"Mr. Farmer" | ||||
---|---|---|---|---|
Single by The Seeds | ||||
from the album A Web of Sound | ||||
B-side | "Up in Her Room" | |||
Released | February 1967 | |||
Recorded | 1966 | |||
Genre | Psychedelic rock, garage rock | |||
Length | 2:58 (album version) 2:35 (single version) | |||
Label | GNP Crescendo | |||
Songwriter(s) | Sky Saxon | |||
Producer(s) | Marcus Tybalt | |||
The Seeds singles chronology | ||||
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"Mr. Farmer" is a song by American garage rock group The Seeds, written by vocalist Sky Saxon and produced by Marcus Tybalt. It was released as a single in 1967 and peaked at number 86 on the U.S. Billboard Hot 100 chart. The song was banned on many radio stations during the time of its release because of its drug references.
Written by Sky Saxon, "Mr. Farmer" depicts the tale of a man who becomes dissatisfied with city life and moves to the country, buys five acres, and spends time watering crops. [1] Though Saxon attempted to disguise the lyrics to make the song's message appear anti-drug, the song was widely interpreted as a tribute to marijuana growers and was banned on many radio stations. [1] [2] [3] [4]
Keyboardist Daryl Hooper later recalled discussing the song's bassline with Harvey Sharp, who had often played bass with the band in studio. Because the Seeds did not employ a bassist during live performances, Hooper used the left-hand bass on a Wurlitzer during small club performances, and later used a Fender Rhodes bass for larger shows. [5]
"Mr. Farmer" was released as a single in February 1967 and peaked at number 86 on the U.S. Billboard Hot 100 chart. [6] In the "Monkees on Tour" episode of The Monkees , a promotional copy of the single is shown being played by Phoenix radio station KRIZ when the band visits. Music historian Domenic Priore compared the song's piano sound to that of early Pink Floyd records. [7] Author Harvey Kubernik called the song a "punk-pop classic", and writer Malcolm Russell described it as a "tight groover". [5] [8]
"Mr. Farmer" appears on the 1987 compilation More Nuggets: Classics from the Psychedelic Sixties Volume 2 and is featured on the 2000 soundtrack to the film Almost Famous. [9] [10] Sky Saxon revisited the song on his 2008 solo album The King of Garage Rock. [11] Psychedelic rock band Strawberry Alarm Clock recorded a cover version of the song on their 2012 album Wake Up Where You Are. [12]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Mr. Farmer" | Sky Saxon | 2:35 |
2. | "Up in Her Room" | Saxon | 3:40 |
Chart (1967) | Peak position | Date |
---|---|---|
U.S. Billboard Hot 100 [6] | 86 | March 1967 |
The Seeds were an American psychedelic garage rock band formed in Los Angeles, California in 1965, best known for their highest charting single "Pushin' Too Hard". The band's classic line-up featured frontman Sky Saxon, guitarist Jan Savage, keyboardist Daryl Hooper and drummer Rick Andridge. In 1968, the band changed their name to Sky Saxon and the Seeds, with Savage and Andridge departing the band. They went on to release a handful of additional singles, with Hooper also departing at some point before splitting up in circa 1972.
Sky "Sunlight" Saxon was an American rock and roll musician best known as the leader and singer of the 1960s Los Angeles psychedelic garage rock band The Seeds.
"Eight Miles High" is a song by the American rock band the Byrds, written by Gene Clark, Jim McGuinn, and David Crosby. It was first released as a single on March 14, 1966. Musically influenced by sitar player Ravi Shankar and jazz saxophonist John Coltrane, the song was influential in developing the musical styles of psychedelia and raga rock. Accordingly, critics often cite "Eight Miles High" as being the first bona fide psychedelic rock song, as well as a classic of the counterculture era.
The Dovers were an American garage rock band of the mid-1960s. The Dovers were an example of mid-1960s folk rock, psychedelic rock and pop, heavily influenced by the British Invasion and American groups such as The Byrds.
"I Had Too Much to Dream (Last Night)" is a song written with music by Annette Tucker and lyrics by Nancie Mantz, which was recorded in late 1966 by the garage rock band The Electric Prunes. Released as the band's second single, it reached number 49 in the UK and peaked at number 11 on the Billboard Hot 100 the week ending February 11, 1967.
Mark Shalom Tulin was an American bass guitarist who played with the psychedelic rock band The Electric Prunes.
