Ever Since Venus

Last updated
Ever Since Venus
EverSinceVenus.jpg
Directed by Arthur Dreifuss
Written by McElbert Moore
Arthur Dreifuss
Produced by Rudolph Flothow
Starring Ina Ray Hutton
Hugh Herbert
Ann Savage
Billy Gilbert
Cinematography Benjamin Kline
Edited by Otto Meyer
Music by Lyle Murphy
Mario Silva
Production
company
Release date
  • September 14, 1944 (1944-09-14)(US) [1]
Running time
75 minutes
CountryUnited States
LanguageEnglish

Ever Since Venus is a 1944 American comedy directed by Arthur Dreifuss, in his first effort for Columbia Pictures, and stars Ina Ray Hutton, Hugh Herbert, Ann Savage, and Billy Gilbert. It was Hutton's first major film role; she had become famous for her all-female band during the 1930s, which had been the inspiration for the band in Billy Wilder's 1959 film, Some Like It Hot . [1]

Contents

Plot

A cosmetics manufacturer, J. Webster Hackett, hires Ina Ray Hutton and her band to headline a promotional beauty show. Hutton offers a thousand dollars reward for anyone who can submit a winning theme song. Not knowing of Hutton's offer, a local short order cook, Tiny Lewis, who is also an aspiring songwriter, gets one of his songs to Hutton. Hutton lets him know that she'll give him an answer within a day. When Lewis gets home, he finds out his roommates, Bradley Miller and Michele, have developed a new lipstick. A local beauty shop manager, Janet Wilson, thinks the product is a winner, as well as becoming enamored with Miller. She encourages them to enter the lipstick in a beauty products contest. Through a series and twists and turns, Lewis' song is chosen, and he and his roommates use the $1000 reward from the song contest to pay the fee needed to showcase their lipstick at the beauty products show. A rival manufacturer to Hackett, P.G. Grimble, backs the product and agrees to produce the lipstick at his factories. As the deal is announced, Brad and Janet end up together.

Cast

Production

The original title of this production was Beauty For Sale. [2] In November 1943 it was announced that the film was being scheduled for production at Columbia. Dreifuss left Monogram Pictures to return to Columbia as part of a deal to write/direct films, where he previously worked in the 1930s. Beauty was to be his first project on his return, with McElbert Moore assisting in the writing duties. The duo had written the story, and in November were beginning work on the screenplay. [3] Shooting on the movie, whose title had been changed to Ever Since Venus, began the week of May 15, the only film to begin that week at Columbia, and making it one of fifty-five pictures being produced in Hollywood at that time. [4] Also in May it was revealed that picture was to be a musical, produced by Rudolph Flothow, and the cast would contain Ann Savage, Ina Ray Hutton (and her band), Hugh Hubert, and Billy Gilbert. [5] The film was in production from mid-May through the second week of June 1944. [1] [6] After production ended, it was revealed that Alan Mowbray, Ross Hunter, Glenda Farrell, Marjorie Gateson, Fritz Feld, and Bill Shawn were also members of the cast. [7] As of the beginning of August, the film's release date had not been decided on, [8] but by the second week of August it was announced as September 14. [9] The film's success led to Dreifuss being given a long-term contract at Columbia. [10] Months after its release, the Legion of Decency gave the film an "A-2" rating. [11]

Reception

Harrison's Reports called the story thin and routine, but felt that the comedy overcame it. They particularly highlighted the work of Herbert and Gilbert, as well as enjoying the romantic elements as provided by Hunter and Savage. [12] Meanwhile, The Film Daily gave the picture a very positive review, calling it "...a human story packed with laughs." They applauded Dreifuss' direction, rating it "expert", and extolled the virtues of Hutton and her orchestra. [13] ' Motion Picture Daily also gave he picture good reviews, stating the Hutton gave the story "zing" and was "fresh and plentiful". They gave good marks to the direction of Dreifuss, and the musical numbers. [14] The film also received positive press from the Motion Picture Herald , saying that the comedy contained "... more than its promise of mirth, music and merriment ...." They singled out Dreifuss' direction, the musical talents of Hutton, and the comedic efforts of Gilbert, Herbert, Mowbray and Feld. [15] Showmen's Trade Review felt the film was good for top billing in double features, calling it "Excellent music and comedy". They gave high marks to Dreifuss' direction, as well as the comedic acting of Gilbert, Herbert, and Mowbray, and felt the pace of the film alternated nicely between drama, comedy and music. They also applauded Hutton and Savage's performances. [16]

Related Research Articles

<span class="mw-page-title-main">Betty Compson</span> American actress (1897–1974)

Betty Compson was an American actress and film producer who got her start during Hollywood's silent era. She is best known for her performances in The Docks of New York and The Barker, the latter of which earned her an Academy Award nomination for Best Actress.

