A Web of Sound | ||||
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Studio album by | ||||
Released | October 1966 | |||
Recorded | 5–29 July 1966, Columbia Studios, RCA Victor Studios Hollywood, California | |||
Genre | Garage rock, psychedelic rock, proto-punk, acid rock [1] | |||
Length | 37:53 | |||
Label | GNP Crescendo | |||
Producer | Marcus Tybalt | |||
The Seeds chronology | ||||
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Singles from A Web of Sound | ||||
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A Web of Sound is the second album by the American garage rock band the Seeds. Produced by Marcus Tybalt (aka Sky Saxon) and released in October 1966, it contained the single "Mr. Farmer" and the 14-minute closing song "Up In Her Room". The album did not chart, though it has received generally favorable reviews from music critics.
Lead singer Sky Saxon conceptualized the album's cover design depicting the four Seeds members trapped in a spider's web. A Web of Sound was produced by Saxon under the pseudonym Marcus Tybalt; Saxon also wrote or co-wrote all of the songs on the album (two credited under the Tybalt alias), as well as the liner notes. Side one consists of six tracks, beginning with the single "Mr. Farmer" and continuing with other garage rock-sounding songs, most of them short in duration. Both "Mr. Farmer" and "Tripmaker" contained obvious drug references, which led to "Mr. Farmer" being banned from some radio stations. [1] Side two contains only two songs, including the 14-minute closer "Up In Her Room", which features bottleneck guitar, electric fuzz-bass, electric piano, tambourine, and drums, which comes to a freak-out climax. At this stage in their career, the band were taking credit for being one of the first "flower-power" bands on the scene, with music that had a decidedly psychedelic slant. [2]
Released in October 1966, A Web of Sound did not receive much attention in the United States for several months until after the band's "Pushin' Too Hard", a song from their self-titled debut album, was re-released and entered the Billboard Hot 100 singles chart. [2] Eventually, "Mr. Farmer" also charted at #86 nationally in early 1967, although The Seeds were far more popular in their hometown of Los Angeles where both "Pushin' Too Hard" and "Mr. Farmer" made the top 10 of KRLA Requests.
Review scores | |
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Source | Rating |
AllMusic | (reissue) [1] |
Pete Johnson, in a 1967 Los Angeles Times review, stated that with A Web of Sound, the Seeds had "been adopted by the hippies – the flower children – because of their open-ended songs which generally skirt neatly plotted thoughts and didacticism." [2] Some contemporary music critics compare album track "Up In Her Room" to The Velvet Underground song "Sister Ray", which was released a year later. [1] [3] [4] [5] [6] In the book All Yesterdays' Parties: The Velvet Underground in Print, 1966–1971, author Clinton Heylin wrote that "both songs work much the same way [...] listening to them is humming in a room where another dozen people are humming also, in a constant pitch, never varying, unchanging". [5]
AllMusic's Joe Viglione suggested that A Web of Sound also influenced such artists as Iggy Pop and the Stooges and Alice Cooper. [1] Stewart Mason, also of Allmusic, remarked that the album blended "the snotty aggression of [The Seeds] a bit with some heavier psychedelic flourishes". [6] Writer Malcolm Russell described A Web of Sound as being "more adventurous" than the band's debut album, and said it "brimmed with scratchy mid-60s classics". [7] Don Jacobson of The Beachwood Reporter called it "one of the all-time craziest mid-60s pioneering rock 'n' roll records". [8] Researcher/author Martin C. Strong wrote that the album is "full of weird, psychotic blues highlighting [Saxon's] demented vocal sermonizing on such reliable topics as sex, drugs, and rock 'n' roll". [9]
No. | Title | Writer(s) | Length |
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1. | "Mr. Farmer" | Sky Saxon | 2:52 |
2. | "Pictures and Designs" | Daryl Hooper, Saxon | 2:44 |
3. | "Tripmaker" | Hooper, Marcus Tybalt | 2:48 |
4. | "I Tell Myself" | Tybalt | 2:31 |
5. | "A Faded Picture" | Hooper, Saxon | 5:20 |
6. | "Rollin' Machine" | Saxon, Tybalt | 2:32 |
No. | Title | Writer(s) | Length |
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1. | "Just Let Go" | Hooper, Jan Savage, Saxon | 4:21 |
2. | "Up in Her Room" | Saxon | 14:45 |
The Velvet Underground & Nico is the debut studio album by the American rock band the Velvet Underground and German singer Nico, released in March 1967 through Verve Records. It was recorded in 1966 while the band were featured on Andy Warhol's Exploding Plastic Inevitable tour. The album features experimental performance sensibilities and controversial lyrical topics, including drug abuse, prostitution, sadomasochism and sexual deviancy.
The Velvet Underground is the third studio album by American rock band the Velvet Underground. Released in March 1969 by MGM Records, it was their first record with Doug Yule who replaced previous member John Cale. Recorded in 1968 at TTG Studios in Los Angeles, California, the album's sound—consisting largely of ballads and straightforward rock songs—marked a notable shift in style from the band's previous recordings. Lead vocalist Lou Reed intentionally did this as a result of their abrasive previous studio album White Light/White Heat (1968). Reed wanted other band members to sing on the album; Yule contributed lead vocals to some tracks and closing track "After Hours" is sung by drummer Moe Tucker.
The Seeds were an American psychedelic garage rock band formed in Los Angeles, California in 1965, best known for their highest charting single "Pushin' Too Hard". The band's classic line-up featured frontman Sky Saxon, guitarist Jan Savage, keyboardist Daryl Hooper and drummer Rick Andridge. In 1968, the band changed their name to Sky Saxon and the Seeds, with Savage and Andridge departing the band. They went on to release a handful of additional singles, with Hooper also departing at some point before splitting up in circa 1972.
