Eric Matthew | |
---|---|
Birth name | Joseph William Tucci |
Born | 1953 |
Origin | Queens, New York |
Genres | Rock Disco R&B |
Occupation(s) | Producer, songwriter, engineer |
Instrument(s) | Guitar, piano, vocals |
Labels | Radar Records, Columbia Records |
Joseph William Tucci (born 1953), [1] known under his alias Eric Matthew, is an American record label owner, record producer, engineer, songwriter and guitarist, previously involved in the New York post-disco scene of the early 1980s.
Tucci originally performed at weddings, bar mitzvahs and parties in the New York metropolitan area with his friends. Then, after producing a demo with fellow band member Gary R. Turnier, he landed a record deal with indie label SAM Records, owned by Sam Weiss, which by then had major label Columbia as their distribution company. [2] Essentially a minimal rock combo with musical influences ranging from deep funk, pop, jazz to disco, the band, named Gary's Gang by Turnier and Tucci, consisted of a saxophonist, a trombonist, a flautist, a percussionist, and keyboardists. The second album, Keep on Dancing, performed well on the music charts, peaking at #27 on the Billboard R&B Albums and #42 on the Billboard 200. [3] This accomplishment led Tucci to establish his own record label and produce other artists. His productions included "Reach Up" by Toney Lee (on his own label) and the album Redd Hott by Sharon Redd (for Prelude Records). With Gary Turnier he produced records like Tracy Weber's "Sure Shot," Sinnamon's "Thanks to You," and Dr. Jekyll & Mr. Hyde's "Genius Rap" in his garage. [4]
Tucci [5] is married and has three daughters. [6] His musical influences include 1960s pop and the "zaniness of the later Beatles albums." [4]
Year | Work | Label | Add. | Role | Peak chart positions | |
---|---|---|---|---|---|---|
US R&B | US DAN | |||||
Gary's Gang | ||||||
1978 | "Keep On Dancin’" | Columbia Records/Sony | artist, co-writer, co-producer | 11 | 1 | |
Sharon Redd | ||||||
1982 | "Beat the Street" | Prelude | with Darryl Payne | co-writer, co-producer | 41 | — |
1983 | "Takin' a Chance on Love" | Prelude | with Gene Redd, S. Redd, Ruth Carson | co-writer, producer | — | — |
"You're the One" | Prelude | with Daryl Payne | co-writer, producer | — | — | |
"Love How You Feel" | Prelude | alone | writer, producer | — | 16 | |
1984 | "You're a Winner" | Prelude | with S. Redd, Scott Nesbitt | co-writer, producer | — | — |
Elektric Funk | ||||||
1982 | "On a Journey (I Sing the Funk Electric)" | Prelude | with Darryl Payne, Miles Watson | co-writer, co-producer | — | 33 |
Toney Lee | ||||||
1982 | "Reach Up" | Radar | with Toney Lee | co-writer, producer | — | 8 |
France Joli | ||||||
1982 | "Your Good Lovin'" | Prelude | with Darryl Payne | co-writer, co-producer | — | 53 |
Sinnamon | ||||||
1982 | "Thanks to You" | Becket | with Darryl Payne, Keith Diamond | co-writer, co-producer | 44 | 1 |
Disco 4 | ||||||
1983 | "We're at the Party" | Profile | with Disco 4 | co-writer, producer | 84 | — |
Rockell | ||||||
1998 | "In a Dream" | Robbins Entertainment | co-producer | — | 13 | |
Phats & Small | ||||||
1998 | "Turn Around" | Multiply Records | with Toney Lee | co-writer | — | 1 |
Soulsearcher | ||||||
1998 | "Can't Get Enough" | Defected Records | co-writer | — | 20 |
Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars.
Synth-pop is a music genre that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s.
Kool & the Gang is an American R&B, soul, and funk group formed in Jersey City, New Jersey in 1964. Its founding members include brothers Robert "Kool" Bell and Ronald Bell aka "Khalis Bayyan", Dennis "Dee Tee" Thomas, Robert "Spike" Mickens, Charles Smith, George Brown, Sir Earl Toon, Woodrow "Woody" Sparrow, and Ricky Westfield. They have undergone numerous changes in personnel and have explored many musical styles throughout their history, including jazz, rhythm and blues, soul, funk, disco, rock, and pop music. The group changed their name several times. Settling on Kool & the Gang, the group signed to De-Lite Records and released their debut album, Kool and the Gang (1969).