<span class="mw-page-title-main">Margaret Lockwood</span> British stage and film actress

Margaret Mary Day Lockwood, CBE, was an English actress. One of Britain's most popular film stars of the 1930s and 1940s, her film appearances included The Lady Vanishes (1938), Night Train to Munich (1940), The Man in Grey (1943), and The Wicked Lady (1945). She was nominated for the BAFTA Award for Best British Actress for the 1955 film Cast a Dark Shadow. She also starred in the television series Justice (1971–74).

<span class="mw-page-title-main">Jules Dassin</span> American film director (1911–2008)

Julius Dassin was an American film and theatre director, producer, writer and actor. A subject of the Hollywood blacklist, he subsequently moved to France, and later Greece, where he continued his career. He was a member of the Academy of Motion Picture Arts and Sciences and the Screen Directors' Guild.

<span class="mw-page-title-main">Estelle Taylor</span> American actress (1894–1958)

Ida Estelle Taylor was an American actress who was the second of world heavyweight champion Jack Dempsey's four wives. With "dark-brown, almost black hair and brown eyes," she was regarded as one of the most beautiful silent film stars of the 1920s.

<span class="mw-page-title-main">Producers Releasing Corporation</span> Hollywood film studio

Producers Releasing Corporation was one of the smallest and least prestigious Hollywood film studios of the 1940s. It was considered a prime example of what was called "Poverty Row": a low-rent stretch of Gower Street in Hollywood where shoestring film producers based their operations. However, PRC was more substantial than the usual independent companies that made only a few low-budget movies and then disappeared. PRC was an actual Hollywood studio – albeit the smallest – with its own production facilities and distribution network, and it even accepted imports from the UK. PRC lasted from 1939 to 1947, churning out low-budget B movies for the lower half of a double bill or the upper half of a neighborhood theater showing second-run films. The studio was originally located at 1440 N. Gower St. from 1936 to 1943. PRC then occupied the former Grand National Pictures physical plant at 7324 Santa Monica Blvd., from 1943 to 1946. This address is now an apartment complex.

<span class="mw-page-title-main">Sam Katzman</span> American film producer and director

Sam Katzman was an American film producer and director. Katzman's specialty was producing low-budget genre films, including serials, which had disproportionately high returns for the studios and his financial backers.

<i>A Daughter of the Gods</i> 1916 film by Herbert Brenon

A Daughter of the Gods is a 1916 American silent fantasy drama film written and directed by Herbert Brenon. The film was controversial because of the sequences of what was regarded as superfluous nudity by the character Anitia, played by Australian swimming star Annette Kellermann. The scene is regarded as the first complete nude scene by a major star, which occurred during a waterfall sequence, though most of Kellerman's body is covered by her long hair. It was filmed by Fox Film Corporation in Kingston, Jamaica, where huge sets were constructed, and directed by Herbert Brenon.

<span class="mw-page-title-main">Hugh Herbert</span> American actor and comedian (1885–1952)

Hugh Herbert was an American motion picture comedian. He began his career in vaudeville and wrote more than 150 plays and sketches.

<i>She Couldnt Take It</i> 1935 film by Tay Garnett

She Couldn't Take It is a 1935 American screwball comedy film made at Columbia Pictures, directed by Tay Garnett, written by C. Graham Baker, Gene Towne and Oliver H.P. Garrett, and starring George Raft and Joan Bennett. It was one of the few comedies Raft made in his career.

<span class="mw-page-title-main">Ina Ray Hutton</span> American jazz singer (1916–1984)

Ina Ray Hutton was an American singer, bandleader, and the elder sister of June Hutton. She led one of the first all-female big bands.

<i>Hellzapoppin</i> (film) 1941 American musical comedy film

Hellzapoppin' is a 1941 American meta-musical comedy film, and an adaptation of the stage musical of the same name that ran on Broadway from 1938 to 1941. The film is directed by H. C. Potter and distributed by Universal Pictures. Although the entire Broadway cast was initially slated to feature in the film, the only performers from the stage production to appear in the film were lead actors Ole Olsen and Chic Johnson, and the specialty act Whitey's Lindy Hoppers.

<i>Enchantment</i> (1921 film) 1921 film by Robert G. Vignola

Enchantment is a 1921 American silent romantic comedy film produced by Cosmopolitan Productions and released by Paramount Pictures. The film was directed by Robert G. Vignola and starred Marion Davies. A print of the film exists in the Library of Congress.

<span class="mw-page-title-main">Arthur Dreifuss</span> American film director

Arthur Dreifuss was a German-born American film director, and occasional producer, screenwriter and choreographer.

<i>Arizona Legion</i> 1939 film

Arizona Legion is a 1939 American Western film directed by David Howard from a screenplay by Oliver Drake, based on Bernard McConville's story. Produced and distributed by RKO Radio Pictures, it was released on January 20, 1939, and stars George O'Brien and Laraine Day.

<i>Goin to Town</i> (1944 film) 1944 film directed by Leslie Goodwins

Goin' to Town is a 1944 American comedy film directed by Leslie Goodwins from an original screenplay by Charles E. Roberts and Charles R. Marion, based upon the successful radio program Lum and Abner created by Chester Lauck and Norris Goff. It was the fifth of seven films in the Lum and Abner series, and was released by RKO Radio Pictures on September 28, 1944. The film stars Lauck and Goff, along with Florence Lake and Andrew Tombes.

