Esteban Maroto | |
---|---|
Born | 1942 Madrid, Spain |
Nationality | Spanish |
Area(s) | Penciller, Inker |
Notable works | 1984 Creepy Eerie Vampirella |
Esteban Maroto (born 1942) is a Spanish comic book artist.
Born in Madrid, he began his career in the 1960s with series like Cinco por infinito, published in English by Continuity Comics as Zero Patrol (heavily retouched by editor Neal Adams).
'Wolff' by Maroto was published in the UK by New English Library in the magazine Dracula. Dracula was published in the US by the Warren Publishing Company under the title Dracula Book 1 in 1972; the cover was by Esteban Maroto.
In the 1970s he started to be known in his own country when the magazine Trinca published Alma de Dragón. He designed the "metal bikini" for the character Red Sonja, in Savage Tales #3, Comixscene #5, and in the first issue of The Savage Sword of Conan and pencilled her first solo story, which was inked by Neal Adams and Ernie Chan. He also redesigned Satana for Marvel Comics and drew her second solo story in Vampire Tales #3. In issue 4 of the same series he drew an outstanding adaptation of the short story "The Drifting Snow" by August Derleth.
Maroto joined Warren Publishing in November 1971 when artists from the Spanish agency Selecciones Ilustradas started appearing in their three horror magazines, Creepy , Eerie and Vampirella . Maroto's first story, "Wolfhunt", appeared in Vampirella #14. He would eventually draw 101 stories for them, more than any other artist except Jose Ortiz. Maroto won the Warren Award for best artist/writer in 1972, and his story "A Scream in the Forest" won the best art in a story award in 1973. Maroto remained with Warren until its folding in 1983.
Two Maroto's series were reprinted in Eerie and Vampirella. Manly, renamed Dax the Warrior, was reprinted in issues 39–41, 43–50 and 52 of Eerie. The whole issue 59 was dedicated to Dax, reprinting the majority of these stories. His series Tomb of the Gods was reprinted in Vampirella issues 17–22.
He also contributed black and white illustrations for the Roger Zelazny book Changeling and Larry Niven's The Magic Goes Away .
Maroto subsequently worked on the series Amethyst , Zatanna , Atlantis Chronicles , [1] The Savage Sword of Conan , Cadillacs and Dinosaurs , Dracula: Vlad the Impaler and X-Men Unlimited . In Italy, he worked for Sergio Bonelli Editore's series Brendon .
Comics work (interior art) includes:
Red Sonja is a sword-and-sorcery character created by writer Roy Thomas and artist Barry Windsor-Smith for Marvel Comics in 1973, partially inspired by Robert E. Howard's character Red Sonya of Rogatino.
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Vampirella is a vampire superheroine created by Forrest J Ackerman and comic book artist Trina Robbins in Warren Publishing's black-and-white horror comics magazine Vampirella #1, a sister publication of Creepy and Eerie.
Eerie was an American magazine of horror comics introduced in 1966 by Warren Publishing. Like Mad, it was a black-and-white magazine intended for newsstand distribution and did not submit its stories to the comic book industry's voluntary Comics Code Authority. Each issue's stories were introduced by the host character, Cousin Eerie. Its sister publications were Creepy and Vampirella.
Warren Publishing was an American magazine company founded by James Warren, who published his first magazines in 1957 and continued in the business for decades. Magazines published by Warren include After Hours, Creepy, Eerie, Famous Monsters of Filmland, Help!, and Vampirella.
Creepy was an American horror comics magazine launched by Warren Publishing in 1964. Like Mad, it was a black-and-white newsstand publication in a magazine format and did not carry the seal of the Comics Code Authority. An anthology magazine, it initially was published quarterly but later went bimonthly. Each issue's stories were introduced by the host character, Uncle Creepy. Its sister publications were Eerie and Vampirella.
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Paving the way for his legendary relaunch of Aquaman, writer Peter David crafted a seven-issue series delving into the history of the mythical people of the undersea kingdom of Atlantis. Aided by the classical style of Esteban Maroto, David connected the saga of Arion with that of Aquaman.
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