Future | ||||
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Studio album by | ||||
Released | August 1967 | |||
Recorded | Gold Star Studios, Hollywood, California November 3, 1966 - June 6, 1967 | |||
Genre | Psychedelic rock [1] | |||
Length | 40:00 | |||
Label | GNP Crescendo | |||
Producer | Marcus Tybalt | |||
The Seeds chronology | ||||
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Future is the third studio album by Los Angeles rock band the Seeds. The album is a notable shift in musical direction for the band as they moved away from garage rock, and began experimenting more with psychedelic rock. Upon its release in 1967, the album reached the Top 100 on the Billboard 200, but their single, "A Thousand Shadows", was less successful than The Seeds' previous hits. [2]
The Seeds moved into 1967 as an established band with national hits, including "Pushin' Too Hard", and two albums solidifying their individual sound. With their new manager, Lord Tim Hudson, and a knack for outlandish live performances, the band's public profile was at an all-time high. [3] The band went into recording sessions hoping to capitalize on their past success, and create a more sophisticated sound. [4]
Recording sessions began in Gold Star Studios as early as November 3, 1966, but the majority of studio work was completed in 1967. The first recorded track, "Travel With Your Mind", was the only one complete in 1966, and was a contrast to the future developments. The project was complete on June 6, 1967 with the final track being "March of the Flower Children". [5] The Seeds, mostly under the direction of Sky Saxon utilized orchestrations, and classical instruments in a psychedelic format. Compared to past material, the band established a complexity in their instrumentals as there were more overdubbing involved in the process. Each individual song took an obviously increased amount of takes to find cohesion with the overdubbing. Saxon had embraced the psychedelic scene in the band's own take on the genre, and infused it with their own sound. New instruments more prominent in Future recordings including the piano, trumpet, and percussion. [2]
Future was released in August 1967 on the GNP label, and reached moderate chart success when it peaked at number 87 on the Billboard 200. The band's lead single, "A Thousand Shadows", fared better than the group's last single, "Mr. Farmer", but still only reached number 72 on the Billboard Hot 100. [6] Future was the last Seeds album to chart nationally, and, despite its success, has been unfavored by some. Critics directed their disappointment at the album's similarities to The Beatles' work, Sgt. Pepper's Lonely Hearts Club Band , even though The Seeds began recording before that album could potentially influence their work. [7] In 2013, Future was re-released on the Big Beats label featuring outtakes, alternate versions, and extensive liner notes by Alec Palao. [8]
Disc One: mono mixes
Disc Two: Contact High — Outtakes from the Future Sessions
Little Games is the fourth American album by English rock band the Yardbirds. Recorded and released in 1967, it was their first album recorded after becoming a quartet with Jimmy Page as the sole guitarist and Chris Dreja switching to bass. It was also the only Yardbirds album produced by Mickie Most.
The Seeds were an American psychedelic garage rock band formed in Los Angeles, California in 1965, best known for their highest charting single "Pushin' Too Hard". The band's classic line-up featured frontman Sky Saxon, guitarist Jan Savage, keyboardist Daryl Hooper and drummer Rick Andridge. In 1968, the band changed their name to Sky Saxon and the Seeds, with Savage and Andridge departing the band. They went on to release a handful of additional singles, with Hooper also departing at some point before splitting up in circa 1972.
Between the Buttons is the fifth British and seventh American studio album by the English rock band the Rolling Stones, released on 20 January 1967 in the UK and on 11 February in the US as the follow-up to Aftermath. It reflected the Stones' brief foray into psychedelia and baroque pop balladry during the era. It is among the band's most musically eclectic works; multi-instrumentalist Brian Jones abandoned his guitar on much of the album, instead playing a wide variety of other instruments including organ, marimba, vibraphone, and kazoo. Piano contributions came from two session players: former Rolling Stones member Ian Stewart and frequent contributor Jack Nitzsche. It would be the last album produced by Andrew Loog Oldham, who had to this point acted as the band's manager and produced all of their albums.
Pisces, Aquarius, Capricorn & Jones Ltd. is the fourth album by the Monkees. It was released on November 6, 1967, during a period when the band exerted more control over their music and performed many of the instruments themselves. However, although the group had complete artistic control over the procceedings, they invited more outside contributions than on their previous album, Headquarters, and used session musicians to complement their sound. The album also featured one of the first uses of the Moog synthesizer in popular music. Pisces, Aquarius, Capricorn & Jones Ltd. sold over three million copies. It was the band's fourth consecutive album to reach No. 1 on the U.S. Billboard 200.
Sky "Sunlight" Saxon was an American rock and roll musician best known as the leader and singer of the 1960s Los Angeles psychedelic garage rock band The Seeds.
More of the Monkees is the second studio album by the American pop rock band the Monkees. It was recorded in late 1966 and released on Colgems label #102 on January 9, 1967. It displaced the band's own debut album from the top of the Billboard 200 chart and remained at No.1 for 18 weeks—the longest of any Monkees album. Combined, the first two Monkees albums were at the top of the Billboard chart for 31 consecutive weeks. More of the Monkees also went to No.1 in the UK. In the U.S. it has been certified quintuple platinum by the RIAA with sales of more than five million copies. More of the Monkees is also notable for being the first pop/rock album to be the best-selling album of the year in the U.S.
