 | This article includes a list of general references, but it lacks sufficient corresponding inline citations .(September 2021) |
Fables, Ancient and Modern is a collection of translations of classical and medieval poetry by John Dryden interspersed with some of his own works. Published in March 1700, it was his last and one of his greatest works. Dryden died two months later. [1]
After the deposition of his patron James II in 1688, Dryden turned to translation to provide himself with a steady income. Dryden’s education at the Westminster School had provided him with an excellent grounding in translation, which was a conventional exercise at the time.
Fables, Ancient and Modern contains translations of the First Book of Homer's Iliad , eight selections from Ovid's Metamorphoses , three of Geoffrey Chaucer’s Canterbury Tales (and an imitation from the Prologue on "The Character of a Good Parson"), the later medieval poem The Flower and the Leaf, which he thought was by Chaucer, and three stories from Boccaccio. The volume also contains a number of Dryden's own works, including "Alexander’s Feast" and an impressive preface in which he lauds Chaucer, calling him “the Father of English poetry”. All the translations are in his characteristic heroic couplet, which uses alexandrines and triplets to vary the movement.
Dryden aimed to increase the English people’s literary reputation by appropriating the greatest traditions in literature and developing them into new genres. The English public were eager recipients of his translations, and saw them as connecting English literature with the great works of the past. The Fables were greatly admired throughout the 18th century, and their form and versification were imitated by John Keats in "Lamia."
An interesting feature of the preface is that Dryden did not understand Chaucer's Middle English prosody and dismissed his versification as irregular, because Middle English pronunciation was not properly understood at the time. In fact, since Dryden was working with Thomas Speght's extremely corrupt edition of Chaucer (printed overleaf from the translations in the California edition), and "The Flower and the Leaf" is prosodically unlike the poems by Chaucer, he couldn't possibly have scanned Chaucer even if he had assigned the correct Middle English values.
A couplet is a pair of successive lines of metre in poetry. A couplet usually consists of two successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on couplet, the meaning of the first line continues to the second.
Geoffrey Chaucer was an English poet, author, and civil servant best known for The Canterbury Tales. He has been called the "father of English literature", or, alternatively, the "father of English poetry". He was the first writer to be buried in what has since come to be called Poets' Corner, in Westminster Abbey. Chaucer also gained fame as a philosopher and astronomer, composing the scientific A Treatise on the Astrolabe for his 10-year-old son Lewis. He maintained a career in the civil service as a bureaucrat, courtier, diplomat, and member of parliament.
Quintus Horatius Flaccus, known in the English-speaking world as Horace, was the leading Roman lyric poet during the time of Augustus. The rhetorician Quintilian regarded his Odes as just about the only Latin lyrics worth reading: "He can be lofty sometimes, yet he is also full of charm and grace, versatile in his figures, and felicitously daring in his choice of words."
Pūblius Ovidius Nāsō, known in English as Ovid, was a Roman poet who lived during the reign of Augustus. He was a contemporary of the older Virgil and Horace, with whom he is often ranked as one of the three canonical poets of Latin literature. The Imperial scholar Quintilian considered him the last of the Latin love elegists. Although Ovid enjoyed enormous popularity during his lifetime, the emperor Augustus banished him to a remote province on the Black Sea, where he remained a decade until his death.
John Dryden was an English poet, literary critic, translator, and playwright who was appointed England's first Poet Laureate in 1668.
Philomela or Philomel is a minor figure in Greek mythology who is frequently invoked as a direct and figurative symbol in literary and artistic works in the Western canon.
The Metamorphoses is an 8 AD Latin narrative poem by the Roman poet Ovid, considered his magnum opus. Comprising 11,995 lines, 15 books and over 250 myths, the poem chronicles the history of the world from its creation to the deification of Julius Caesar within a loose mythico-historical framework.
Thomas Rymer was an English poet, critic, antiquary and historian. His lasting contribution was to compile and publish 16 volumes of the first edition of Foedera, a work in 20 volumes conveying agreements between The Crown of England and foreign powers since 1101. He held the office of English Historiographer Royal from 1692 to 1714. He is credited with coining the phrase "poetic justice" in The Tragedies of the Last Age Consider'd (1678).
