"Eyes Are the Soul" | ||||
---|---|---|---|---|
Single by MC Lyte | ||||
from the album Act Like You Know | ||||
B-side | "Eyes Are the Soul" (LP Version) | |||
Released | April 9, 1992 [1] | |||
Genre | Golden age hip hop | |||
Length | 4:30 | |||
Label | First Priority, Atlantic Records | |||
Songwriter(s) | Lana Moorer, Epic Mazur, Richard Wolf [2] | |||
Producer(s) | ||||
MC Lyte singles chronology | ||||
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Music video | ||||
"Eyes Are the Soul " on YouTube |
"Eyes Are the Soul" is the third and final single from MC Lyte's third album Act Like You Know . Produced by Wolf & Epic, it was released on April 9, 1992. [1]
In the song Lyte talks about social issues such as AIDS, crack and teenage pregnancy. [4] [5]
In each verse of the song, Lyte describes a different afflicted person. The first person in the narrative is a male with HIV–AIDS, the second person is a crack addict wanted by the law, and the third is a young, black, pregnant teenager who is considering abortion. [6]
Shortly after the single was released, speaking at a Baltimore school, she confessed that "Sometimes I get discouraged when I do songs like this and they don't get as popular as (others). I'm just trying to get the message out." [7]
During an interview with Ebony in 2012, Lyte commented on the song's AIDS prevention message:
"I can't even tell you that I had lost someone or that I knew of anyone who had lost someone(...) I just knew this disease was on its way to causing devastation in the world, but specifically in our communities, and that knowledge just scared the mess out of me." [8]
"Eyes Are the Soul" was included on her compilation albums The Very Best of MC Lyte (2001), Rhyme Masters (2005), [9] and Cold Rock a Party – Best of MC Lyte (2019) [10] The music video was included on the compilation video album Lyte Years (1991). [11]
Connie Johnson of the Los Angeles Times highlighted the song in her album review, saying "AIDS, crack addiction and teen pregnancy are topics treated with nonjudgmental empathy." [12] James Bernard of Entertainment Weekly called the song "my own favorite", commenting "Lyte slips into a storytelling mode to convey the anguish of her peers who are grappling with AIDS, drug addiction, and the specter of the abortion clinic. Rather than tossing around empty rhetoric, Lyte takes us face-to-face with these people, forcing us to look into their eyes." [13]
In a retrospective review, AllMusic's Alex Henderson also highlighted the song, describing it as "a poignant reflection on the destruction caused by crack cocaine". [3] In a 2010 review, Quentin B. Huff of PopMatters commented on the song "In “Eyes Are the Soul”, MC Lyte turns the eyes into symbols of our collective humanity. There's a frailty in this symbolism, one that is echoed by the swelling synth backdrop and busy but light percussion." further highlighting its similarities to the TLC hit song "Waterfalls". [14]
In the book Stare in the Darkness: The Limits of Hip-hop and Black Politics (2011), [15] political scientist Lester Spence commented on the song:
"MC Lyte firmly places the responsibility for their condition on their own shoulders. The HIV–AIDS victim contracted the disease because he was irresponsible and did not know the woman with whom he was both sleeping and sharing needles. The crack addict is addicted because his mother was an addict. The final instance?
'I've watched her grow, little girl down the street White shirts and skirts with pleats/She cried, fear in her voice/Not knowing, she had a choice'
In each case, Lyte evinces sympathy and warmth toward the victim. By depicting the girl as she was when she was a child, Lyte depicts her as a young innocent and, in so doing, evokes sympathy from the listener. However, even in her sympathy, she frames the issue as one of individual knowledge. If the girl knew more, just as if the HIV–AIDS victim had better control, she wouldn't be in the situation she's in. There is no consideration of larger structural forces that shape access to material resources or even of the knowledge that Lyte suggests is the solution." [6]
Credits are taken from the liner notes. [16]
Chart (1992) | Peak position |
---|---|
US Hot R&B/Hip-Hop Songs ( Billboard ) [17] | 84 |
Lana Michele Moorer, better known by her stage name MC Lyte, is an American rapper. Considered one of the pioneers of female rap, MC Lyte first gained fame in the late 1980s, becoming the first female rapper to release a full solo album with 1988's critically acclaimed Lyte as a Rock. The album spawned the singles "10% Dis" and "Paper Thin".