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Popular music of the United Kingdom in the 1980s built on the post-punk and new wave movements, incorporating different sources of inspiration from subgenres and what is now classed as world music in the shape of Jamaican and Indian music. It also explored the consequences of new technology and social change in the electronic music of synthpop. In the early years of the decade, while subgenres like heavy metal music continued to develop separately, there was a considerable crossover between rock and more commercial popular music, with a large number of more "serious" bands, like The Police and UB40, enjoying considerable single chart success.
The Kane Gang were an English pop trio formed in Seaham in 1982. The group comprised Martin Brammer, Paul Woods and Dave Brewis. They scored several UK and US hits in the 1980s. Named alluding to the movie Citizen Kane, the trio recorded for the record label Kitchenware, which was also home to Prefab Sprout.
Gary's Gang was an American R&B/pop rock group best known for the U.S. hit "Keep on Dancin'", which reached #41 on the Billboard Hot 100 in 1978. The song also climbed to #8 in the UK Singles Chart, #14 on the Hot Soul Singles chart in 1978 and also made #1 on the Hot Dance Club Play chart, as did two of the group's other songs, "Do It at the Disco" and "Let's Lovedance Tonight". The latter was later used as the sampling background track to Soulsearcher's 1999 #20 Dance Club Play hit, "Can't Get Enough".
Sharon Redd was an American singer from New York City. She was the half sister of Snap! singer Penny Ford.
Cheryl Lynn is an American singer and songwriter. She is best known for her songs during the late 1970s through the mid-1980s, including the 1978 R&B/disco song "Got to Be Real".
D.C. LaRue is an American singer, songwriter and producer. His music was successful in clubs and on dance music charts worldwide during the 1970s and early 1980s.
Dance-rock is a dance-infused genre of rock music. It is a post-disco genre connected with pop rock and post-punk with fewer rhythm and blues influences. It originated in the early 1980s, following the decline in popularity of both punk and disco.
Chic, currently called Nile Rodgers & Chic, is an American disco band that was formed in 1972 by guitarist Nile Rodgers and bassist Bernard Edwards. It recorded many commercially successful disco songs, including "Dance, Dance, Dance " (1977), "Everybody Dance" (1977), "Le Freak" (1978), "I Want Your Love" (1978), "Good Times" (1979), and "My Forbidden Lover" (1979). The group regarded themselves as a rock band for the disco movement "that made good on hippie peace, love and freedom". In 2017, Chic was nominated for induction into the Rock and Roll Hall of Fame for the eleventh time.
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De-Lite Records, whose formal name was De-Lite Recorded Sound Corporation, was a record label specializing in R&B music from 1969 to 1985; Island Records now manages the De-Lite catalog.
Post-disco is a term to describe an aftermath in popular music history circa 1979–1986, imprecisely beginning with the backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of new wave in 1980. During its dying stage, disco displayed an increasingly electronic character that soon served as a stepping stone to new wave, old-school hip hop, Euro disco, and was succeeded by an underground club music called hi-NRG, which was its direct continuation.
This article includes an overview of the famous events and trends in popular music in the 1980s.
The Jackson 5, later the Jacksons, is an American pop band composed of members of the Jackson family. The group was founded in 1964 in Gary, Indiana, and originally consisted of brothers Jackie, Tito, Jermaine, Marlon and Michael. They were managed by their father Joe Jackson. The group were among the first African American performers to attain a crossover following.
Boogie is a rhythm and blues genre of electronic dance music with close ties to the post-disco style, that first emerged in the United States during the late 1970s to mid-1980s. The sound of boogie is defined by bridging acoustic and electronic musical instruments with emphasis on vocals and miscellaneous effects. It later evolved into electro and house music.
Komiko was a short-lived electronic music studio group signed to SAM Records, an independent label in New York City. According to Allmusic, Carol Williams was once a member of this group but the vocals are attributed to unnamed female personnel, most likely a guest vocalist. Their so-far only song "Feel Alright," written by Nick Braddy, was a collaboration between record producers Darryl Payne and Gary Turnier. Record sleeve note ascribes production credit to Totally Funked Up Productions, Inc. which is a company based in Delaware.
Vicky "D" was a short-lived New York City-based post-disco/garage house group best known for their club hit "This Beat Is Mine". Released in late 1981, the song peaked at number 11 on the Billboard Club Play Singles chart in February 1982, and peaked at number 42 on the UK Singles Chart in March 1982.