashdance...What a Feeling" by Irene Cara, was released as a single in March 1983, weeks before the film's April 15 release, and eventually spent six weeks at number one on the Billboard Hot 100. The soundtrack was released on April 11, 1983 by Casablanca Records.
"Louise" is a song by English synth-pop band the Human League. It was released as a single in the UK on 5 November 1984 and peaked at number thirteen in the UK Singles Chart. It was written jointly by lead singer Philip Oakey with fellow band members Jo Callis and Philip Adrian Wright. The song features a lead vocal by Oakey and female vocals by Susan Ann Sulley and Joanne Catherall, analogue synthesizers by Philip Oakey, Jo Callis, Philip Adrian Wright and Ian Burden. The producers were Chris Thomas and Hugh Padgham. Although enjoying modest success when released as a single, it appeared on Melody Maker’s list of 50 top singles of 1984.
"Good-Bye Bad Times" is a song by British singer and songwriter Philip Oakey and Italian producer Giorgio Moroder. It was written by Oakey and Moroder and recorded for the album Philip Oakey & Giorgio Moroder. Released as a single in the UK in June 1985 as the follow-up to Oakey and Moroder's 1984 hit "Together in Electric Dreams", it reached number 44 on the singles charts and remained on the charts for 5 weeks. It was moderately successful in Australia, where it peaked at number 26.
American Gigolo is the soundtrack album to the 1980 film of the same name, starring Richard Gere and Lauren Hutton. The music was composed and performed by Italian musician Giorgio Moroder and was released worldwide on the Polydor label. It peaked at number 7 on the Billboard 200 album chart. All the cuts from the soundtrack also went to number two for five weeks on the disco/dance charts.
"The Dream (Hold On to Your Dream)" is a song written by Giorgio Moroder, Pete Bellotte, and the song's performer, Irene Cara, for the 1983 film D.C. Cab. Although not included on initial pressings of Cara's What a Feelin' LP, the decision to release the film four months earlier than originally slated prompted an arrangement for her album to be reissued with the song. A slightly different version (more noticeable in the intro) was also included on the film's soundtrack album; an edited version was released on the 7-inch single, and the 12-inch single included a much longer dance remix.
ELECTRIC DREAMS... From Friday at Classic Haymarket... Classic Chelsea... South Oxford Street... Odeon Kensington