|Everyday I Get Closer to the Light from Which I Came|
|Studio album by|
|Released||23 September 2013|
|Recorded||Avalanche Studio, 2011–2013|
Everyday I Get Closer to the Light from Which I Came is the fourth studio album by the British post-metal band Jesu. It was released on 23 September 2013 via frontman Justin Broadrick's own record label, Avalanche Recordings.
Post-metal is a style of music that is rooted in heavy metal but explores approaches beyond the genre's conventions. It emerged in the 1990s through the work of bands such as Neurosis and Godflesh who transformed metal texture through experimental composition. Associated with and inspired by post-rock and post-hardcore, the genre employs the darkness and intensity of extreme metal but emphasizes atmosphere, emotion, and even "revelation", drawing on a wide range of sources including ambient, noise, psychedelic, progressive, and classical music to develop an expansive but introspective sound. Post-metal songs are typically long, with loose and layered structures that discard the verse–chorus form in favor of crescendos and repeating themes. The sound centres on guitars and drums; any vocals are usually screamed or growled and resemble an additional instrument.
Jesu is a British experimental band formed in 2003 by Justin Broadrick following the 2002 breakup of his band Godflesh. It is named after the last song on Hymns, the final album of Godflesh's initial run. Jesu's sound is heavily layered and textured, incorporating a diverse mix of influences. Broadrick himself has stated that "...it's very loosely speaking pop/rock/metal/electronica ... I'm intentionally writing what I consider to be coherent "pop" songs".
Justin Karl Michael Broadrick is a British singer, songwriter, guitarist and drummer. He is best known as a founding member of the band Godflesh, one of the first bands to combine elements of extreme metal and industrial music. He was briefly in the English grindcore band Napalm Death when he was a teenager in the mid-1980s, writing and recording guitar for Side One of Napalm Death's debut album, Scum. Broadrick has also maintained a parallel career as a producer, producing records and remixes for groups such as Pantera, Isis, Mogwai and Hydra Head labelmates Pelican. Since 2012, he has been releasing hard techno music under the solo moniker JK Flesh. Broadrick has set up record labels such as HeadDirt, Avalanche Recordings, Post Mortem Productions, Lo Fibre and Heartache.
The album attributes influences from post-punk, dub and electronica.  Its sound relies on a more sombre, darker mood than the outlet's previous album Ascension , which featured a shorter, more guitar-led approach during its production.  All instruments on the album, except for a string orchestra, were played by Broadrick himself.
Post-punk is a broad type of rock music that emerged from the punk movement of the 1970s, in which artists departed from the simplicity and traditionalism of punk rock to adopt a variety of avant-garde sensibilities and diverse influences. Inspired by punk's energy and DIY ethic but determined to break from rock cliches, artists experimented with sources including electronic music and black styles like dub, funk, free jazz, and disco; novel recording and production techniques; and ideas from art and politics, including critical theory, modernist art, cinema and literature. Communities that produced independent record labels, visual art, multimedia performances and fanzines developed around these pioneering musical scenes, which coalesced in cities such as London, New York, Manchester, Melbourne, Sydney and San Francisco.
Dub is a genre of electronic music that grew out of reggae in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, and emphasizing the drum and bass parts. Other techniques include dynamically adding extensive echo, reverb, panoramic delay, and occasional dubbing of vocal or instrumental snippets from the original version or other works. It was an early form of popular electronic music. The Roland Space Echo was widely used by dub producers in the 1970s to produce echo and delay effects.
Electronica encompasses a broad group of electronic-based styles such as techno, house, ambient, jungle and other electronic music styles intended not just for dancing.
The album received generally positive reviews. At Metacritic, which assigns a normalized rating out of 100 to reviews from critics, the album received an average score of 75, which indicates "generally favorable reviews", based on 6 reviews.  Thom Jurek of Allmusic gave the album a positive review, stating: "Over five tracks and nearly 45 minutes, Broadrick not only touches variously on every musical phase Jesu has visited previously, but stresses the power of lyricism via myriad textures and actual dynamics over sheer metallic force."  Maya Kalev of Fact wrote: "Though it sounds like it couldn’t be by anybody else, it’s more sonically diverse and less dense than previous Jesu albums."  Robert Rubsam of Popmatters described the album as "Broadrick's poppiest, most beautiful, and, arguably, most satisfying collection since 2006," while commenting: "as much as it feels like another step towards that light, the album reflects the work that came before it." 