Troilus and Criseyde is an epic poem by Geoffrey Chaucer which re-tells in Middle English the tragic story of the lovers Troilus and Criseyde set against a backdrop of war during the siege of Troy. It was written in rime royale and probably completed during the mid-1380s. Many Chaucer scholars regard it as the poet's finest work. As a finished long poem it is more self-contained than the better known but ultimately unfinished The Canterbury Tales. This poem is often considered the source of the phrase: "all good things must come to an end" (3.615).
Palamon and Arcite is part of Fables, Ancient and Modern written by John Dryden and published in 1700. Palamon and Arcite is a translation of The Knight's Tale from The Canterbury Tales by Geoffrey Chaucer. Although the plot line is identical, Dryden expanded the original text with poetic embellishments. The source of Chaucer's tale was Boccaccio's Teseida. Translations include those by Percival Ashley Chubb (1899) and Walter William Skeat (1904).
The following outline is provided as an overview of and introduction to poetry:
Genealogia deorum gentilium, known in English as On the Genealogy of the Gods of the Gentiles, is a mythography or encyclopedic compilation of the tangled family relationships of the classical pantheons of Ancient Greece and Rome, written in Latin prose from 1360 onwards by the Italian author and poet Giovanni Boccaccio.
Decasyllabic quatrain is a poetic form in which each stanza consists of four lines of ten syllables each, usually with a rhyme scheme of AABB or ABAB. Examples of the decasyllabic quatrain in heroic couplets appear in some of the earliest texts in the English language, as Geoffrey Chaucer created the heroic couplet and used it in The Canterbury Tales. The alternating form came to prominence in late 16th-Century English poetry and became fashionable in the 17th Century when it appeared in heroic poems by William Davenant and John Dryden. In the 18th Century famous poets such as Thomas Gray continued to use the form in works such as "Elegy Written in a Country Churchyard". Shakespearean Sonnets, comprising 3 quatrains of iambic pentameter followed by a final couplet, as well as later poems in blank verse have displayed the various uses of the decasyllabic quatrain throughout the history of English Poetry.
The Hind and the Panther: A Poem, in Three Parts (1687) is an allegory in heroic couplets by John Dryden. At some 2600 lines it is much the longest of Dryden's poems, translations excepted, and perhaps the most controversial. The critic Margaret Doody has called it "the great, the undeniable, sui generis poem of the Restoration era…It is its own kind of poem, it cannot be repeated ."
Contact between Geoffrey Chaucer and the Italian humanists Petrarch or Boccaccio has been proposed by scholars for centuries. More recent scholarship tends to discount these earlier speculations because of lack of evidence. As Leonard Koff remarks, the story of their meeting is "a 'tydying' worthy of Chaucer himself".
The Floure and the Leafe is an anonymous Middle English allegorical poem in 595 lines of rhyme royal, written around 1470. During the 17th, 18th, and most of the 19th century it was mistakenly believed to be the work of Geoffrey Chaucer, and was generally considered to be one of his finest poems. The name of the author is not known but the poem presents itself as the work of a woman, and some critics are inclined to take this at face value. The poet was certainly well-read, there being a number of echoes of earlier writers in the poem, including Geoffrey Chaucer, John Lydgate, John Gower, Andreas Capellanus, Guillaume de Lorris, Guillaume de Machaut, Jean Froissart, Eustache Deschamps, Christine de Pizan, and the authors of the "Lai du Trot" and the Kingis Quair.
Samuel Croxall was an Anglican churchman, writer and translator, particularly noted for his edition of Aesop's Fables.
Thomas Park (1759–1834) was an English antiquary and bibliographer, also known as a literary editor.
Works by John Dryden | ||
|---|---|---|
| Essays |
|  |
| Translations |
| |
| Operas |
| |
| Poetry |
| |
| Plays |
| |
| Related | ||
 | This article about an anthology of written works is a stub. You can help Wikipedia by expanding it. |