Collective Soul is an American rock band originally from Stockbridge, Georgia. Now based in Atlanta, the group consists of the brothers Ed and Dean Roland, Will Turpin (bassist), Johnny Rabb (drummer), and Jesse Triplett. Formed in 1992, the original lineup consisted of the Roland brothers, bassist David Neal, guitarist Ross Childress, and drummer Shane Evans. Collective Soul released their Hints, Allegations, and Things Left Unsaid album on the independent label Rising Storm Records in 1993. The band went from obscurity to popularity that year after the album's lead single "Shine" received regional radio play. Around the same time, Turpin replaced Neal on bass. The album was then re-released in 1994 by the major label Atlantic Records; thus, "Shine" became a national hit as it peaked at No. 1 on the Mainstream Rock and No. 4 on the Mainstream Top 40 chart.
The Heat is the third studio album by American singer Toni Braxton, released on April 25, 2000, by LaFace Records. The album marked Braxton's departure from her ballads in favor of a more urban sound. Most of the songs were written and produced by Braxton and her husband Keri Lewis ; two ballads were penned by Diane Warren, and collaborations featured rappers Dr. Dre and Lisa "Left Eye" Lopes.
"Baby Got Back" is a song written, co-produced and recorded by American rapper and songwriter Sir Mix-a-Lot. Released in May 1992 by Def American and Reprise as the second single from his third album, Mack Daddy (1992), the song samples the 1986 Detroit techno single "Technicolor" by Channel One. At the time of its original release, the song caused controversy because of its outspoken and blatantly sexual lyrics objectifying women, as well as specific references to the buttocks, which some people found objectionable. The song's accompanying music video was briefly banned by MTV. Mix-a-Lot defended the song as being empowering to curvaceous women who were being shown skinny models as an ideal for beauty.
"One More Chance / Stay with Me (Remix)" is a song written and recorded by American rapper The Notorious B.I.G. Three versions of the song exist: An original, lyrically explicit version prefaced by an answering machine performance featured on the album, and two versions released as singles, both of which contain identical lyrics by B.I.G. despite differing instrumentals and choruses. The first is an upbeat "Hip Hop Mix" that samples Marley Marl's "Droppin Science", and the second is a sultrier R&B remix parenthetically labeled the "Stay with Me Remix", which samples the namesake 1983 song by the band DeBarge. The lattermost remains the most popular, and features backing vocals and harmonies performed by his wife Faith Evans, as well as uncredited appearances by Mary J. Blige and Bad Boy Records label boss Puff Daddy—who also produced the version with Rashad Smith. It received platinum certification by the RIAA by July 31, 1995, and has sold 1.1 million copies.
"Batdance" is a song by American musician Prince, from the 1989 Batman soundtrack. Helped by the film's popularity, the song reached number one in the US, becoming Prince's fourth American number-one single and served as his first number-one hit since "Kiss" in 1986.
"It's All About the Benjamins" is a song by American rapper and producer Puff Daddy. It was released as the third single from his debut studio album No Way Out. "Benjamins" is a slang word for money, referring to Benjamin Franklin's image on the US $100 bill. The song featured an uncredited vocal arrangement by Missy "Misdemeanor" Elliott, and featured a signature guitar hook played by Marc Solomon.
"One Vision" is a song written and recorded by the British rock band Queen, first released as a single in November 1985 and then included on their 1986 album A Kind of Magic. It was conceived by the group's drummer Roger Taylor.
"Tonight" is a song written by David Bowie and Iggy Pop for the latter's second solo studio album, Lust for Life (1977). The song was later made into the title-track for Bowie's own album Tonight (1984).
Don Cartagena is the third studio album by American rapper Fat Joe. It was released on September 1, 1998 through Atlantic Records, Big Beat, Mystic Entertainment Group and Fat Joe's Terror Squad Productions. Production was handled by Armageddon, Baby Paul, Buckwild, Curt Gowdy, Dame Grease, DJ Premier, JAO, L.E.S., Mack 10, Marley Marl, Rashad Smith, Ski Beatz, Spunk Bigga, V.I.C. and Younglord, with Craig Kallman, Fat Joe and Greg Angelides serving as executive producers. It features guest appearances from fellow Terror Squad members Big Punisher, Armageddon, Prospect, Cuban Link and Triple Seis, as well as Charli Baltimore, Jadakiss, Krayzie Bone, Layzie Bone, Nas, Noreaga, Puff Daddy, Raekwon and Rell.
"Say No Go" is a single by De La Soul from their influential 1989 album 3 Feet High and Rising. It reached number 18 in the UK charts. The tune is heavily based on the Hall & Oates song "I Can't Go for That ".
