Eusebius of Cremona was a 5th-century monk, pre-congregational saint, [1] and disciple of Jerome.
He was born in Cremona. As a young man he travelled to Rome where he became an associate of Jerome, who was a secretary for Pope Damascus. Like Jerome he was a student of ardent and ascetic religion. He also formed at this time an informal ascetic fraternity in Rome with Marcella, Oceanus and Pammachius. [2]
Jerome wrote a commentary on the Book of Jeremiah for him. [3]
He travelled with Jerome to the Holy Land, where he met Saint Paula and Saint Eustochium. They travelled to Jerusalem, after which Eusebius founded a monastery in Bethlehem and acted as its abbot for a time, until returning to Cremona in 400. From Jerusalem, he may have travelled to Egypt with Jerome at about this time.
In AD 400 Eusebius returned to Italy via Dalmatia to raise funds for a pilgrim hostel. [4] It was then that he represented Jerome to the Pope, and convinced the Pope of the error of Origen. [5]
He succeeded Jerome as the head of his monastery, [6] in Italy.
A tradition credits him with founding Guadalupe Abbey in Spain in latter life. Another late traditions credits him with raising three men from the dead, [7] an event painted twice by Raphael Sanzio. [8]
He lived until 423AD and is remembered with a feast day on May 5. It is unknown where he died. One tradition holds he is buried next to Jerome in Bethlehem, and the crypt there is dedicated to him, however a second tradition holds he is buried in Italy.
During the Origen Disputes he was a vigorous [3] and active supporter of Jerome, [9] and is believed to have persuaded Pope Anastasius to condemn Origen's writings. [2]
During the controversy, a letter form John, Bishop of Jerusalem to Eusebius, was stolen, [10] and Jerome accused the thief of being in the service of Rufinus, [11] who had until this time been on fairly good relations with Eusebius. Jerome made this claim because Rufinius sent the document to the Pope, accusing Jerome of having falsified the original. The pope eventually sides with Jerome. Rufinius accused Eusebius of being "evil in this matter" [12] and of conspiring with Marcella. [13] [14]
There is a pseudepigraphical letter from Eusebius to Pope Damascus. [15] [16]
Eusebius also sided with Jerome in the disputes with Pelagius. [2] [12]
Athanasius I of Alexandria, also called Athanasius the Great, Athanasius the Confessor, or, among Coptic Christians, Athanasius the Apostolic, was a Christian theologian and the 20th pope of Alexandria. His intermittent episcopacy spanned 45 years, of which over 17 encompassed five exiles, when he was replaced on the order of four different Roman emperors. Athanasius was a Church Father, the chief defender of Trinitarianism against Arianism, and a noted Egyptian Christian leader of the fourth century.
Eusebius may refer to:
Eusebius of Caesarea, also known as Eusebius Pamphilus, was a Greek or Palestinian historian of Christianity, exegete, and Christian polemicist. In about AD 314 he became the bishop of Caesarea Maritima in the Roman province of Syria Palaestina. Together with Pamphilus, he was a scholar of the biblical canon and is regarded as one of the most learned Christians during late antiquity. He wrote Demonstrations of the Gospel, Preparations for the Gospel and On Discrepancies between the Gospels, studies of the biblical text. As "Father of Church History", he produced the Ecclesiastical History, On the Life of Pamphilus, the Chronicle and On the Martyrs. He also produced a biographical work on Constantine the Great, the first Christian Roman emperor, who was augustus between AD 306 and AD 337.
Jerome, also known as Jerome of Stridon, was an early Christian priest, confessor, theologian, and historian; he is commonly known as Saint Jerome.
Origen of Alexandria, also known as Origen Adamantius, was an early Christian scholar, ascetic, and theologian who was born and spent the first half of his career in Alexandria. He was a prolific writer who wrote roughly 2,000 treatises in multiple branches of theology, including textual criticism, biblical exegesis and hermeneutics, homiletics, and spirituality. He was one of the most influential and controversial figures in early Christian theology, apologetics, and asceticism. He has been described as "the greatest genius the early church ever produced".
The 330s decade ran from January 1, 330, to December 31, 339.
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Tyrannius Rufinus, also called Rufinus of Aquileia, was a monk, philosopher, historian, and theologian who worked to translate Greek patristic material, especially the work of Origen, into Latin.
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Hexapla, also called Origenis Hexaplorum, is a critical edition of the Hebrew Bible in six versions, four of them translated into Greek, preserved only in fragments. It was an immense and complex word-for-word comparison of the original Hebrew Scriptures with the Greek Septuagint translation and with other Greek translations. The term especially and generally applies to the edition of the Old Testament compiled by the theologian and scholar Origen, sometime before AD 240.
Dame Averil Millicent Cameron, often cited as A. M. Cameron, is a British historian. She writes on Late Antiquity, Classics, and Byzantine Studies. She was Professor of Late Antique and Byzantine History at the University of Oxford, and the Warden of Keble College, Oxford, between 1994 and 2010.
The Mond Crucifixion or Gavari Altarpiece is an oil on poplar panel dated to 1502–1503, making it one of the earliest works by Italian Renaissance artist Raphael, perhaps the second after the c.1499-1500 Baronci Altarpiece. It originally comprised four elements, of which three survive, now all separated: a main panel of the Crucified Christ with the Virgin Mary, Saints and Angels which was bequeathed to the National Gallery, London, by Ludwig Mond, and a three-panel predella from which one panel is lost; the two surviving panels are Eusebius of Cremona raising Three Men from the Dead with Saint Jerome's Cloak in the Museu Nacional de Arte Antiga, in Lisbon, and Saint Jerome saving Silvanus and punishing the Heretic Sabinianus in the North Carolina Museum of Art.
The Last Communion of Saint Jerome is a painting by the Italian Renaissance master Sandro Botticelli, finished around 1494–1495. It is now in the Metropolitan Museum of Art, in New York City.
Angilas was a Byzantine taxiarch, active in the Lazic War (541-562). The main source about him is Agathias.
The Tall Brothers were four brothers among the Egyptian monks of Nitria in the fifth century by the names of Ammonius, Dioscorus, Eusebius, and Euthymius. They were referred to as the "Tall Brothers" because they were tall in stature and commanding in appearance.
The Church Fathers, Early Church Fathers, Christian Fathers, or Fathers of the Church were ancient and influential Christian theologians and writers who established the intellectual and doctrinal foundations of Christianity. The historical period in which they worked became known as the Patristic Era and spans approximately from the late 1st to mid-8th centuries, flourishing in particular during the 4th and 5th centuries, when Christianity was in the process of establishing itself as the state church of the Roman Empire.
The Origenist crises or Origenist controversies are two major theological controversies in early Christianity involving the teachings of followers of the third-century Alexandrian theologian Origen.
The Last Communion of St. Jerome is a 1614 oil-on-canvas painting by the Italian artist Domenichino. It was commissioned for the church of San Girolamo della Carità in Rome in 1612 and is now in the Pinacoteca Vaticana. The composition is very similar to a painting of the same subject by Agostino Carracci. Domenichino's rival, Giovanni Lanfranco, accused Domenichino of plagiarism due to the similarities.
In Ancient Rome, a mappa was a white cloth or napkin used by the presiding magistrate to signal the start of a chariot race at a hippodrome by tossing it down into the arena. Its use is attested to beginning in the early years of the Roman Empire, though chariot races pre-date it by hundreds of years. Any piece of white cloth could serve as a mappa. Roman consuls were often depicted on coins holding a mappa in their raised right hand, and the mappa therefore became represented as an item of imperial regalia.