Farha | |
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Directed by | Darin J. Sallam [1] |
Screenplay by | Darin J. Sallam [1] |
Produced by |
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Starring |
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Cinematography | Rachelle Aoun [3] |
Edited by | Pierre Laurent [2] |
Production companies |
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Distributed by | Picture Tree International |
Release dates |
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Running time | 92 minutes [2] |
Countries |
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Farha (Arabic : فرحة, romanized: Farḥa) is a 2021 internationally co-produced historical drama film about a Palestinian girl's coming-of-age experience during the Nakba, the 1948 displacement of Palestinians from their homeland. The film is directed by Darin J. Sallam, [1] who also wrote it based on a true story that she was told as a child about a girl named Radieh. [5] [7] It premiered at the Toronto Film Festival on 14 September 2021 and began streaming on Netflix on 1 December 2022.
In 1948, 14-year-old Farha plays with other girls in a Palestinian village. While other girls are excited about their friend's marriage, Farha dreams about pursuing education in the city like her best friend Farida. Farha demands this from her father Abu Farha, but he wants her to get married instead. Her uncle Abu Walid asks Abu Farha to consider Farha's request. One night, a group of local Palestinian militias visit Abu Farha, who is the village chief and mayor. They request that he join their cause in fighting the Nakba. Abu Farha refuses since his main purpose is to take care of his village.
During the wedding of Farha's friend, Abu Farha tells her that he had accepted her request to pursue education. While celebrating the news with Farida, Zionist militias begin fighting in the village; military speakers order the villagers to evacuate. Abu Farida takes Farha and Farida into his car to evacuate. He also asks Abu Farha to evacuate, but he refuses, electing to stay behind and entrusting Abu Farida to look after Farha. Farha decides to join her father. Abu Farha takes her back home, arms himself with a rifle, and locks Farha in a store room, telling her to stay hidden and promising to take her when it is safe. Farha is locked in the room for days without any news from her father, while she continues to hear sounds of warfare and is only able to peer through a hole in the wall to the courtyard.
A Palestinian family, Abu Mohammad and Um Mohammad and their two young children, enter the courtyard, where the mother gives birth to a baby boy. Farha asks Abu Muhammad to let her out but, before he can, Haganah militias [8] demand the family come out and surrender. Abu Mohammad goes outside. The Palestinian informant working for the Haganah appears to know the villager and tells the commander that Abu Mohammad is from a different village. The commander searches the house for guns and finds Mohammad's family hiding. The family, except the newborn baby, are executed at gunpoint. The informant sees Farha from the hole and calls her name but does not reveal her whereabouts to the militias. The commander asks a young soldier to execute the newborn baby without wasting a bullet. The soldier cannot bring himself to stomp on him and leaves him on the courtyard floor.
Farha struggles to open the door to get to the baby. After ransacking the pantry she finds a hidden pistol, which she uses to shoot the door lock. After getting out, Farha finds the baby boy dead and decomposing. She leaves her village, walking in anguish and despair. Farha (whose real name is Raddiyah) never found her father, whose fate remained unknown but was probably killed during the Nakba. Farha eventually made her way to Syria and told her story which has been passed down through generations.
Farha was written and directed by Darin J. Sallam [1] —her first feature-length film. [9] Sallam's own family also fled from Palestine to Jordan in 1948. [10] The film is based on a true story recounted to Sallam's mother by a friend, living as a refugee in Syria, about her experience during the Nakba in which hundreds of thousands of Palestinians were expelled from their homeland. [5] Sallam began working on the script for the film in 2016 and had a rough outline of the major scenes by 2019. [11]
The film was produced by TaleBox, based in Jordan, and co-produced by Laika Film & Television and Chimney, both based in Sweden. [1] Deema Azar and Ayah Jardaneh are credited as producers along with William Johansson Kalén as co-producer. [6]
This film is the first on-screen appearance for the lead actor Karam Taher. [1] Sallam said that, when casting the titular role, she was "looking for a girl that [she] could stay with for 52 minutes inside a room". Taher's initial audition did not go well. Sallam said, "[Taher] was shy [...] But what really stayed with me was her face: she had a very specific face and very expressive eyes. From one side, her face was like a child, and from the other, she was a young woman—it's a coming-of-age story." [9]
Farha was filmed in Jordan [1] with cinematography by Rachelle Aoun. [3] Sallam stated in an interview that "[s]ome of the crew members were crying behind the monitor while shooting, remembering their families and their stories, and the stories they heard from their grandparents". [7]
Farha premiered at the Toronto Film Festival on 14 September 2021. [1] [4] [12] It was subsequently screened to critical acclaim in Rome, Busan, Gothenburg and Lyon. [10] [2] The film also received post-production funding from the Red Sea International Film Festival and was shown at the inaugural edition of festival in Jeddah in December 2021. [11] [13] On 7 November 2022, the film was screened at the Palestine Cinema Days festival in Ramallah, Palestine. [14] The successful film festival tour also led to a deal with Netflix through Picture Tree International. [10] The film began streaming on Netflix on 1 December 2022. [5]
"We are overwhelmed by the amount of support the film is receiving globally and are grateful to everyone who is doing their part to stand up against this attack and ensure the film is spoken about and seen … The film exists, we exist, and we will not be silenced."