"A Roller Skating Jam Named 'Saturdays'" is a song by American hip hop trio De La Soul, released on July 23, 1991 as the second single from their second studio album, De La Soul Is Dead (1991). The track includes vocal contributions from rapper Q-Tip, R&B singer Vinia Mojica and entrepreneur Russell Simmons. The track's composition is built around many samples. The song was generally well-received by critics. The song peaked at number twenty-two on the UK Singles Chart and at numbers six and forty three on the United States Billboard Hot Dance Club Play and Hot R&B/Hip Hop Songs charts respectively.
"Ring Ring Ring (Ha Ha Hey)" is a song by American hip hop trio De La Soul, released in May 1991 by Tommy Boy Records as the lead single from their second album, De La Soul Is Dead (1991). It is a party jam about overzealous fans who pursue the group with demo tapes in their efforts to obtain an endorsement from the group. The song was inspired by one overzealous fan in particular, Breakestra frontman Miles Tackett, who was shopping demo tapes to the group (note "demo tapes by the miles" in the song's subtitle). It was very successful on the charts in Europe, reaching number one in Finland, Greece and Switzerland, as well as on the UK Dance chart. Additionally, the song was a top-10 hit also in Australia, Austria, Belgium, Denmark, Germany, the Netherlands, New Zealand and the UK. Its music video was directed by Mark Romanek.
"I Wanna Be Down" is the debut single of American recording artist Brandy from her self-titled debut album (1994). It was written by musicians Keith Crouch and Kipper Jones, with production helmed by the former, it was released on September 5, 1994, by the Atlantic Recording Corporation. The song is a mid-tempo track that features a thunderous beat and light synth riffs. Lyrically, "I Wanna Be Down" describes a flirt with a boy, who Norwood tries to convince of her loveliness.
"Stranger in My House" is a song recorded by Canadian singer Tamia. It was written by Shae Jones and frequent collaborator Shep Crawford and produced by the latter. Initially helmed for fellow R&B singer Toni Braxton, it was left unused and later recorded by Tamia for her second studio album, A Nu Day (2000). Inspired by the surprise ending of the supernatural thriller film The Sixth Sense (1999), the strings-led, dramatic R&B ballad is about a woman who is confused with her partner's recent change in behavior and goes into denial about it.
"No Time" is the debut single by American rapper Lil' Kim featuring Puff Daddy. It was released as the lead single for her debut album Hard Core in October 1996. It peaked at number 18 on the Billboard Hot 100, reached the top ten on the Hot R&B/Hip-Hop Songs, and peaked the US Rap Songs for nine weeks—becoming Kim's first number one hit on the chart. Additionally, the song charted at number 45 on the UK Singles Chart. "No Time" was certified Gold by the Recording Industry Association of America (RIAA) and contains a sample of Vicki Anderson's "Message from the Soul Sisters" and Lyn Collins's "Take Me Just As I Am."
"Horny" is a song by British R&B musician Mark Morrison. It was released in December 1996 as the sixth single from his debut album, Return of the Mack. The song features guest rap vocals by Q-Tee and peaked at number five on the UK Singles Chart. The song also contains an uncredited sample of "Encore" by Cheryl Lynn.
"Lovely Day" is a song by American soul and R&B singer Bill Withers. Written by Withers and Skip Scarborough, it was released on December 21, 1977, and appears on Withers's sixth album, Menagerie (1977). Withers holds a sustained note towards the end which, at 18 seconds, is one of the longest ever recorded on an American pop song. The song was listed at No. 402 on Rolling Stone's "Top 500 Best Songs of All Time" in 2021.
"Don't Look Any Further" is a song by American singer Dennis Edwards featuring American singer-songwriter Siedah Garrett, released in April 1984 by Motown from the singer's debut album by the same name (1984). The song is written by Franne Golde, Dennis Lambert and Duane Hitchings, while Lambert produced it. It peaked at No. 2 on the US Billboard Black Singles chart and No. 72 on the Billboard Hot 100. In the UK, the song peaked at No. 45.
"Heartbeat" is a 1981 R&B single by Taana Gardner. It was arranged by Dennis Weeden and Kenton Nix, and released by West End Records, with the more famous club mix created by Larry Levan. It reached the US Billboard R&B Singles at No. 10 and the No. 6 on the US Billboard Dance. It has sold over 800,000 copies.
Horace Brown is the only studio album by American contemporary R&B singer Horace Brown. It was released on June 18, 1996, via Motown Records. Recording sessions took place at Giant Recording Studios, Daddy's House Recording Studios, Sony Music Studios, Soundtrack Studios, Platinum Island Studios, Reflections Studio and Unique Recording Studios in New York City, Caribbean Sound Basin in Port of Spain, and DMH Studios in Elmsford. Production was handled by Dave "Jam" Hall, Puff Daddy, Stevie J, Big Bub, Charles Farrar, DeVante Swing, Dr. Ceuss, Kevin Deane, Troy Taylor, and DJ Eddie F, who also served as executive producer together with Andre Harrell and Lewis Tillman. It features a lone guest appearance from Faith Evans.
