Emily Barber | |
---|---|
Born | Peterborough, England | 26 September 1991
Occupation | Actress |
Years active | 2013–present |
Awards | Best Newcomer Manchester Theatre Awards 2015, Commendation Ian Charleson Awards 2015 |
Emily Barber (born 26 September 1991) is an English stage, television and film actress having had roles in Endeavour and The Royals (2018), Call The Midwife and Backdraft 2 (2019), The Alienist (2020), and Bridgerton in 2022.
Her theatre career started with Best Newcomer at the Manchester Theatre Awards for her debut as Liz in Billy Liar at the Royal Exchange Theatre in 2015. She followed that with a nomination for the Ian Charleson Awards for her performance as Imogen in Cymbeline at the Globe Theatre in 2016.
Barber graduated from the Royal Welsh College of Music and Drama in 2014, for which she received a bursary from The Richard Carne Trust. [1] She had her professional debut as Liz in Billy Liar , [1] at the Royal Exchange Theatre, [1] for which she was named Best Newcomer at the Manchester Theatre Awards in 2015. [2] Barber received a Commendation at the 2015 Ian Charleson Awards [3] for her lead role as Imogen in Cymbeline at Shakespeare's Globe. [4] [5] [6] [7] Her appearance in Cymbeline also prompted The Independent to name her as "One to Watch". [8] Later in 2015 she starred opposite David Suchet in The Importance of Being Earnest at London's Vaudeville Theatre. [9] [10] [11] [12] Since May 2024, Barber has played the lead role of Ewen Montagu in Operation Mincemeat at London’s Fortune Theatre.
Alongside a series of theatrical roles and guest television appearances in subsequent years, Barber has also had a recurring role as Cassandra Von Halen in The Royals for the E! TV network. [13] She played the role of Violet Hayward opposite Luke Evans in Season 2 of the TNT/Paramount TV Series The Alienist. [14]
Cymbeline, also known as The Tragedie of Cymbeline or Cymbeline, King of Britain, is a play by William Shakespeare set in Ancient Britain and based on legends that formed part of the Matter of Britain concerning the early historical Celtic British King Cunobeline. Although it is listed as a tragedy in the First Folio, modern critics often classify Cymbeline as a romance or even a comedy. Like Othello and The Winter's Tale, it deals with the themes of innocence and jealousy. While the precise date of composition remains unknown, the play was certainly produced as early as 1611.
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