Night Life of the Gods is a 1935 American fantasy film released by Universal Pictures. Based on a 1931 novel by Thorne Smith, the film was directed by Lowell Sherman and starred Alan Mowbray as a scientist who devises a ray that can turn people to stone and bring statues to life.

<span class="mw-page-title-main">Samuel J. Briskin</span> American film producer

Samuel J. Briskin was one of the foremost producers of Hollywood's Golden Age, and head of production during his career at three of the "Big 8" major film studios: Columbia Pictures (twice), Paramount Pictures, and RKO Pictures. In the late 1950s, he was briefly on the board of directors of another major, Metro-Goldwyn-Mayer. During World War II, Briskin served in the army's Signal Corps as a film producer, attaining the rank of lieutenant colonel. After the war he co-founded Liberty Films with Frank Capra. They were later joined by William Wyler and George Stevens. The studio only produced two films, but both are now considered classics: It's a Wonderful Life and State of the Union. All three of his brothers were also film producers, as well as one of his sons, and his sister was married to the eventual Chairman of Columbia, where Briskin spent the last decade of his life as a vice-president and head of production until his death in 1968 from a heart attack.

<i>Sweet Genevieve</i> 1947 film by Arthur Dreifuss

Sweet Genevieve is a 1947 American comedy film directed by Arthur Dreifuss and starring Jean Porter, Jimmy Lydon and Lucien Littlefield. It was produced by Sam Katzman for distribution by Columbia Pictures.

<i>So You Wont Talk</i> (1940 film) 1940 film directed by Edward Sedgwick

So You Won't Talk is a 1940 comedy directed by Edward Sedgwick, which stars Joe E. Brown in a dual role, along with Frances Robinson and Vivienne Osborne.

<span class="mw-page-title-main">Christie brothers</span> Canadian film directors and producers

Charles Herbert Christie and Alfred Ernest Christie were Canadian motion picture entrepreneurs.

References

  1. 1 2 3 "Ever Since Venus: Detail View". American Film Institute. Archived from the original on July 11, 2017. Retrieved August 21, 2017.
  2. "Production in Hollywood Climbs to 57". Motion Picture Daily. June 1, 1944. p. 7. Retrieved August 22, 2017. Open Access logo PLoS transparent.svg
  3. "Dreifuss Leaves Mono, For New Columbia Deal". The Film Daily. November 22, 1943. p. 7. Retrieved August 23, 2017. Open Access logo PLoS transparent.svg
  4. "Production Is Heavy, 55 Are Shooting". Motion Picture Daily. May 23, 1944. p. 6. Retrieved August 23, 2017. Open Access logo PLoS transparent.svg
  5. "55 Pictures in Production as Shooting Starts On 10". Motion Picture Herald. May 27, 1944. p. 41. Retrieved August 23, 2017. Open Access logo PLoS transparent.svg
  6. "Production in Drop; Off 5, To 52 in Work". Motion Picture Daily. June 20, 1944. p. 10. Retrieved August 23, 2017. Open Access logo PLoS transparent.svg
  7. "Advance Synopses and Information: "Ever Since Venus"". Motion Picture Herald. July 1, 1944. p. 53. Retrieved August 23, 2017. Open Access logo PLoS transparent.svg
  8. "Release Chart". Motion Picture Herald. August 5, 1944. p. 68. Retrieved August 23, 2017. Open Access logo PLoS transparent.svg
  9. "Release Chart". Motion Picture Herald. August 12, 1944. p. 61. Retrieved August 23, 2017. Open Access logo PLoS transparent.svg
  10. "Hollywood". Motion Picture Daily. October 2, 1944. p. 7. Retrieved August 23, 2017. Open Access logo PLoS transparent.svg
  11. "Legion Classifies 10 New Pictures". Motion Picture Daily. November 16, 1944. p. 11. Retrieved August 23, 2017. Open Access logo PLoS transparent.svg
  12. ""Ever Since Venus" with Ina Ray Hutton, Billy Gilbert and Hugh Herbert". Harrison's Reports. November 11, 1944. p. 182. Retrieved August 22, 2017. Open Access logo PLoS transparent.svg
  13. "Reviews of the New Films:"Ever Since Venus"". The Film Daily. September 22, 1944. p. 10. Retrieved August 22, 2017. Open Access logo PLoS transparent.svg
  14. "Reviews: "Ever Since Venus"". Motion Picture Daily. September 19, 1944. p. 10. Retrieved August 22, 2017. Open Access logo PLoS transparent.svg
  15. "Product Digest: "Ever Since Venus"". Motion Picture Herald. September 23, 1944. p. 58. Retrieved August 23, 2017. Open Access logo PLoS transparent.svg
  16. "The Box Office Slant: "Ever Since Venus"". Showmen's Trade Review. September 30, 1944. p. 12. Retrieved August 23, 2017. Open Access logo PLoS transparent.svg