Music superstar Bud Parks, along with his statuesque wife, Alice, and their approximately eight-year-old daughter, Terri Jo, return to his small hometown, fictional Doak City, Indiana, for his paternal grandfather's 80th birthday. Initially, the visit is light-hearted and Bud receives a hero's welcome from many of his relatives and fans. But what is supposed to be a three-day visit of fun quickly turns into much more.
At the birthday party, Bud's high school sweetheart and now sister-in-law, P.J., invites Bud out for a walk, which is met with curious suspicion by Bud's father, Speck. P.J. confesses she has sex with Speck, which is met with shock and disapproval by Bud.
Speck, a successful poultry farmer, is shown early on to be a chauvinistic and dominating womanizer. He fathered an illegitimate son but his wife, Marian, stayed with him. Speck refers to himself as a sire and the women who bore his children as fillies. Over time he is revealed to be dominating, violent, exploitive and shameless, to the point of even making a pass at Bud's wife.
Bud and Alice seem to have a good marriage, and she is clearly devoted. But after learning of P.J.'s affair with Speck, Bud has sex with P.J. as well. P.J. seems to view her sexual encounters as conquests and take pride in simultaneously having three Parks men as lovers. She also seems to view her promiscuity, and the need to keep it secret, as a source of excitement for a housewife and mother who resides in what she considers to be a boring town.
The three days turn into several weeks. Bud's feelings of both love and lust for P.J. are rekindled, and he neglects Alice. Already disillusioned by the music business and thinking about leaving it, he realizes that he's a small-town man at heart and wants to stay in Doak City, where many of his relatives still reside. His anger toward his father also escalates.
California-bred Alice continues to love her husband but quickly becomes tired of small town life and his neglect. She accuses Bud of committing adultery. He doesn't deny it and she leaves with Terri Jo.
Bud tries to get P.J. back as the woman of his life. She reveals that she wanted that many years earlier, but that he wouldn't make a commitment, and it's too late now.
Frustrated and angry, Bud confronts Speck in a restaurant. Speck shows no interest or sympathy in his son's problems but expresses displeasure in having received none of the millions of dollars Bud has made in music. On the basis that he "sired" Bud, Speck claims to be entitled to some of Bud's money. Bud warns Speck to make no further sexual advances at Alice and, in a rage, knocks the food and tableware off the table. As Bud gets up to leave, he is viciously beaten by Speck.
Feeling like he's hit rock bottom, Bud gets drunk and performs a stunt from his wild youth. He lies in a cage in the back of a pickup truck and has one of his friends push the cage onto the road while the truck is moving. He wakes up lying in a hospital bed wearing a brace on his neck and a cast on his right arm. Standing beside his bed are P.J., his sister Sally Cutler and his paternal grandmother.
Alice returns and seems willing to take Bud back if he will be honest with her. Having been rejected by P.J. and humbled by his father and the accident, Bud now realizes what's most important in his life. He and Alice reconcile.
Cast
The starring cast of Falling from Grace includes:[2][3]
Falling from Grace premiered in Mellencamp's hometown of Seymour, Indiana at the Jackson Park Cinema on February 18, 1992,[1] and was then released on February 21, 1992 to 22 theaters in the United States.[5] At 96 minutes, the film was released in the United Kingdom on October 1, 1992.[2]
The movie only had a short run in theaters, which Mellencamp blamed on a lack of advertising from Columbia, and American movie audience's "indifference to small-scale movies with complex, introspective themes". Mellencamp thought it was a "good little movie", but "it wasn't a racehorse ... that could come out of the chute real strong and finish real quick, and make millions for the company".[6] Dave Loncao, Mellencamp's co-manager, said that when film critics Siskel and Ebert appeared on The Arsenio Hall Show and gave the movie a thumbs up, that "theater owners began calling Columbia, and if they asked [for the film], Columbia would then give it to them".[7]
Reception
I couldn't say [making the film] was the greatest thing that ever happened to me, but it wasn't one of the worst things. Sometimes I watch the film and I think, It's not too bad. Sometimes I watch it and can't stand to look at it.
