Nuggets: Original Artyfacts from the First Psychedelic Era is a compilation album of American psychedelic and garage rock singles that were released during the mid-to-late 1960s. It was created by Lenny Kaye, who was a writer and clerk at the Village Oldies record shop in New York. He would later become the lead guitarist for the Patti Smith Group. Kaye produced Nuggets under the supervision of Elektra Records founder Jac Holzman. Kaye conceived the project as a series of roughly eight LP installments focusing on different US regions, but Elektra convinced him that one double album would be more commercially viable. It was released on LP by Elektra in 1972 with liner notes by Kaye that contained one of the first uses of the term "punk rock". It was reissued with a new cover design by Sire Records in 1976. In the 1980s, Rhino Records issued Nuggets in a series of fifteen installments, and in 1998 as a 4-cd box set.
The Outsiders were an American rock and roll band from Cleveland, Ohio, that was founded and led by guitarist Tom King. The band released the hit single "Time Won't Let Me" in early 1966, which peaked at No. 5 in the US in April. The band had three other Hot 100 top 40 hit singles in 1966, but none on the Hot 100 afterwards, and released a total of four albums in the mid-1960s.
Freakbeat is a loosely defined subgenre of rock and roll music developed mainly by harder-driving British groups during the Swinging London period of the mid-to late 1960s. The genre bridges British Invasion R&B, beat and psychedelia.
The Choir was a garage rock band largely active in the greater Cleveland area from the mid-1960s into the early 1970s. Originally called The Mods, their largest commercial success came with the release of their first single "It's Cold Outside" in December 1966. The song, considered to be a classic of the garage rock era, was featured on Pebbles, Volume 2, one of the earlier garage rock compilation LPs. The flipside, "I'm Going Home" was included as a bonus track when the Pebbles album was reissued as a CD, and it can also be found on a garage rock compilation LP on Ohio bands, Highs in the Mid-Sixties, Volume 9. The Choir is well known for containing three of the four original members of Raspberries.
Pebbles is an extensive series of compilation albums in both LP and CD formats that have been issued on several record labels, though mostly by AIP. Together with the companion Highs in the Mid-Sixties series, the Pebbles series made available over 800 obscure, mostly American "Original Punk Rock" songs recorded in the mid-1960s — primarily known today as the garage rock and psychedelic rock genres — that were previously known only to a handful of collectors. In 2007, the release of the Pebbles, Volume 11: Northern California CD marked the final album in the Pebbles series. The following year, Bomp! marked the 30th anniversary of the original Pebbles album with a spartan, limited-edition, clear-vinyl reissue complete with the original pink cover insert.
Pebbles is a compilation of US underground and garage single record releases from the mid- to late-1960s. It had a limited original release in 1978 and a more general release in 1979. It was followed by several subsequent Pebbles compilations and albums. This album is nowadays known as Pebbles, Volume 1 and was originally issued in 1978 as Pebbles, Volume One: Artyfacts from the First Punk Era, an obvious riff on Nuggets: Original Artyfacts from the First Psychedelic Era, a similar, groundbreaking compilation from 1972.
The Human Expression was an American garage and psychedelic rock band from Los Angeles that released three well-regarded singles, and made additional demo recordings between 1966 and 1967.
The English Freakbeat series is a group of five compilation albums, released in the late 1980s, that were issued by AIP Records. The LPs featured recordings that were released in the mid-1960s by English rock bands in the early punk, proto-punk, R&B, mod, and beat genres. The series served as a follow-up to the Pebbles, Volume 6 LP, itself subtitled The Roots of Mod, which was the only album in the Pebbles series that was devoted to English music. When the English Freakbeat series was reissued as CDs in the 1990s, the Pebbles, Volume 6 LP was adapted into the English Freakbeat, Volume 6 CD.
Back from the Grave is a series compilation albums of 1960s garage rock created and compiled by Tim Warren and released by Crypt Records. The series originally consisted of eight LP records released between 1983 and 1992. Volumes seven and eight were double albums. Starting in 1994, the series was reissued on compact disc. Due to the longer playing times offered by CDs, the first seven volumes were contained on four discs, save for a few tracks that were omitted. And, while all of the songs on the first four CDs are included on first seven vinyl albums, they do not necessarily correspond to the individual LPs bearing their same titles. However, the Volume 8 CD corresponds almost directly its LP double-LP counterpart, but with the addition of four bonus tracks not included on the LP. The eight vinyl albums are titled consecutively "Back from the Grave, Volume 1, Volume 2, Volume 3, Volume 4, Volume 5, Volume 6, Volume 7, Volume 8, Volume 9, and Voume 10". In similar fashion the five CDs are titled "Back from the Grave, Volume 1, Volume 2, Volume 3, Volume 4, Volume 8, and Volumes 9 & 10". There are no volumes 5, 6, or 7 for the CDs. Two separate LPs for Volume 9 and 10 were released in 2015 as well one CD, released the same year, which combines Volumes 9 and 10 onto one double-length disc.
