"Let It Out (Let It All Hang Out)" | |
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Single by The Hombres | |
from the album Let It Out (Let It All Hang Out) | |
B-side | "Go Girl, Go" |
Released | 1967 [1] |
Recorded | 1967 [1] |
Genre | |
Length | 2:06 [5] |
Label | Verve Forecast |
Songwriter(s) | B. B. Cunningham [1] |
Producer(s) | Huey P. Meaux [1] |
"Let It Out (Let It All Hang Out)" is a 1967 song by the Hombres and the title track of their album of the same name. It is, according to AllMusic journalist Stewart Mason, a "deadpan southern-fried parody" of Bob Dylan's "Subterranean Homesick Blues". [1]
The song's spoken intro – "A preachment, dear friends, you are about to receive on John Barleycorn, nicotine and the temptations of Eve" – dates to the 1947 novelty recording "Cigareetes, Whuskey and Wild, Wild Women" by Red Ingle and His Natural Seven, [6] and is followed by a raspberry. [7]
The song's B-side, "Go Girl, Go", has the singer complaining about having to "stand in line" to see his girlfriend now that she is a "hip-swingin', fringe-slingin' Watusi go go girl". It is featured in the compilation album Essential Pebbles, Volume 1 , where it is incorrectly titled "Go Go Girl" in the track listing, and attributed to "unknown artist".
"Let It All Hang Out" | |
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Single by Jonathan King | |
B-side | "Colloquial Sex" [8] |
Released | 1969 [9] |
Recorded | 1969 [9] |
Length | 2:10 |
Label | Decca [9] |
Songwriter(s) | B. B. Cunningham [8] |
Producer(s) | Jonathan King [8] |
Artist | Billboard Hot 100 | UK Singles Chart | Dutch Top 40 |
---|---|---|---|
The Hombres | 12 [7] | - | - |
Jonathan King | - | 26 [9] | 28 [8] |
Garage rock is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord structures played on electric guitars and other instruments, sometimes distorted through a fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage, although many were professional.
The Bevis Frond is an English rock band formed in 1986 in Walthamstow, London, England. The band is fronted by Nick Saloman and has recorded many singles and albums on various independent labels.
Nuggets: Original Artyfacts from the First Psychedelic Era is a compilation album of American psychedelic and garage rock singles that were released during the mid-to-late 1960s. It was created by Lenny Kaye, who was a writer and clerk at the Village Oldies record shop in New York. He would later become the lead guitarist for the Patti Smith Group. Kaye produced Nuggets under the supervision of Elektra Records founder Jac Holzman. Kaye conceived the project as a series of roughly eight LP installments focusing on different US regions, but Elektra convinced him that one double album would be more commercially viable. It was released on LP by Elektra in 1972 with liner notes by Kaye that contained one of the first uses of the term "punk rock". It was reissued with a new cover design by Sire Records in 1976. In the 1980s, Rhino Records issued Nuggets in a series of fifteen installments, and in 1998 as a 4-cd box set.
Max Frost and the Troopers were a fictional rock music group created for the exploitation film Wild in the Streets, released in 1968. The film featured Christopher Jones as the highly influential singer Max Frost. The songs performed by Frost and his band, a group that was never formally named in the film, were credited to Max Frost and the Troopers in the subsequent singles and album. The band name "Troopers" is based on the term "troops," the designation Frost used in the film to refer to his friends and followers.
The Outsiders were an American rock and roll band from Cleveland, Ohio, that was founded and led by guitarist Tom King. The band released the hit single "Time Won't Let Me" in early 1966, which peaked at No. 5 in the US in April. The band had three other Hot 100 top 40 hit singles in 1966, but none on the Hot 100 afterwards, and released a total of four albums in the mid-1960s.
The Nerves were an American power pop trio formed in San Francisco California in 1974 and later based in Los Angeles, California featuring guitarist Jack Lee, bassist Peter Case, and drummer Paul Collins. All three members composed songs and sang. They managed an international tour in the U.S. and Canada, including dates with The Ramones, and performances for the troops as part of the United Services Organization (USO).
The Psychedelic Sounds of the 13th Floor Elevators is the debut studio album by the 13th Floor Elevators. The album's sound, featuring elements of psychedelia, hard rock, garage rock, folk, and blues, is notable for its use of the electric jug, as featured on the band's only hit, "You're Gonna Miss Me", which reached number 55 on the Billboard Charts with "Tried to Hide" as a B-side. Another single from the album, "Reverberation (Doubt)", reached number 129 on the Billboard's Bubbling Under Chart.