In the US, the film earned US$49,708 at the box office on opening weekend, with an overall 45-week return of $231,826.[4]As of October2023[update], review aggregatorRotten Tomatoes showed a 78% positive view of the film, based on nine film critics.[9] Upon the home video's release, it debuted on the Billboard video rental chart in October 1992, peaking at number 30, remaining on the chart for 3 weeks.[10]
The New York Times'Janet Maslin was not impressed with Mellencamp's performance nor direction, but complimented the assembled cast and the film's "folksy, collaborative feeling that works well with Mr. McMurtry's rueful ideas about guilt, redemption and the impossibility of recapturing the past."[3] Film critic Peter Travers from Rolling Stone praised the film saying, the movie is as "sexy, comic, sad and precise as a Mellencamp song" and in his directorial debut his "vibrantly funny and touching film plays as an extension of his music without his singing a note". Travers complimented the "fine performances" of Lenz, Hemingway and O'Connell, and overall said Mellemcamp made an "admirably unfussy movie that sneaks into your heart with the hypnotic power of a song".[11]
Roger Ebert liked the film as well, saying that Mellencamp has a "real filmmaking gift", and that the film is "perceptive and subtle, and doesn't make the mistake of thinking that because something is real, it makes good fiction". Ebert was also impressed with McCurty's "uncommonly good original screenplay" and the characters he created being "three-dimensional", noting that Lenz "has many of the best scenes".[12][13]
Billboard Magazine writer Chris Morris wasn't impressed with the film or Mellencamp's acting, stating the film "suffers greatly from Mellencamp's presence in the leading role". Morris criticized his directing as well, arguing that Mellencamp "has problems staging McCurty's talky, high literary script", and that "long, dialog-filled scenes meander along without effect". Morris ends his review by harshly stating the film is a "noble failure", and while the movie is "serious in intent and execution, the film is a sleepy, murky exercise that never engages the emotions".[14]
The Hartford Courant's film critic Malcolm Johnson gave the film a rating of 1.5 out of 4 stars. Johnson says that Mellencamp's debut with his film, is "more than a musician's vanity effort", but it "proves oddly lacking muscle and bite". Johnson criticized Mellencamp's acting as "unmannered, even true, but a little dull". He singles out Lenz's performance though as "charging the film with its most tense and provocative moments".[15]
Soundtrack
The movie's 13-track soundtrack is 49 minutes and 43 seconds long, was recorded at the Belmont Mall Studio, and released in 1991. AllMusic rated the album at 4.5 out of 5 stars.[16] The single "Sweet Suzanne" by the Buzzin' Cousins debuted on the Billboard Country Singles chart in February 1992, and was on the chart for 5 weeks, achieving a peak position of 68.[10]
Don McCleese of Austin American-Statesman said that Larry Crane's performance of "Whiskey Burnin'" makes him "sound too much like a Mellencamp wannabe", but that the other material he wrote "holds its own", especially the pieces sung by Mellencamp. He also called the Buzzin' Cousins a "poor man's" Traveling Wilburys, and that "collaborations [like this] only work if they establish some camaraderie; these performances sound like they were phoned in from various parts of the country".[17]
The Dallas Morning News Michael Corcoran had a different take on the Buzzin' Cousins, opining they are the "heartlands answer to the Traveling Wilburys". He says their single "Sweet Suzanne" basically sounds like a "rollicking Wilburys tune". He also compliments Yoakam's performance of "Common Day Man" as one of his "most passionate vocals yet".[18]
Traveling Wilburys were a British-American supergroup formed in Los Angeles in 1988, consisting of Bob Dylan, George Harrison, Jeff Lynne, Roy Orbison and Tom Petty. They were a roots rock band and described as "perhaps the biggest supergroup of all time".
Manhattan is a 1979 American romantic comedy film directed by Woody Allen and produced by Charles H. Joffe from a screenplay written by Allen and Marshall Brickman. Allen co-stars as a twice-divorced 42-year-old comedy writer who dates a 17-year-old girl but falls in love with his best friend's mistress. Meryl Streep and Anne Byrne also star.
Round Midnight is a 1986 American musical drama film directed by Bertrand Tavernier and written by Tavernier and David Rayfiel. It stars Dexter Gordon, with a soundtrack by Herbie Hancock. The title comes from Thelonious Monk's 1943 composition "'Round Midnight", which is featured in this film in a Hancock arrangement.
John J. Mellencamp, previously known as Johnny Cougar, John Cougar, and John Cougar Mellencamp, is an American singer-songwriter. He is known for his brand of heartland rock, which emphasizes traditional instrumentation. He was inducted into the Rock and Roll Hall of Fame in 2008, followed by an induction into the Songwriters Hall of Fame in 2018.
The Brown Bunny is a 2003 film written, directed, produced, photographed and edited by Vincent Gallo. Starring Gallo and Chloë Sevigny, it tells the story of a motorcycle racer on a cross-country drive who is haunted by memories of his former lover. It was photographed with handheld 16 mm cameras in various locations throughout the United States, including New Hampshire, Massachusetts, Ohio, Missouri, Utah, Nevada, and California.
Mariel Hemingway is an American actress. She began acting at age 14 with a Golden Globe-nominated breakout role in Lipstick (1976), and she received Academy and BAFTA Award nominations for her performance in Woody Allen's Manhattan (1979).
"Jack & Diane" is a song written and performed by American singer-songwriter John Mellencamp, then performing as "John Cougar." Described by critics as a "love ballad", this song was released as the second single from Mellencamp's 1982 album American Fool, and was chosen by the Recording Industry Association of America (RIAA) as one of the Songs of the Century. It spent four weeks at number one on the Billboard Hot 100 in 1982 and is Mellencamp's most successful hit single.
James McMurtry is an American rock and folk rock/americana singer, songwriter, guitarist, bandleader, and occasional actor. He performs with veteran bandmates Daren Hess, Cornbread and Tim Holt.
