Fat Boys | ||||
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Studio album by | ||||
Released | May 29, 1984 | |||
Genre | Hip hop | |||
Length | 39:10 | |||
Label | Sutra | |||
Producer |
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The Fat Boys chronology | ||||
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Fat Boys is the self-titled first studio album by the hip hop group the Fat Boys, released on May 29, 1984, by Sutra Records. It was produced by Kurtis Blow. [1] The album is dedicated to the memory of Rebecca Wimbley and William (Divine) Santos. It peaked at number 48 on the US Billboard 200, and number 6 on the Top R&B/Hip Hop Albums chart. The album was certified Gold by the RIAA on May 6, 1985. [2]
The album contains two Billboard singles: "Jail House Rap" and "Can You Feel It?". The songs "Don't You Dog Me" and "Fat Boys" were performed in the movie Krush Groove during the Disco Fever scene. [3] "Jail House Rap" and "Fat Boys" were performed on an episode of Soul Train that aired on January 5, 1985. [4]
On November 23, 2012, the album was reissued in a limited edition CD and vinyl package. The album is housed in a pizza box, with the album itself being a picture disc of pizza, with a special book and bonus material (downloadable for the vinyl version). [5] XXL revisited the Fat Boys' iconic debut album 30 years later. [6]
Buff a.k.a. The Human Beat Box (Darren Robinson), Prince Markie Dee (Mark Morales) and Kool Rock-Ski (Damon Wimbley) were hip-hop's first brand, jumping out of helicopters in Swatch commercials and demolishing buffets in movies. Their manager is a Swiss-born promoter named Charlie Stettler, the owner of his label-management company Tin Pan Apple. In 1983, he put on a hip-hop talent contest at Radio City Music Hall, and the Fat Boys-then rapping as Disco 3-were the unexpected walk-on champs. "Stick 'Em" was the song they used to win the contest. [7] Stettler took the group to his native Switzerland. And though they arrived in Europe as the Disco 3, the group flew back to New York as the Fat Boys. Charlie Stettler hooked up the group with producer Kurtis Blow who gave them their signature sound. [8] Kurtis Blow enlisted Run-D.M.C. drum-machine programmer Larry Smith and bassist Davy "DMX" Reeves, both of whom were behind some of the best records of the era to work on it. "Stick 'Em" was the first thing that they recorded with Kurtis Blow. Charlie Stettler also got Swatch to sponsor 1984's Fresh Festival Tour and convinced Russell Simmons to add the Fat Boys to a line-up that included Run-D.M.C., Whodini and Newcleus. [9]
The Fat Boys released 3 singles from this album: "Jail House Rap", "Can You Feel It?" and "Fat Boys".
The group released 5 official music videos on the songs from this album: "Fat Boys", "Jail House Rap", "Can You Feel It?", "Stick 'Em" and "Don't You Dog Me". [10]
Review scores | |
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Source | Rating |
AllMusic | [11] |
Robert Christgau | A− [12] |
Rolling Stone | [13] |
In a contemporary interview and review, Sounds described both the album and single for "Fat Boys" as "well naff. It's this sort of pointless juvenile gimmickry which is rapidly turning the hip-hop culture into a trembling jelly of silliness with its desperate appeals to the lowest criteria." [14]
In a retrospective review AllMusic stated that "Because of their comic image, some hip-hoppers dismissed the Fat Boys as a novelty act -- some, but not many." and noted that The Fat Boys were "among the best and most popular rappers of the mid-1980s. Along with Run-D.M.C., L.L. Cool J, and Whodini, the Fat Boys were the finest that hip-hop's "Second Generation" (as it was called) had to offer." The review declared it to be an "excellent debut album" which was "humorous, wildly entertaining, and unapologetically funky" and that the album was "a true hip-hop classic."
Robert Christgau gave the album A−, saying "...These prize porkers parody insatiability--long after the break of dawn (long after you're limp, Dick), they'll still be stuffing it. They won't ever be great rappers technically, though Prince Markie Dee has the poise and clarity to get close and the bass-kazoo hums and belchlike aspirations of the Human Beat Box show rhythmic instinct and sonic imagination. But their shambling, cheerful fat-boy dance is a party for kids of all ages. I love the hooks on "Fat Boys" and the barks on "Don't You Dog Me," and if "Jail House Rap" is no "Message" or "Hustler's Convention," neither is it a trivialization—at least as silly and serious as Lee Dorsey in the coal mine or Sam Cooke on the chain gang."