The Seeds is the debut album by American garage rock band the Seeds. It was released in April 1966 through GNP Crescendo Records and produced by Sky Saxon. After the release of two singles in 1965, "Can't Seem to Make You Mine" and "Pushin' Too Hard", the album was released and charted in the United States where it peaked at No. 132 on the Billboard Top LPs & Tapes chart. Modern reception of the album is positive, with Malcolm Russel noting the band's influence on CBGB musicians a decade later.
"Laugh, Laugh" is a song by American rock group the Beau Brummels, written by guitarist Ron Elliott and produced by Sylvester Stewart, later known as Sly Stone. Released in December 1964 as the band's debut single, the song reached number 15 on the U.S. Billboard Hot 100 chart the following February. "Laugh, Laugh" was the first hit single to come out of the emerging San Francisco music scene in response to the British Invasion. The song was later included on the band's first full-length album, Introducing the Beau Brummels, released in April 1965.
"Just a Little" is a song by the American rock group the Beau Brummels. The song is included on the band's debut album, Introducing the Beau Brummels, and was released as its second single, following "Laugh, Laugh". "Just a Little" became the band's highest-charting U.S. single, peaking at number eight on the Billboard Hot 100 in June 1965. It also reached the top 10 of the charts in Canada and Australia.
Midnight Ride is the fifth studio album by American rock band Paul Revere & the Raiders; released by Columbia Records. Produced by Terry Melcher and released in May 1966, the album featured the U.S. top five single "Kicks." The album also includes "(I'm Not Your) Steppin' Stone," The Monkees' version of which became a U.S. Top 20 hit in 1967.
Not to be confused with Styx (band)
"Pushin' Too Hard", originally titled "You're Pushing Too Hard", is a song by American rock group The Seeds, written by vocalist Sky Saxon and produced by Saxon with Marcus Tybalt. It was released as a single in 1965, re-issued the following year, and peaked at number 36 on the Hot 100 in February 1967 and number 44 in Canada in March.
"Can't Seem to Make You Mine" is a song by American rock group the Seeds, written by vocalist Sky Saxon and produced by Marcus Tybalt. It was released as a single in 1965 and re-issued in 1967, when it peaked at number 41 on the U.S. Billboard Hot 100 chart, and number 33 in Canada.
A Web of Sound is the second album by the American garage rock band the Seeds. Produced by Marcus Tybalt and released in October 1966, it contained the single "Mr. Farmer" and the 14-minute closing song "Up In Her Room". The album did not chart, though it has received generally favorable reviews from music critics.
"A Thousand Shadows" is a song by American rock group The Seeds, written by vocalist Sky Saxon, keyboardist Daryl Hooper, and guitarist Jan Savage. Produced by Marcus Tybalt, it was released as a single in 1967 and peaked at number 72 on the U.S. Billboard Hot 100 chart.
Future is the third studio album by Los Angeles rock band the Seeds. The album is a notable shift in musical direction for the band as they moved away from garage rock, and began experimenting more with psychedelic rock. Upon its release in 1967, the album reached the Top 100 on the Billboard 200, but their single, "A Thousand Shadows", was less successful than The Seeds' previous hits.
Raw & Alive: The Seeds in Concert at Merlin's Music Box is the fifth album by the American garage rock band, the Seeds, and was released on GNP Crescendo in May 1968. It was marketed as a live album, and actually was recorded raw, but all of the album's contents were completed in a studio. The album marks a return to the band's energetic punk sound that previously garnered them national acclaim. Upon release, however, the album, and its accompanying single, "Satisfy You", failed to chart, and the group would eventually disband in 1972.
A Full Spoon of Seedy Blues is the fourth album by the American garage rock band, the Seeds, credited to the Sky Saxon Blues Band, and released on GNP Crescendo in November 1967. The album saw the group take a completely different and controversial direction from the psychedelia featured on their previous effort, Future, towards a style rooted in blues. However, the results of the venture were ill-received, both commercially and within their loyal fanbase.
The Fire Escape was an American psychedelic rock band formed in San Francisco, California, in 1967. Existing mainly as a studio group composed of unknown session musicians, the band was masterminded by record producer Kim Fowley and Michael Lloyd. The project produced one album called Psychotic Reaction, which contained mainly cover versions of popular songs from the era. It is reported that Sky Saxon of the garage rock band, the Seeds and Mars Bonfire of Steppenwolf, played on some of the tracks.
Evil Hoodoo is a compilation album by the American garage rock band the Seeds, and was released by Bam-Caruso Records, in 1988. Somewhat relatable to a greatest hits album, Evil Hoodoo did not issue any unreleased tracks by the group; however, it did introduce listeners to the Seeds' music as underground psychedelic rock and garage rock musical genres were being rediscovered.