The Lonesome Jubilee | ||||
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Studio album by | ||||
Released | August 24, 1987 [1] | |||
Recorded | September 1986 – June 1987 | |||
Studio | Belmont Mall (Belmont, Indiana) [2] | |||
Genre | ||||
Length | 39:42 | |||
Label | Mercury | |||
Producer | John Mellencamp, Don Gehman [2] | |||
John Cougar Mellencamp chronology | ||||
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Singles from The Lonesome Jubilee | ||||
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Review scores | |
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Source | Rating |
AllMusic | [4] |
Robert Christgau | A− [5] |
Rolling Stone | (mixed) [6] |
The Rolling Stone Album Guide | [7] |
The Lonesome Jubilee is the ninth studio album by American singer-songwriter John Cougar Mellencamp (credited as simply Mellencamp on pressings). The album was released by Mercury Records on August 24, 1987 (see 1987 in music). [1] Four singles were released from the album, the first two in 1987 and the last two in 1988.
The album was one of Mellencamp's most successful worldwide, charting in ten countries. The album was most successful in Canada where it topped RPM magazine's Top Albums chart [8] and became the artist's highest certified album by Music Canada (formerly the Canadian Recording Industry Association) becoming 6× platinum. [9] In The Village Voice's annual Pazz & Jop critics poll for the year's best albums, The Lonesome Jubilee finished at No. 7. [10]
"We were on the road for a long time after Scarecrow, so we were together a lot as a band," Mellencamp said in a 1987 Creem Magazine feature. "For the first time ever, we talked about the record before we started. We had a very distinct vision of what should be happening here. At one point, The Lonesome Jubilee was supposed to be a double album, but at least 10 of the songs I'd written just didn't stick together with the idea and the sound we had in mind. So I just put those songs on a shelf, and cut it back down to a single record. Now, in the past, it was always 'Let's make it up as we go along' – and we did make some of The Lonesome Jubilee up as we went along. But we had a very clear idea of what we wanted it to sound like, even before it was written, right through to the day it was mastered." [11]
On October 30, 1986 – during the period in which The Lonesome Jubilee was being recorded – Mellencamp's uncle Joe died of cancer at the age of 57, which greatly influenced the album. [12]
While the album was being recorded, Riva Records had ceased to function, so Mellencamp moved to Mercury Records (which, like Riva, was distributed by PolyGram), which would continue to release material by Mellencamp until 1998.
The sessions for The Lonesome Jubilee took place at Mellencamp's Belmont Mall Studio in Belmont, Indiana from September 1986 to June 1987, a period of nine months. The sessions were produced by Mellencamp with Don Gehman and were engineered by Gehman and David Leonard. [2]
The sound on the album was a departure from Mellencamp's previous albums and included many traditional folk and country instruments in order to make his audience aware of the "once-familiar social landscape" of folk music. [12] The risk of making music counter to the mainstream of rock music paid off with the album's success.
Of "The Real Life," Mellencamp told Creem magazine in 1987: "When I sing about Jackson Jackson (in 'The Real Life') – unless you know what it's like to spend your whole life or the majority of your young adulthood doing what you're supposed to do, then you can't relate to it. Because some of these young guys are thinking, 'Well, I'm doing what I want to do' – but that's not true. They're doing what they're supposed to do. Jackson Jackson is based on my Uncle Jay. He said those exact words to me one time at the Red Lobster here in Bloomington. He and his wife got a divorce. She was 14 and he was 17 when they got married – and he said, 'Man, I have done exactly what I'm supposed to my whole life. I married this girl when she was 14 – I didn't love her. We had kids. We raised the kids. I stayed there. I worked every day pouring concrete. Now I'm in my 40s, and I want to do something for myself.' And I asked, 'Well, what do you have in mind?' He said, 'I don't know.' You can't be 21, though, and relate to that. I mean, I look back on my life now – and you look back on your life – and you realize that we hardly ever really get to do what we wanted to do. Suddenly, it's 17 turns 35 – and how can someone 21 understand that?" [11]
Mellencamp said he was inspired by his daughter Teddi Jo to write "Rooty Toot Toot": "That song was a nursery rhyme that I wrote for her. Teddi Jo said, 'Dad, how come you never use my name in one of your songs?' My youngest daughter's name is Justice, so she said 'You used Justice, and you used Michelle' – because Michelle's middle name is Suzanne – 'so I want you to write me a special song.' So I wrote 'Rooty Toot Toot' as a nursery rhyme. It didn't even have music. I showed it to Larry (Crane) and he said, 'That's a good little, uplifting story' – so we arranged it into a song and put it on the record." [11]
The cover art for the album was photographed by Skeeter Hagler and featured Mellencamp sitting next to an older blue-collar working man. The photo shoot took place at the Midway Tavern in Elnora, Indiana. According to Casey Kasem on his American Top 40 broadcast for the week ending January 30th, 1988, Mellencamp paid $300 to rent the tavern for the photo shoot. The older working man seated next to Mellencamp at the bar is Woodrow "Woody" Baker (1914–2009), a welder recommended for the shoot by the tavern's bartender. [13]
All songs written by John Mellencamp; "Empty Hands" was written by Mellencamp and George Green.