Metacritic is a website that aggregates reviews of media products: films, TV shows, music albums, video games, and formerly, books. For each product, the scores from each review are averaged. Metacritic was created by Jason Dietz, Marc Doyle, and Julie Doyle Roberts in 1999. The site provides an excerpt from each review and hyperlinks to its source. A color of green, yellow or red summarizes the critics' recommendations. It has been described as the video game industry's "premier" review aggregator.
Fact is a music publication that launched in the UK in 2003. Fact covers a wide range of UK, US and international music and youth culture, with particular focus on electronic, pop, rap, and experimental artists. Fact was named “music website of the year” by The New Yorker in 2007, and has been described as “influential” by The Guardian.
In a more mixed review, Eric Hill of Exclaim! stated: "There are great moments that fulfil expectations of Jesu as a dissolving whirlpool bath of glass shards, but these flashes don't carry the full weight of the album."  Jason Heller of Pitchfork also wrote: "The tracks vary greatly in span, but beyond that there’s not as much of a dynamic as on prior Jesu full-lengths." 
Exclaim! is a monthly Canadian music magazine that features in-depth coverage of new music across all genres with a special focus on Canadian and cutting-edge artists. Content is based on the monthly print publication, which publishes 9 issues per year, distributing over 103,000 copies to over 2,600 locations across Canada. The magazine has an average of 361,200 monthly readers. Their website, exclaim.ca, has an average of 675,000 unique visitors a month.
All songs written and composed by Justin Broadrick.
|3.||"Everyday I Get Closer to the Light from Which I Came"||7:32|
|4.||"The Great Leveller"||17:25|
|5.||"Grey Is the Colour"||4:34|
|Japanese edition only bonus disc|
|1.||"Everyday I Get Closer to the Light from Which I Came" (Alternative version)||7:25|
|2.||"The Great Leveller" (Alternative version)||10:19|
James Plotkin is an American guitarist and producer known for his role in bands such as Khanate and OLD but with an extensive catalogue outside these bands. He has played guitar for Phantomsmasher and Scorn and continues to remix tracks for bands such as KK Null, Nadja, Sunn O))), ISIS, Pelican and Earth. He works in the genres of grindcore, industrial metal, noise music, drone metal, dark ambient, digital hardcore and post-metal.
Godflesh are an English industrial metal band from Birmingham, England. The group formed in 1982 under the title Fall of Because but did not release any complete music until 1988 when Justin Broadrick and G. C. Green (bass) renamed the band and decided to use a drum machine for percussion. Melding heavy metal with industrial music and later with electronic music and dub, Godflesh's innovative sound is widely regarded as a foundational influence on other industrial metal and post-metal acts and as significant to both experimental metal and extreme metal.
Jesu is the first full-length album by British experimental music band Jesu, released through Hydra Head Records on 8 December 2004. Unlike the Heart Ache EP, where Justin Broadrick executed all instrumentation himself, this release features Ted Parsons on drums, Diarmuid Dalton on bass, and a guest appearance by Paul Neville on guitar on the track "Man/Woman". The album was released in Japan by Daymare Recordings and contains two additional instrumental remixes on a bonus disc. In February 2005, a double vinyl picture disc set was released by Hydra Head, limited to 1000 copies. The picture disc pressing contains an alternate, cleaner mix than the CD or standard LP editions.
Hymns is the sixth studio album by English industrial metal band Godflesh. It was released on 23 October 2001 through Music for Nations and was the band's final album before breaking up in 2002. In 2010, Godflesh reformed and in 2014 released their comeback album A World Lit Only by Fire. Hymns had a troubled production and was intended to be distinct departure from Godflesh's intensely regimented industrial sound to something more traditionally hard rock. It was the band's second and final album to feature a live drummer rather than a drum machine.
Silver is the second EP by Jesu, their third release overall, released by Hydra Head Records on 11 April 2006. This album shows a more melodic and poppy side to the band than the previous two Jesu releases, drawing comparisons to shoegazing bands such as My Bloody Valentine and Ride. Pitchfork Media placed the title track at #488 on their "The Top 500 Tracks of the 2000s" list. Decibel ranked it the 6th best release of 2006 and the 26th best release of the decade.
Conqueror is the second full-length album from Jesu. It was released on 20 February 2007 in the USA, 19 February in the United Kingdom and Europe, and 2 February in Japan.
Opiate Sun is the fifth EP and tenth overall release by Jesu. It was released in America through Mark Kozelek's Caldo Verde label on 27 October 2009. Kozelek had been impressed by Justin Broadrick's performance when he saw him live in San Francisco in 2007, and approached Broadrick about putting a release out on Caldo Verde. Daymare Recordings released the album in Japan on 6 November 2009. The Daymare version of the album contains an exclusive bonus track.