We the People was an American garage rock band from Orlando, Florida, that was formed in late 1965 and professionally active between 1966 and 1970. Although none of their singles charted nationally in the U.S., a number of them did reach the Top 10 of the local Orlando charts. The band are perhaps best remembered for their song "Mirror of Your Mind", which reached the Top 10 in a number of regional singles charts across the U.S. during 1966. The song has subsequently been included on several compilation albums over the years.
Back from the Grave, Volume 2 is the second installment in the Back from the Grave series of garage rock compilations put together by Tim Warren of Crypt Records on LP. It was released in 1983. In keeping with all of the entries in the series, and as indicated in the subheading which reads "16 Garage Punkers," this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music. The packaging also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd depicting revivified "rock and roll" zombies who have just emerged from the grave to "burn on a skewer" all adherents of supposedly heretical pop and progressive music which have come to prominence over the years, such as disco.
The Bees was an American garage rock and psychedelic band from Covina, California, that was active in the mid-1960s, and was best known for the 1966 paranoiac anthem "Voices Green and Purple". The song has been mentioned as an innovative example of early protopunk.
"Voices Green and Purple" is a song by the Bees, an American garage rock and psychedelic band from Covina, California who were active in the mid-1960s. It has been mentioned as an innovative example of early proto-punk and has become highly prized by various garage rock collectors and enthusiasts.
The Brigands were an American garage rock act who are best known for the 1966 song, "(Would I Still Be) Her Big Man", which appeared as the A-side of a single released on Epic Records. Little is known about them other than that the song was recorded in New York City. Their origins are unknown, but some have attributed their residence to Forest Hills, Long Island, New York. Others have speculated that they were an ensemble of session musicians who recorded the song as a one-time act under the moniker "the Brigands." One reason mentioned by exponents of this hypothesis is that there would be more known about them, if they had indeed been an actual performing unit. They point out that there are no printed artifacts available, such as flyers and listings of live performances, records of battles of the bands, and newspaper clippings. They also point out that, since the song was released on Epic Records and produced by Artie and Kris Resnick, who wrote the Young Rascals' "Good Lovin'" and other popular hits of the time, it is unlikely that such an unknown band would have received the attention of such well-known and established fixtures, unless the song had been recorded by a "ghost band" of session musicians under their tutelage.
Harbinger Complex was an American garage rock/psychedelic rock band from Fremont, California, who were active in the mid-1960s. In the years since their breakup, their work has come to the attention of garage rock fans and collectors and has appeared on several retrospective compilations including the Nuggets 4-CD box set. They are best-remembered for their 1966 song, "I Think I'm Down."
The Palace Guard was an American garage rock band formed in Los Angeles, California in 1964. Though the band never obtained national success, they made a huge splash in Southern California with their song "Falling Sugar". The group is also notable for featuring the first commercial appearance of Emitt Rhodes, later a member of the Merry-Go-Round.
The Groupies were an American garage rock-psychedelic rock band from New York City who were active in the 1960s and are known for an innovative approach to primal blues-based rock exemplified in such songs as "Primitive". They were a popular fixture in the New York club scene and recorded for Atco Records, later venturing to Los Angeles. Due to their uncompromising stance the Groupies failed to attract a wider audience outside of their local enclaves. They have come to the attention of garage rock and psychedelic enthusiasts and their work has been included on various compilations such as the 1998 Nuggets four-CD box set, which was released on Rhino Records. Their material has been re-issued on other garage rock and psychedelic compilations such as the Pebbles, Volume 10 LP.
The Underdogs were an American garage rock band from Grosse Pointe, Michigan who were active in the 1960s. They became a regular attraction at the Hideout, a club that was an early venue for acts such as Bob Seger, Glenn Frey, and The Pleasure Seekers, featuring Suzi Quatro, and it also served as the home to the Hideout record label, which released several of the Underdogs' singles. The group enjoyed success in the region and came close to breaking nationally with two records released through a joint deal on Reprise Records and then their last on Motown. The Underdogs' work has been included on various garage rock compilations such as the 1998 Nuggets 4-CD box set released on Rhino Records.