White Light/White Heat is the second studio album by American rock band the Velvet Underground. Released on January 30, 1968, on Verve Records, it was the band's last studio recording with multi-instrumentalist and founding member John Cale. Recorded after Reed fired Andy Warhol, who had produced their debut album The Velvet Underground & Nico, they hired Steve Sesnick as a manager and hired producer Tom Wilson who had worked on the band's debut. White Light/White Heat was engineered by Gary Kellgren.
Sky "Sunlight" Saxon was an American rock and roll musician best known as the leader and singer of the 1960s Los Angeles psychedelic garage rock band The Seeds.
"Heroin" is a song by the Velvet Underground, released on their 1967 debut album The Velvet Underground & Nico. Written by Lou Reed in 1964, the song, which overtly depicts heroin abuse, is one of the band's most celebrated compositions. Critic Mark Deming of Allmusic writes, "While 'Heroin' hardly endorses drug use, it doesn't clearly condemn it, either, which made it all the more troubling in the eyes of many listeners." In 2004, it was ranked at number 448 on Rolling Stone's list of The 500 Greatest Songs of All Time, and was re-ranked at number 455 in 2010.
"I'm Waiting for the Man" is a song by American rock band the Velvet Underground. Written by Lou Reed, it was first released on their 1967 debut album, The Velvet Underground & Nico. The lyrics describe a man's efforts to obtain heroin in Harlem.
The Amboy Dukes is the debut studio album by American rock band The Amboy Dukes. It was released in November 1967 on Mainstream Records.
"All Tomorrow's Parties" is a song by the Velvet Underground and Nico, written by Lou Reed and released on the group's 1967 debut studio album, The Velvet Underground & Nico.
"European Son" is a song written and performed by the American experimental rock band The Velvet Underground. It appears as the final track on their 1967 debut album The Velvet Underground & Nico. It is also the album's longest track at more than seven and a half minutes.
"Here She Comes Now" is a song released by the American rock band the Velvet Underground in January 1968, from their second studio album White Light/White Heat. As the shortest song on the album, the performance and mix of the song are both considered simple and traditional, making it somewhat distinct from the other five songs on the album, all of which contain some degree of experimental or avant-garde elements in terms of sound.
The Velvet Underground was an American rock band formed in New York City in 1964. It originally comprised singer and guitarist Lou Reed, multi-instrumentalist John Cale, guitarist Sterling Morrison, and drummer Angus MacLise. MacLise was replaced by Moe Tucker in 1965, who played on most of the band's recordings. Though their integration of rock and the avant-garde achieved little commercial success, they became one of the most influential bands in rock, underground, experimental, and alternative music. Their provocative subject matter, musical experiments, and nihilistic attitude was also instrumental in the development of punk rock, new wave and several other genres.
The Seeds is the debut album by American garage rock band the Seeds. It was released in April 1966 through GNP Crescendo Records and produced by Sky Saxon. After the release of two singles in 1965, "Can't Seem to Make You Mine" and "Pushin' Too Hard", the album was released and charted in the United States where it peaked at No. 132 on the Billboard Top LPs & Tapes chart. Modern reception of the album is positive, with Malcolm Russel noting the band's influence on CBGB musicians a decade later.
"Pushin' Too Hard", originally titled "You're Pushing Too Hard", is a song by American rock group The Seeds, written by vocalist Sky Saxon and produced by Saxon with Marcus Tybalt. It was released as a single in 1965, re-issued the following year, and peaked at number 36 on the Hot 100 in February 1967 and number 44 in Canada in March.
"Mr. Farmer" is a song by American garage rock group The Seeds, written by vocalist Sky Saxon and produced by Marcus Tybalt. It was released as a single in 1967 and peaked at number 86 on the U.S. Billboard Hot 100 chart. The song was banned on many radio stations during the time of its release because of its drug references.
"A Thousand Shadows" is a song by American rock group The Seeds, written by vocalist Sky Saxon, keyboardist Daryl Hooper, and guitarist Jan Savage. Produced by Marcus Tybalt, it was released as a single in 1967 and peaked at number 72 on the U.S. Billboard Hot 100 chart.
Future is the third studio album by Los Angeles rock band the Seeds. The album is a notable shift in musical direction for the band as they moved away from garage rock, and began experimenting more with psychedelic rock. Upon its release in 1967, the album reached the Top 100 on the Billboard 200, but their single, "A Thousand Shadows", was less successful than The Seeds' previous hits.
Raw & Alive: The Seeds in Concert at Merlin's Music Box is the fifth album by the American garage rock band, the Seeds, and was released on GNP Crescendo in May 1968. It was marketed as a live album, and actually was recorded raw, but all of the album's contents were completed in a studio. The album marks a return to the band's energetic punk sound that previously garnered them national acclaim. Upon release, however, the album, and its accompanying single, "Satisfy You", failed to chart, and the group would eventually disband in 1972.
A Full Spoon of Seedy Blues is the fourth album by the American garage rock band, the Seeds, credited to the Sky Saxon Blues Band, and released on GNP Crescendo in November 1967. The album saw the group take a completely different and controversial direction from the psychedelia featured on their previous effort, Future, towards a style rooted in blues. However, the results of the venture were ill-received, both commercially and within their loyal fanbase.
Evil Hoodoo is a compilation album by the American garage rock band the Seeds, and was released by Bam-Caruso Records, in 1988. Somewhat relatable to a greatest hits album, Evil Hoodoo did not issue any unreleased tracks by the group; however, it did introduce listeners to the Seeds' music as underground psychedelic rock and garage rock musical genres were being rediscovered.