The Monkees is the debut studio album by the American band the Monkees. It was released in October 1966 by Colgems Records in the United States and RCA Victor in the rest of the world. It was the first of four consecutive U.S. number one albums for the group, taking the top spot on the Billboard 200 for 13 weeks, after which it was displaced by the band's second album. It also topped the UK charts in 1967. The Monkees has been certified quintuple platinum by the RIAA, with sales of over five million copies.
The Birds, the Bees & the Monkees is the fifth studio album by the Monkees. Released in April 1968, it was the first Monkees album not to reach Billboard's number one, peaking at No. 3 on the U.S. charts. It was also their first album to miss the UK charts altogether, with their four previous efforts all having reached the top ten. The album has sold over a million copies.
Instant Replay is the seventh studio album by the Monkees. Issued 11 months after the cancellation of the group's NBC television series, it is also the first album released after Peter Tork left the group and the only album of the original nine studio albums that does not include any songs featured in the TV show.
Gene Clark with the Gosdin Brothers is the debut solo album of Gene Clark, released in February 1967 on Columbia Records, catalogue CS 9418. It was his first effort after his departure from folk-rock group the Byrds in 1966. The music is a unique mixture of pop, country rock and baroque psychedelic tracks, which received favorable reviews and reinforced Clark's stature as a talented singer-songwriter. Unfortunately for Clark, it was released almost simultaneously with the Byrds' Younger Than Yesterday, also on Columbia, and partly because of his 18-month absence from public attention was a commercial failure.
The Seeds is the debut album by American garage rock band the Seeds. It was released in April 1966 through GNP Crescendo Records and produced by Sky Saxon. After the release of two singles in 1965, "Can't Seem to Make You Mine" and "Pushin' Too Hard", the album was released and charted in the United States where it peaked at No. 132 on the Billboard Top LPs & Tapes chart. Modern reception of the album is positive, with Malcolm Russel noting the band's influence on CBGB musicians a decade later.
"Pushin' Too Hard", originally titled "You're Pushing Too Hard", is a song by American rock group The Seeds, written by vocalist Sky Saxon and produced by Saxon with Marcus Tybalt. It was released as a single in 1965, re-issued the following year, and peaked at number 36 on the Hot 100 in February 1967 and number 44 in Canada in March.
"Can't Seem to Make You Mine" is a song by American rock group the Seeds, written by vocalist Sky Saxon and produced by Marcus Tybalt. It was released as a single in 1965 and re-issued in 1967, when it peaked at number 41 on the U.S. Billboard Hot 100 chart, and number 33 in Canada.
"Mr. Farmer" is a song by American garage rock group The Seeds, written by vocalist Sky Saxon and produced by Marcus Tybalt. It was released as a single in 1967 and peaked at number 86 on the U.S. Billboard Hot 100 chart. The song was banned on many radio stations during the time of its release because of its drug references.
A Web of Sound is the second album by the American garage rock band the Seeds. Produced by Marcus Tybalt and released in October 1966, it contained the single "Mr. Farmer" and the 14-minute closing song "Up In Her Room". The album did not chart, though it has received generally favorable reviews from music critics.
"A Thousand Shadows" is a song by American rock group The Seeds, written by vocalist Sky Saxon, keyboardist Daryl Hooper, and guitarist Jan Savage. Produced by Marcus Tybalt, it was released as a single in 1967 and peaked at number 72 on the U.S. Billboard Hot 100 chart.
Raw & Alive: The Seeds in Concert at Merlin's Music Box is the fifth album by the American garage rock band, the Seeds, and was released on GNP Crescendo in May 1968. It was marketed as a live album, and actually was recorded raw, but all of the album's contents were completed in a studio. The album marks a return to the band's energetic punk sound that previously garnered them national acclaim. Upon release, however, the album, and its accompanying single, "Satisfy You", failed to chart, and the group would eventually disband in 1972.
A Full Spoon of Seedy Blues is the fourth album by the American garage rock band, the Seeds, credited to the Sky Saxon Blues Band, and released on GNP Crescendo in November 1967. The album saw the group take a completely different and controversial direction from the psychedelia featured on their previous effort, Future, towards a style rooted in blues. However, the results of the venture were ill-received, both commercially and within their loyal fanbase.
Fallin' Off the Edge is a compilation album by the American garage rock band the Seeds, and was released on GNP Crescendo, in 1977. The first album of its kind to compile Seeds music, Fallin' Off the Edge includes rarities of the group's catalogue, alternate takes, and unreleased tracks. Among the songs available include the 1968 version of the hit "Pushin' Too Hard" without studio-created crowd noises, which was originally the closing track to the fake live album Raw & Alive: The Seeds in Concert at Merlin's Music Box. Although other Seeds compilations have been released over the years, Fallin' Off the Edge remains a collector's item and has been reissued.
Evil Hoodoo is a compilation album by the American garage rock band the Seeds, and was released by Bam-Caruso Records, in 1988. Somewhat relatable to a greatest hits album, Evil Hoodoo did not issue any unreleased tracks by the group; however, it did introduce listeners to the Seeds' music as underground psychedelic rock and garage rock musical genres were being rediscovered.