Boomerang is a 1992 American romantic comedy film directed by Reginald Hudlin. The film stars Eddie Murphy as Marcus Graham, a hotshot advertising executive who also happens to be an insatiable womanizer and male chauvinist. When he meets his new boss, Jacqueline Broyer, Marcus discovers that she is essentially a female version of himself, and he realizes he is receiving the same treatment that he delivers to others. The film also features Halle Berry, David Alan Grier, Martin Lawrence, Grace Jones, Eartha Kitt and Chris Rock.
Deon Richmond is an American actor from New York City who is best known for his recurring roles as Rudy Huxtable's friend Kenny on the NBC sitcom The Cosby Show and Jordan Bennett on the ABC/The WB sitcom Sister, Sister. He has been nominated for two Young Artist Awards, winning one in 1989.
Memoirs of an Invisible Man is a 1992 American comedy-drama film directed by John Carpenter and starring Chevy Chase, Daryl Hannah, Sam Neill, Michael McKean and Stephen Tobolowsky. The film is loosely based on Memoirs of an Invisible Man, a 1987 novel by H.F. Saint. According to screenwriter William Goldman's book Which Lie Did I Tell?, the film was initially developed for director Ivan Reitman; however, this version never came to fruition, due to disagreements between Reitman and Chase. The film was a critical and commercial failure.
"End of the Line" is a song by the British-American supergroup the Traveling Wilburys. It was the final track on their debut album Traveling Wilburys Vol. 1, released in October 1988. It was also issued in January 1989 as the band's second single. The recording features all the Wilburys except Bob Dylan as lead singers; George Harrison, Jeff Lynne and Roy Orbison sing the choruses in turn, while Tom Petty sings the verses. The song was mainly written by Harrison and was assigned to his publishing company, Umlaut Corporation. However, all five members of the group received a songwriting credit in keeping with the collaborative concept behind the Wilburys project.
Elaine Irwin is an American model. She was the face of Almay Cosmetics and Ralph Lauren.
Loving is a 1970 American comedy-drama film released by Columbia Pictures and directed by Irvin Kershner. It is based on the novel Brooks Wilson Ltd. written by pulp magazine illustrator John McDermott under his pen name J.M. Ryan. The movie stars George Segal in the lead role of a philandering illustrator and Eva Marie Saint as his wife. The cast included Sterling Hayden, David Doyle, Keenan Wynn, Roy Scheider, and Sherry Lansing. Broadway actress Betsy von Furstenberg has a small uncredited role, one of only two motion pictures she ever appeared in.
Lipstick is a 1976 American rape and revenge thriller film directed by Lamont Johnson and starring Margaux Hemingway, Chris Sarandon, Perry King, and Anne Bancroft. Mariel Hemingway also has a supporting role as Margaux's onscreen sister. The film follows a fashion model who is raped by her teenage sister's music teacher. Upon his acquittal in court, he rapes her sister, leading her to enact a brutal revenge.
In Love and War is a 1996 romantic drama film based on the book, Hemingway in Love and War by Henry S. Villard and James Nagel. The film stars Sandra Bullock, Chris O'Donnell, Mackenzie Astin, and Margot Steinberg. Its action takes place during the First World War and is based on the wartime experiences of the writer Ernest Hemingway. It was directed by Richard Attenborough. The film was entered into the 47th Berlin International Film Festival.
Aaron Smith, better known as Shwayze, is an American rapper. His first single "Buzzin'" peaked at No. 46 on the Billboard Hot 100. His second single "Corona and Lime," reached No. 23 on the Billboard Hot 100 in the US and No. 3 in the US iTunes Store. Shwayze's self-titled debut album, which Cisco Adler co-wrote, was released on August 19, 2008.
Toby Myers, born Jeffrey G. Myers on September 26, 1949, is an American bass player best known for recording and touring with John Cougar Mellencamp as the bass guitarist. Myers was raised in the Indianapolis, Indiana area where he attended art school at the John Herron School of Art from 1968 to 1971. He developed an interest in music and began playing bass in a music shop next to the laundromat where his mother did the family's laundry. Myers began playing in bands in high school.
"Inside Out" is a song by the British–American supergroup the Traveling Wilburys from their 1990 album Traveling Wilburys Vol. 3. It was written by all the members of the band, which had been reduced to a foursome following the death of Roy Orbison in December 1988, and it was the first song they worked on for the album. The lyrics address environmental issues and describe a world turned yellow.
Grace Ernestine Hemingway was an American opera singer, music teacher, and painter. She was Ernest Hemingway's mother.
References
1 2 Britton, Bonnie (February 21, 1992). "'Grace' is amazing for $3 million film". The Indianapolis Star. p.B1. ProQuest240002882. Falling From Grace cost only $3 million ... Scott Dillman Jr. turned on a searchlight at the Midwest premiere of [John Mellencamp]'s movie, Falling From Grace, Tuesday at Seymour's Jackson Park Cinema.
↑ Britton, Bonnie (May 24, 1992). "`Natural Reaction' is to like movie, but no one at Cannes festival is buying". The Indianapolis Star. p.G2. ProQuest240076978.
↑ Morris, Chris (March 14, 1992). "Falling from Grace directed by John Mellencamp and starring John Mellencamp and Mariel Hemingway". On Screen. Billboard Magazine. Vol.104, no.11. p.76. ProQuest226981257.
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