Chart (1987) | Peak position |
---|---|
Australian (Kent Music Report) [14] | 2 |
Canadian Top Albums [8] | 1 |
German Albums [15] | 41 |
Netherlands Top 100 Albums [16] | 24 |
Norwegian Top 40 Albums [17] | 16 |
Swedish Top 60 Albums [18] | 6 |
Swiss Top 100 Albums [19] | 10 |
UK Albums Chart [20] | 31 |
US Billboard 200 [21] | 6 |
US Country Albums [21] | 63 |
Chart (1988) | Peak position |
---|---|
New Zealand Top 50 Albums [22] | 3 |
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [23] | Platinum | 70,000^ |
Canada (Music Canada) [24] | 6× Platinum | 600,000^ |
New Zealand (RMNZ) [25] | Platinum | 15,000^ |
Sweden (GLF) [26] | Gold | 50,000^ |
United States (RIAA) [27] | 3× Platinum | 3,000,000^ |
^ Shipments figures based on certification alone. |
John J. Mellencamp, previously known as Johnny Cougar, John Cougar, and John Cougar Mellencamp, is an American singer-songwriter. He is known for his brand of heartland rock, which emphasizes traditional instrumentation. He was inducted into the Rock and Roll Hall of Fame in 2008, followed by an induction into the Songwriters Hall of Fame in 2018.
Cloud Nine is the eleventh studio album by the English rock musician George Harrison. The album was recorded and released in 1987 after Harrison had taken a five-year hiatus from his career as a solo artist. The hit single "Got My Mind Set on You" from this album re-established Harrison as a critically acclaimed and commercially significant recording artist. Cloud Nine was Harrison's final solo studio album to be released during his lifetime; his next album Brainwashed was released in 2002, almost a year after his death.
Agent Provocateur is the fifth studio album by the British-American rock band Foreigner, released on December 14, 1984. The album was the band's only number-one album in the United Kingdom, and it reached the top five in the United States. Although album sales were lower than their previous work in the US, it contains the band's biggest hit single, the album’s love theme "I Want to Know What Love Is", which is their only #1 single in the UK and the US, staying at the top spot for three and two weeks, respectively. The follow-up single, "That Was Yesterday", also proved to be a sizeable hit, peaking at #12 in the US. The album was certified Platinum in the UK by the BPI, and triple Platinum in the US by the RIAA.
...Famous Last Words... is the seventh studio album by English rock band Supertramp, released in October 1982. It was the studio follow-up to 1979's Breakfast in America and the last album with vocalist/keyboardist/guitarist Roger Hodgson, who left the group to pursue a solo career. Thus, it was the final album to be released by the classic lineup of the band.
Mr. Happy Go Lucky is the 14th album by American singer-songwriter and musician John Mellencamp. It was released on September 10, 1996. It was his first album released after his heart attack in 1994. Mellencamp's music on the album is said to reflect his brush with death. The album was recorded in Belmont, Indiana, in Mellencamp's Belmont Mall recording studio. The first single from the album, "Key West Intermezzo ," peaked at No. 14 on the Billboard Hot 100 and is his last Top 40 single in the United States to date. "Just Another Day" was the album's second single and stalled at No. 46 on the Billboard Hot 100.
Scarecrow is the eighth studio album by American singer-songwriter John Cougar Mellencamp. Released on July 31, 1985, it peaked at number two on the US Billboard 200. The album contained three top-ten hits: "R.O.C.K. in the U.S.A.", which peaked at No. 2 on the US Billboard Hot 100; "Lonely Ol' Night", which peaked at number six; and "Small Town", which also peaked at number six. "Lonely Ol' Night" also peaked at number one on the Mainstream Rock Tracks chart, his second chart-topping single on this chart.
Rooty is the second studio album by English electronic music duo Basement Jaxx, released on 25 June 2001.
Dance Naked is the thirteenth studio album by American singer-songwriter John Mellencamp released on June 21, 1994. The album was released in response to the record company's accusations that Mellencamp's previous album, Human Wheels, didn't "fit the format." Mellencamp was irritated with this remark, feeling that none of his albums ever fit the format. As a result, he wrote several purposely radio-friendly songs and recorded them within the span of 14 days at his Belmont Mall recording studio in Belmont, Indiana, intending to show the lack of effort required to produce the type of album they were asking for. It is also the shortest of Mellencamp's albums, clocking in at just 29 minutes.