—From a statement by the filmmakers [15]
Following the 1 December release on Netflix, the streaming platform and film were criticised by Israeli politicians. [5] [16] Israel's finance minister Avigdor Lieberman criticised Netflix for streaming the production and ordered the treasury to revoke state funding to Al Saraya Theater, which scheduled screenings of the film, [17] with the "goal of preventing the screening of this shocking film or other similar ones in the future". [5] Culture minister Hili Tropper called a screening by an Israeli theatre "a disgrace". [18] The reaction to the film has focused on a scene that depicts the killing of a Palestinian family by Israeli soldiers. [10] In the days following its release, Farha became the target of a coordinated downvoting campaign on IMDb, [10] [19] while the filmmakers were subjected to harassment on social media. [5] [19] The campaign "appears to have backfired", according to The Hollywood Reporter, with the film's ratings on IMDb quickly rebounding. [10] Sallam responded to the criticism in an interview with Time magazine, noting that she had been subjected to "hateful, racist messages": [20]
The reason I'm so shocked by the backlash is because I didn't show anything. Compared to what happened during the massacres, this was a small event. I don't know why some Israeli officials are very upset about this scene. It's blurry and out of focus because I always said it's about this girl's journey... I feel it is intended to harm the Oscars campaign so I really hope it doesn't affect this negatively... Denying the Nakba is like denying who I am and that I exist. It's very offensive to deny a tragedy that my grandparents and my father went through and witnessed, and to make fun of it in the attacks that I'm receiving.
A review in The New York Times described the film as "a brutal kind of coming-of-age story" and that while it "primarily unfolds in a tiny storage room, [the film] speaks volumes". [21] CNN said that the film offers "a perspective on the events that led to Israel's founding that is rarely seen or heard on a global mainstream platform". [22] In a review for The Hindu , Farha is praised for "succinctly put[ting] forth its messaging, conveying the brutality of violence through a barebones narrative". [23] Reviewing the film for the Institute for Palestine Studies, Umayyah Cable, an assistant professor at the University of Michigan, wrote that "the script is often didactic, the editing is at times rushed, and performances by the film's biggest name actors are sometimes surprisingly awkward". Cable summarised: "Farha is not a very good film, but it is spectacular nonetheless." [24]
On Rotten Tomatoes, the film has an approval rating of 100% (based on 10 reviews), with an average rating of 7.5 out of 10. [25]
Farha was the winner of the Best Youth Feature Film category at the 2022 Asia Pacific Screen Awards. [20] The film was Jordan's submission in the Best International Feature Film category at the 95th Academy Awards. [10] [26]
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The pivotal scene in Farha showing the murder of a Palestinian family depicts the wartime Israeli military in a poor light. Yet far from being unthinkable, such incidents have been documented by Israeli historians as common during the Nakba. "The Jewish soldiers who took part in the massacre also reported horrific scenes: babies whose skulls were cracked open, women raped or burned alive in houses, and men stabbed to death," the historian Ilan Pappe wrote in his book, "The Ethnic Cleansing of Palestine," describing accounts of a massacre that took place in the Palestinian village of Dawaymeh. The massacre in Dawaymeh was just one of countless incidents of ethnic cleansing during this period, many of which have survived in the memory of Palestinians but are only now being recognized by others.
Inspired by the story that Sallam was told as a child (although Radieh has become Farha — played by newcomer Karam Taher), it addresses the horror of the Nakba (the violent removal of Palestinians from their homeland), which is harrowingly depicted from the unique perspective of a young girl trapped inside a single room.
While the exact events in the film may not have happened, it is not a lie, nor libelous, to say that Palestinian civilians, including women and children, were killed during the creation of the state. Efforts by Jewish Israelis to suppress this narrative only further entrench existing hostility and calcify any efforts toward coexistence."No reasonable person still believes there were no acts of expulsion and massacre by the Jewish side in the 1948 war," Israeli historian Benny Morris has written of his country's earlier attempts to hide this history... Still, the painful reality is that some Israeli soldiers did kill men, women and children on the path to creating a Jewish state.