Evil Hoodoo | ||||
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Compilation album by | ||||
Released | 1988 | |||
Recorded | 1966 - 1969 | |||
Genre | ||||
Length | 46:52 | |||
Label | Bam-Caruso | |||
Producer | Brian Hogg | |||
The Seeds chronology | ||||
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Evil Hoodoo is a compilation album by the American garage rock band the Seeds, and was released by Bam-Caruso Records, in 1988. Somewhat relatable to a greatest hits album, Evil Hoodoo did not issue any unreleased tracks by the group; however, it did introduce listeners to the Seeds' music as underground psychedelic rock and garage rock musical genres were being rediscovered. [1]
A compilation album comprises tracks, which may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album or box set. If from several performers, there may be a theme, topic, time period, or genre which links the tracks, or they may have been intended for release as a single work—such as a tribute album. When the tracks are by the same recording artist, the album may be referred to as a retrospective album or an anthology.
Garage rock is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced various revivals since then. The style is characterized by basic chord structures played on electric guitars and other instruments, sometimes distorted through a fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage, although many were professional.
The Seeds were an American rock band formed in Los Angeles, California in 1965. The group became known for psychedelic rock music and is considered a prototype for garage punk rock bands.
The album focuses on the Seeds' garage rock and proto-punk releases, completely bypassing their flirtation with the blues on the group's fourth studio album A Full Spoon of Seedy Blues . Nationally charting hits featured on Evil Hoodoo includes "Pushin' Too Hard" (number 36), "Can't Seem to Make You Mine" (number 41), and "Mr. Farmer" (number 86). [2] Perhaps the rarest recordings on the album are "Fallin' Off the Edge (Of My Mind)" and "Chocolate River", both of which received their first LP release on the 1977 compilation Fallin' Off the Edge . [3] "Fallin' Off the Edge (Of My Mind)" is a 1969 single release, and "Chocolate River" was recorded during the A Web of Sound sessions, but never appeared on the album. [4]
Proto-punk is the rock music played by garage bands from the 1960s to mid-1970s that presaged the punk rock movement. The phrase is a retrospective label; the musicians involved were generally not originally associated with each other, and came from a variety of backgrounds and styles, but together they anticipated many of punk's musical and thematic attributes.
Blues is a music genre and musical form which was originated in the Deep South of the United States around the 1870s by African Americans from roots in African musical traditions, African-American work songs, spirituals, and the folk music of white Americans of European heritage. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads. The blues form, ubiquitous in jazz, rhythm and blues and rock and roll, is characterized by the call-and-response pattern, the blues scale and specific chord progressions, of which the twelve-bar blues is the most common. Blue notes, usually thirds or fifths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove.
A Full Spoon of Seedy Blues is the fourth album by the American garage rock band, the Seeds, credited to the Sky Saxon Blues Band, and released on GNP Crescendo in November 1967. The album saw the group take a completely different and controversial direction from the psychedelia featured on their previous effort, Future, towards a style rooted in blues. However, the results of the venture were ill-received, both commercially and within their loyal fanbase.
Released in 1988, Evil Hoodoo helped revitalize the Seeds' music, as young collectors began discovering once-obscured psychedelic and garage rock musical artists from the 1960s. [5] The vinyl version of the album utilized an image of the band which was used once before on the compilation New Fruit from Old Seeds: The Rare Sky Saxon, Volume One. A release on the compact disc format featured a common publicity photo of the Seeds posing in a greenhouse in 1967. In addition, releases with pictured-discs were issued in a limited 1,000-copy run. Despite the fact that Evil Hoodoo remains the only legitimate attempt at a Seeds greatest hits collection, it has remained out-of-print since 1995. [2]
Compact disc (CD) is a digital optical disc data storage format that was co-developed by Philips and Sony and released in 1982. The format was originally developed to store and play only sound recordings (CD-DA) but was later adapted for storage of data (CD-ROM). Several other formats were further derived from these, including write-once audio and data storage (CD-R), rewritable media (CD-RW), Video Compact Disc (VCD), Super Video Compact Disc (SVCD), Photo CD, PictureCD, CD-i, and Enhanced Music CD. The first commercially available audio CD player, the Sony CDP-101, was released October 1982 in Japan.