Words & Music: John Mellencamp's Greatest Hits is a two-disc greatest hits album by the American singer-songwriter John Mellencamp, released on October 19, 2004 on the Island and UTV Records labels.
The Best That I Could Do 1978–1988 is the first greatest hits compilation album by American singer-songwriter John Mellencamp, released by Mercury Records in 1997. It compiles Mellencamp's most popular material recorded during his first decade with Riva and Mercury Records, beginning with 1978's A Biography, up through 1987's The Lonesome Jubilee, with a new recording of Terry Reid's "Without Expression". Mellencamp picked the songs for the album and also came up with the title for the album. The album reached No. 33 on the Billboard 200. This album and Rough Harvest came about because, after leaving Mercury Records for Columbia Records, Mellencamp still owed the label two more albums.
Big Daddy is the tenth studio album by American singer-songwriter John Cougar Mellencamp, released in 1989 by Mercury Records. The album peaked at number seven on the Billboard 200 and contained the singles "Pop Singer" and "Jackie Brown", which peaked at No. 15 and 48, respectively, on the Billboard Hot 100. A re-mastered version of the album was released on May 24, 2005, and contains a bonus acoustic version of "Jackie Brown". Like The Lonesome Jubilee, Big Daddy is folk-inspired as violins and fiddles are significantly utilized on a number of tracks. The album's lyrics largely take a serious tone and the album as a whole is regarded by some as Mellencamp's most reflective.
Nothin' Matters and What If It Did is the fourth studio album by singer-songwriter John Cougar. Produced by soul pioneer Steve Cropper, the album includes the Top 40 hits "Ain't Even Done with the Night", which reached No. 17 on the Billboard Hot 100 as the album's second single, and "This Time", which peaked at No. 27 as the album's lead single.
Whenever We Wanted is American singer-songwriter and musician John Mellencamp's 11th album, and the first to be credited simply to Mellencamp's given name.
I Love Rock 'n Roll is the second studio album by Joan Jett and the first with her backing band the Blackhearts. The album was recorded during the summer of 1981 and was released in November. Soon after the first recording sessions at Soundworks Studios, original Blackheart guitarist Eric Ambel was replaced by Ricky Byrd. It is Jett's most commercially successful album to date with over a million copies sold, largely due to the success of the title track, which was released as a single soon after the album was released.
The following is a comprehensive discography of John Mellencamp, an American singer-songwriter. During Mellencamp's career in the recording industry, he has released 25 studio albums, two live albums, four compilation albums, and 71 singles.
"Cherry Bomb" is a song by American rock singer John Mellencamp. It was released as the second single from Mellencamp's ninth studio album, The Lonesome Jubilee (1987). "Cherry Bomb" is a nostalgic song that reflects on Mellencamp's teenage years hanging out at the Last Exit Teen Club. The single was released in the United States in October 1987, backed with the B-side "Shama Lama Ding Dong".
Sad Clowns & Hillbillies is the 23rd studio album by American singer-songwriter and musician John Mellencamp. It was released on April 28, 2017 by Republic Records. The album features significant contributions from Carlene Carter, who worked with Mellencamp on Ithaca, the movie he scored for Meg Ryan; she sang on the track 'Sugar Hill Mountain' for the soundtrack. Carter opened every show of Mellencamp's 2015–2016 Plain Spoken Tour.
"Pop Singer" is a song by American singer-songwriter John Mellencamp, released in April 1989 from Mellencamp's tenth studio album, Big Daddy (1989). Mellencamp wrote the song himself, in response to how the music industry was attempting to hide his "real" image, which included adopting one of his previous stage names, Johnny Cougar. The single was moderately successful worldwide, reaching number one in Canada and New Zealand, number eight in Australia, and number 15 on the US Billboard Hot 100.
Other People's Stuff is a compilation album of cover songs by American roots rock musician John Mellencamp. The collection was released by Republic Records on December 7, 2018. The album collects cover songs that Mellencamp previously recorded for various tribute albums, a documentary soundtrack and four of his own studio albums over the past 25 years. The album contains only one song not previously available—a 2012 studio recording of “Eyes on the Prize”, which was the album's only single.
Strictly a One-Eyed Jack is the 24th studio album by American singer-songwriter John Mellencamp. The album was released on January 21, 2022, by Republic Records. The album's cover, a portrait of Mellencamp, was painted by Mellencamp's son Speck, who graduated from the Rhode Island School of Design and is currently, as of 2024; the executive director of Southern Indiana Center for the Arts in Seymour, Indiana.
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