Ascension is the third studio album by the British post-metal band Jesu. The album was released on 10 May 2011 through Caldo Verde Records. Ascension is the first full-length studio album released by Jesu since 2007's Conqueror. On 8 June 2011, Daymare Recordings released the album in Japan with a bonus disc containing four additional tracks unavailable on the original release. In August of 2018, the album was reissued on vinyl via American record label Robotic Empire featuring brand new mixes for each song by Justin Broadrick, as well as new mastering provided by John Golden of Golden Mastering.
Christmas is the sixth EP release by the post-metal band Jesu. It was released digitally on December 9, 2010, via Avalanche Recordings. The EP contains the track "Christmas", along with two remixes of the song, mixed by Justin Broadrick's side projects Pale Sketcher and Final.
Heart Ache/Dethroned is a double EP release by the Welsh band Jesu. Released on 16 November 2010 through Hydra Head Records, it combines the band's out-of-print, debut 2004 EP Heart Ache with a previously unreleased EP titled Dethroned. Jesu founder, Justin Broadrick, began working on Dethroned around the same time as Heart Ache in 2004, but it was not completed until 2010. Broadrick said the release of Dethroned took so long because he didn't want it to be a stand-alone EP and was waiting for the right album with which to combine it. Broadrick chose a reissue of Heart Ache to pair with Dethroned because they were written around the same period and contained similarities to his previous band, Godflesh. He said, "Both Heart Ache and Dethroned, for me, contain a huge amount of Godflesh to some extent, it's that period when the ghost of Godflesh still somewhat influenced the Jesu sound and songwriting."
Avalanche Recordings is an independent record label, founded by English musician Justin Broadrick in 1999. It is named after Broadrick's own recording studio, Avalanche Studios, and mainly releases Justin Broadrick's side projects.
Shelter is the fourth studio album by French shoegaze band Alcest. It was released on January 17, 2014 via Prophecy Productions. The album's name is related to the album's overall concept of shelter, "a safe place to escape, this secret thing we all have when life is going too fast and you are full of anxiety." The album marks a significant stylistic shift for the band, fully embracing the band's shoegaze and dream pop influences while eliminating the previous metal influences, with Rolling Stone writing that the album has "more in common genetically with Sigur Rós than Satyricon."
Disconnected is the debut album by experimental music act Greymachine, featuring Justin Broadrick, Aaron Turner, Dave Cochrane and Diarmuid Dalton. Produced by Broadrick, it was released on 4 August 2009 via Turner's own record label, Hydra Head Records. In February 2018, Disconnected was reissued as a limited 2xLP with unique artwork and clear vinyl.
Decline & Fall is an EP by English industrial metal band Godflesh. It was released on 2 June 2014 through frontman Justin Broadrick's own record label, Avalanche Recordings. The EP is the second release by Godflesh since Hymns (2001), following the 2013 single "F.O.D. ". It precedes the group's seventh studio album, A World Lit Only by Fire (2014), and the two were recorded in the same sessions.
Diarmuid Dalton is a British musician and songwriter. He is best known as the bass guitarist of post-metal bands, Jesu and Iroha. Dalton frequently collaborates with Justin Broadrick, who is the founder of Godflesh and Jesu.
Worship Is the Cleansing of the Imagination is a split album between experimental musicians Dominic Fernow under the pseudonym Prurient and Justin Broadrick under the pseudonym JK Flesh. Released on vinyl on December 11, 2012, Worship Is the Cleansing of the Imagination was the final release of new material by Hydra Head Records, the label founded by former Isis member Aaron Turner.
Jesu / Sun Kil Moon is a collaborative studio album by American indie folk act Sun Kil Moon and British experimental act Jesu, released on January 21, 2016 on Caldo Verde Records and Rough Trade. The album also features guest musicians Will Oldham, members of Low, Rachel Goswell of Slowdive, and Isaac Brock of Modest Mouse. Jesu and Sun Kil Moon including drummer Steve Shelley of Sonic Youth played six shows in February and March 2016 to support the album.
Heartless is the third full-length album by the American doom metal band Pallbearer. It was released on March 24, 2017 through Profound Lore Records.
"Ringer" is a song by industrial metal band Godflesh. It was taken from their 2014 extended play Decline & Fall. The song was released ahead of the EP on 21 May 2014 through frontman Justin Broadrick's own label, Avalanche Recordings, as a digital download. "Ringer" was the first original material released by Godflesh since their dissolution in 2002, and it was praised by critics as an ideal return for the band.