A greenhouse is a structure with walls and roof made chiefly of transparent material, such as glass, in which plants requiring regulated climatic conditions are grown. These structures range in size from small sheds to industrial-sized buildings. A miniature greenhouse is known as a cold frame. The interior of a greenhouse exposed to sunlight becomes significantly warmer than the external ambient temperature, protecting its contents in cold weather.
Nuggets: Original Artyfacts from the First Psychedelic Era is a groundbreaking compilation album of American psychedelic and garage rock singles released in the mid-to-late 1960s. It was assembled by Lenny Kaye, who at the time was a writer and clerk at the Village Oldies record shop in New York. He would later become the lead guitarist for the Patti Smith Group. Kaye worked on Nuggets under the supervision of Jac Holzman, founder of Elektra Records. Kaye initially conceived the project as series of approximately eight individual LP installments, each focusing on US geographical regions, but Elektra convinced him that one 2-disc LP would be a more commercially viable format. The resulting double album was released on LP by Elektra in 1972 with liner notes by Kaye that contained one of the first uses of the term "punk rock". It was reissued with a new cover design by Sire Records in 1976. In the 1980s Rhino Records issued Nuggets in a series of fifteen installments, and in 1998 as a 4-cd box set.
The Steve Miller Band is an American rock band formed in 1966 in San Francisco, California. The band is led by Steve Miller on guitar and lead vocals. The group is best known for a string of (mainly) mid- to late-1970s hit singles that are staples of classic rock radio, as well as several earlier psychedelic rock albums. Miller left his first band to move to San Francisco and form the Steve Miller Blues Band. Shortly after Harvey Kornspan negotiated the band’s contract with Capitol Records in 1967, the band shortened its name to the Steve Miller Band. In February 1968, the band recorded its debut album, Children of the Future. It went on to produce the albums Sailor, Brave New World, Your Saving Grace, Number 5, Rock Love and more. The band's Greatest Hits 1974–78, released in 1978, sold over 13 million copies. In 2016, Steve Miller was inducted as a solo artist in the Rock and Roll Hall of Fame.
Sky "Sunlight" Saxon was an American rock and roll musician, best known as the leader and singer of the 1960s Los Angeles psychedelic garage rock band The Seeds.
Beasts of Bourbon are an Australian alternative rock, blues rock band formed in August 1983, with James Baker on drums, Spencer P. Jones on guitar, Tex Perkins on vocals, Kim Salmon on guitar and Boris Sujdovic on bass guitar. Except for mainstays Jones and Perkins, the line-up has changed as the group splintered and reformed several times. Their debut album, The Axeman's Jazz, was the best selling Australian alternative rock album of 1984. Their debut single, "Psycho", is a cover version of the Leon Payne original, and was the best selling Australian alternative rock single for that year. However the group disbanded by mid-1985 and each member pursued other musical projects.
"Psychotic Reaction" is a song by the American garage rock band Count Five, released in June 1966 on their debut studio album of the same name. It peaked at No. 5 on the Billboard Hot 100, and was among the first successful acid rock songs, containing the characteristics that would come to define acid rock: the use of feedback and distortion replacing early rock music's more melodic electric guitars. In Canada, the song reached No. 3 on October 31, 1966.
Richard Norris is a London-based record producer, song writer, sound engineer, musician, DJ and author. Best known as a member of electronic dance band The Grid., he has also worked as a producer and engineer since the 80s with artists such as Bryan Ferry, Marc Almond, Joe Strummer and Pet Shop Boys.
Pebbles is an extensive series of compilation albums in both LP and CD formats that have been issued on several record labels, though mostly by AIP. Together with the companion Highs in the Mid-Sixties series, the Pebbles series made available over 800 obscure, mostly American "Original Punk Rock" songs recorded in the mid-1960s — primarily known today as the garage rock and psychedelic rock genres — that were previously known only to a handful of collectors. In 2007, the release of the Pebbles, Volume 11: Northern California CD marked the final album in the Pebbles series. The following year, Bomp! marked the 30th anniversary of the original Pebbles album with a spartan, limited-edition, clear-vinyl reissue complete with the original pink cover insert.
Rubble is a 20-volume collection of compilation albums featuring mostly late-1960s British psychedelic rock compiled by Bam-Caruso Records, St Albans, Herts, England by Phil Lloyd-Smee.
The Human Expression was an American garage and psychedelic rock band from Los Angeles that released three well-regarded singles, and made additional demo recordings between 1966 and 1967.