"You Want This" is a song by American singer-songwriter Janet Jackson from her fifth studio album, Janet (1993). Released as the album's seventh single in October 1994, the track was written and produced by Jackson and Jimmy Jam and Terry Lewis. The single version, also used in the music video directed by Keir McFarlane, featured an additional rap verse from MC Lyte. The song was listed in the book Rock Song Index: The 7500 Most Important Songs for the Rock and Roll Era (2005) by Bruce Pollock.
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Lyte as a Rock is the debut studio album by American hip hop recording artist MC Lyte. It was released on April 19, 1988 via First Priority and Atlantic Records, and featured production from Audio Two, Prince Paul, King of Chill and his group, Alliance.
Eyes on This is the second studio album American hip hop recording artist MC Lyte. It was released on October 3, 1989, via First Priority and Atlantic Records, and featured production from Audio Two, as well as Grand Puba, The King of Chill, Marley Marl and PMD.
Act Like You Know is the third studio album by American hip hop recording artist MC Lyte. It was released on September 17, 1991, by First Priority Music, distributed by Atlantic Records, and featured production from Audio Two, The 45 King, Ivan "Doc" Rodriguez, The King of Chill, Pal Joey, Epic Mazur, Richard Wolf and DJ Master Tee.
Cha Cha Cha is the lead single from MC Lyte's second album Eyes on This. Produced by King Of Chill, who also has songwriting credits, it was released on September 8, 1989.
"Poor Georgie" is the second single from hip-hop artist MC Lyte's third album Act Like You Know (1991). The song was produced by Ivan 'Doc' Rodriguez, and released on December 12, 1991. The song seeks to convey an anti-addiction message, through the story of George and the dysfunctional relationship MC Lyte has with this individual with self-destructive behaviors. It features a sample of "Georgy Porgy" by rock band Toto.
The following is the discography of MC Lyte, an American hip hop musician.
"Ruffneck" is a hip hop song recorded by American rapper MC Lyte. It was published on May 27, 1993 by First Priority Music and Atlantic Street, as the lead single from her fourth studio album, Ain't No Other (1993). The song was produced by Aqil Davidson with Walter "Mucho" Scott, who along with Lyte have songwriting credits.
"Paper Thin" is the third single from MC Lyte's debut album Lyte as a Rock. It is produced by King of Chill, who along with Lyte has songwriting credits.
Lester K. Spence, Professor of Political Science and Africana studies at Johns Hopkins University is known for his academic critiques of neoliberalism and his media commentary and research on race, urban politics, and police violence. Previously, he was an Assistant Professor of Political Science at Washington University in St. Louis. Spence's writings on race and politics appear regularly in publications such as Jacobin, The Chronicle of Higher Education, DissentNPR, New York Times, Baltimore City Paper, among others. Spence also appeared regularly on C-SPAN, The Marc Steiner Show, among others.
10% Dis is a single from MC Lyte's album Lyte as a Rock produced by the hip hop duo Audio Two, who are also credited as songwriters.
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"I Cram to Understand U (Sam)" is the debut single by American rapper MC Lyte, in which features their DJ, DJ K-Rock, released in 1987. The song was part of her first album Lyte as a Rock, released the following year.
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Legend is the eighth album released by American rapper MC Lyte. The album was released in 2015 via Omnivore Recordings and its global entertainment firm, Sunni Gyrl, and featured production from Dominique Ludarius Cohill, Emmanuel A. Jimenez, Emmanuel Wells II, Loudbox and Olson Kenneth Wells II.
"Lyte as a Rock" is a 1988 single from the album of the same name by American rapper MC Lyte. Although in its version on the album it is produced by Audio Two, the single and the music video use a house music mix produced by King of Chill. The song was composed by Lyte With Audio Two's Milk Dee.
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