The soundtrack for the film Elizabethtown, directed by Cameron Crowe, constitutes multiple volumes released by RCA Records between 2005-2006. The first volume of original songs from the movie, titled Elizabethtown: Songs from the Motion Picture, was released September 13, 2005. The physical CD release of this first volume remains in print at the time of writing, but is not as pictured here, featuring instead the red cover art seen on AllMusic, and does not include the last song "Plush" referenced by the track listing here. The original score, composed by rock musician Nancy Wilson, was released on October 14, 2005. The four-song extended play Songs for the Ride Home was released as a limited-time iTunes Exclusive on December 20, 2005. A full-length follow-up collection, titled Elizabethtown: Volume 2, was released on February 7, 2006, and replaced Songs for the Ride Home on iTunes
The Hombres were an American garage rock band from Memphis, Tennessee, known primarily for the 1967 single, "Let It Out ".
Nuggets is a series of compilation albums, started by Elektra Records in 1972 and continued by Rhino Records thereafter. The series focuses primarily on relatively obscure garage and psychedelic rock songs from the 1960s, but with some hits and pop-oriented songs also included.
Tintern Abbey were a British psychedelic rock band that were formed in late 1966 and professionally active between 1967 and 1968. The band are best remembered for their single "Vacuum Cleaner," which has been included on several compilation albums over the years.
"Can't Seem to Make You Mine" is a song by American rock group the Seeds, written by vocalist Sky Saxon and produced by Marcus Tybalt. It was released as a single in 1965 and re-issued in 1967, when it peaked at number 41 on the U.S. Billboard Hot 100 chart, and number 33 in Canada.
Scared to Get Happy: A Story of Indie-Pop 1980–1989 is a five-disc compilation album that features 134 songs from indie pop artists from the 1980s. It was released in June 2013 by Cherry Red Records.
"Sit Down, I Think I Love You" is a 1966 song composed by American singer-songwriter Stephen Stills and originally recorded by American-Canadian rock band Buffalo Springfield. A cover version by The Mojo Men was released as a single in 1967 and reached the U.S. Top 40. Also that year, Australian band The Executives charted in their home country with their version of the song.
"Are You a Boy or Are You a Girl" is a song written by Geoffry Morris for the American band The Barbarians. It was released as the group's second single, and was the first and most successful tune for the Barbarians to chart on the Billboard Hot 100 and Cashbox.
No Way Out is the debut album by the American garage rock band The Chocolate Watchband, and was released in September 1967 on Tower Records. It blended both garage and psychedelic rock influences, and was marked by distorted guitar instrumentals that were early examples of protopunk. It features the band's harder-edged interpretations of songs, with only three original compositions. The album was preceded by two non-album singles, "Sweet Young Thing" and "Misty Lane", and track singles, "No Way Out" and "Are You Gonna be There ". However, none of the singles managed to chart. Like its singles, No Way Out failed to reach the Billboard 200, but it established the group as a popular live act, and later became noted as a garage rock classic.
The Bees was an American garage rock and psychedelic band from Covina, California, that was active in the mid-1960s, and was best known for the 1966 paranoiac anthem "Voices Green and Purple". The song has been mentioned as an innovative example of early protopunk.
"Voices Green and Purple" is a song by the Bees, an American garage rock and psychedelic band from Covina, California who were active in the mid-1960s. It has been mentioned as an innovative example of early protopunk and has become highly prized by various garage rock collectors and enthusiasts.
"A Public Execution" is a song performed and recorded by the American band Mouse and the Traps, also credited simply as Mouse, written by Ronny "Mouse" Weiss (né Ronald Lon Weiss; born 1942) (music) and Knox Henderson (né Knox Holmes Henderson; 1939–2002) (words), and first released as the group's debut single on Fraternity Records in December 1965. The song was a big regional hit in Texas and peaked in the lower reaches of the Billboard charts, but has become better-known today, in large part, due to the band's uncanny imitation of Highway 61 Revisited-era Bob Dylan.
The Palace Guard was an American garage rock band formed in Los Angeles, California in 1964. Though the band never obtained national success, they made a huge splash in Southern California with their song "Falling Sugar". The group is also notable for featuring the first commercial appearance of Emitt Rhodes, later a member of the Merry-Go-Round.