The Seeds is the debut album by American garage rock band The Seeds. It was released in April 1966 through GNP Crescendo Records and produced by Marcus Tybalt and Sky Saxon. After the release of two singles in 1965, "Can't Seem to Make You Mine" and "Pushin' Too Hard", the album was released and charted in the United States where it peaked at No. 132 on the Billboard Top LPs & Tapes chart. Modern reception of the album is positive, with critics considering the album's similarity to punk rock a decade later.
We the People was an American garage rock band from Orlando, Florida, that was formed in late 1965 and professionally active between 1966 and 1970. Although none of their singles charted nationally in the U.S., a number of them did reach the Top 10 of the local Orlando charts. The band are perhaps best remembered for their song "Mirror of Your Mind", which reached the Top 10 in a number of regional singles charts across the U.S. during 1966. The song has subsequently been included on several compilation albums over the years. Their single "My Brother, the Man" was covered by the long-running Garage Rock Revival band The Fuzztones and reworked by The Horrors with the song "Count in Fives".
July were a psychedelic rock band from Ealing, London that were professionally active between 1968 and 1969. The band's music was a blend of psychedelic rock and psychedelic pop, marked by lush harmonies, acoustic guitars, keyboards, and intricate lead guitar work. Although none of the band's records managed to chart in the UK or the U.S., July are today best remembered for their songs "My Clown", "Dandelion Seeds", and "The Way", which have all been included on a number of compilation albums over the years.
"Pushin' Too Hard", originally titled "(You're) Pushin' Too Hard", is a song by American rock group The Seeds, written by vocalist Sky Saxon and produced by Saxon with Marcus Tybalt. It was released as a single in 1965, re-issued the following year, and peaked at number 36 on the U.S. Billboard Hot 100 chart in February 1967.
Future is the third studio album by Los Angeles rock band the Seeds. The album is a notable shift in musical direction for the band as they moved away from garage rock, and began experimenting more with psychedelic rock. Upon its release in 1967, the album reached the Top 100 on the Billboard 200, but their single, "A Thousand Shadows", was less successful than The Seeds' previous hits.
No Way Out is the debut album by the American garage rock band The Chocolate Watchband, and was released in September 1967 on Tower Records. It blended both garage and psychedelic rock influences, and was marked by distorted guitar instrumentals that were early examples of protopunk. It features the band's harder-edged interpretations of songs, with only three original compositions. The album was preceded by two non-album singles, "Sweet Young Thing" and "Misty Lane", and track singles, "No Way Out" and "Are You Gonna be There ". However, none of the singles managed to chart. Like its singles, No Way Out failed to reach the Billboard 200, but it established the group as a popular live act, and later became noted as a garage rock classic.
Raw & Alive: The Seeds in Concert at Merlin's Music Box is the fifth album by the American garage rock band, the Seeds, and was released on GNP Crescendo in May 1968. It was marketed as a live album, and actually was recorded raw, but all of the album's contents were completed in a studio. The album marks a return to the band's energetic punk sound that previously garnered them national acclaim. Upon release, however, the album, and its accompanying single, "Satisfy You", failed to chart, and the group would eventually disband in 1972.
Joe Frank and the Knights were an American garage rock band from Leland, Mississippi who were active between 1959-1965. They were led by Joe Frank Carollo. In the early-to-mid 1960s their popularity grew beyond the Mississippi delta and Memphis areas as they became one of the most popular groups in various parts of the Southern United States. They had a regional hit with "Can't Find a Way", which attracted the attention of ABC Records who picked up the record and re-released it for national distribution. However, the band broke up shortly thereafter, and Carollo joined the T-Bones, who later evolved into the soft rock trio Hamilton, Joe Frank & Reynolds in the early 1970s.
Fallin' Off the Edge is a compilation album by the American garage rock band the Seeds, and was released on GNP Crescendo, in 1977. The first album of its kind to compile Seeds music, Fallin' Off the Edge includes rarities of the group's catalogue, alternate takes, and unreleased tracks. Among the songs available include the 1968 version of the hit "Pushin' Too Hard" without studio-created crowd noises, which was originally the closing track to the fake live album Raw & Alive: The Seeds in Concert at Merlin's Music Box. Although other Seeds compilations have been released over the years, Fallin' Off the Edge remains a collector's item and has been reissued.
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