Title | Samples |
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"Jail House Rap" |
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"Can You Feel It" |
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Chart (1984) | Peak position |
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US Billboard 200 [15] | 48 |
US Top R&B/Hip-Hop Albums (Billboard) [16] | 6 |
Region | Certification | Certified units/sales |
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United States (RIAA) [17] | Gold | 500,000^ |
^ Shipments figures based on certification alone. |
Kurtis Walker, professionally known by his stage name Kurtis Blow, is an American rapper, singer, songwriter, record/film producer, b-boy, DJ, public speaker and minister. He is the first commercially successful rapper and the first to sign with a major record label. "The Breaks", a single from his 1980 self-titled debut album, is the first certified gold record rap song. Throughout his career he has released 15 albums and is currently an ordained minister.
James Todd Smith, known professionally as LL Cool J, is an American rapper, songwriter, record producer, and actor. With the breakthrough success of his single "I Need a Beat" and the Radio LP, LL Cool J became an early hip hop act to achieve mainstream success along with Kurtis Blow and Run-DMC.
Radio is the debut album by American rapper LL Cool J. It was released on November 18, 1985, by Def Jam Recordings and Columbia Records. It was also Def Jam's first full-length album release.
Marcel Theo Hall, known professionally as Biz Markie, was an American rapper, DJ, and record producer. Markie was best known for his 1989 single "Just a Friend", which became a top 40 hit in several countries. In 2008, "Just a Friend" made No. 100 on VH1's list of the 100 greatest hip hop songs of all time. Markie was sometimes referred to as the "Clown Prince of Hip Hop".
The Fat Boys were an American hip hop trio from Brooklyn, New York, that emerged in the early 1980s. The group was briefly known originally as the Disco 3, originally composed of Mark "Prince Markie Dee" Morales, Damon "Kool Rock-Ski" Wimbley, and Darren "Buff Love" Robinson.
Run-D.M.C. is the eponymous debut studio album by American hip hop group Run-D.M.C., released on March 27, 1984, by Profile Records. The album was produced by Russell Simmons and Larry Smith. It was considered groundbreaking for its time, presenting a tougher, more hardcore form of hip-hop. The album's sparse beats and aggressive rhymes were in sharp contrast with the light sound that was popular in hip hop at the time.
Krush Groove is a 1985 American musical comedy-drama film distributed by Warner Bros. Pictures that was written by Ralph Farquhar and directed by Michael Schultz. This film is based on the early days of Def Jam Recordings and up-and-coming record producer Russell Simmons, portrayed by Blair Underwood in his feature film debut. Simmons was the film's co-producer and story consultant; he also had a cameo in the film as a club owner named Crocket.
David Franklin Reeves Jr. is an American musician, DJ, and producer best known for his work in cooperation with Run-DMC, Kurtis Blow, The Fat Boys, and Jam Master Jay. An early associate of Russell Simmons and Larry Smith, Dave first made his name in the 1980s.
Disco Fever was a New York City dance club located in the South Bronx on Jerome Avenue and 167th street that operated from 1976 to 1986. After initially failing to draw very many customers, Sal Abbatiello convinced his father, the owner, to hand over the reins. Abbatiello quickly began featuring hip hop artists including a young Grandmaster Flash, and the club greatly increased in popularity and fame. Hip hop group Run-D.M.C. performed their first show at the club.
Disorderlies is a 1987 screwball comedy feature film starring the rap group, The Fat Boys, and Ralph Bellamy. The film was directed by Michael Schultz who also directed The Fat Boys in Krush Groove.
"The Breaks" is a 1980 single by American rapper Kurtis Blow from his self-titled debut album. It peaked at #87 on the Billboard Hot 100. It was the first certified gold rap song, and the second certified gold 12-inch single. In 2008, the song ranked #10 on VH1's 100 Greatest Hip-Hop Songs.
Mark Anthony Morales, better known by the stage name Prince Markie Dee, was an American rapper, songwriter, producer, actor, and radio personality. Morales was a member of the Fat Boys, a pioneering hip hop group that gained fame during the 1980s. Morales was the vice-president of Uncle Louie Music Group.
"Basketball" is a rap song written by William Waring, Robert Ford, Kurtis Blow, J. B. Moore, Jimmy Bralower, and Full Force and recorded by Kurtis Blow, released in 1984 from his album Ego Trip.
America is the sixth album by rapper Kurtis Blow, released in 1985 on Mercury Records. The album includes the song "If I Ruled the World" from the film Krush Groove, Blow's biggest hit since "The Breaks" and one of the last of his musical career. The album was the first album Kurtis Blow produced in a new deal with Polygram Records that gave Kurtis the title, 'Hip Hop's First Millionaire". The album was released in an era when old school hip hop was being overtaken by a harder sound and attitude. The album includes the first sample loop which revolutionized the music industry. The single, "If I Ruled the World", reached number 24 in the UK Singles Chart in January 1986.
Darren Robinson, also known as Big Buff, Buff Love, Buffy, The Human Beat Box, and DJ Doctor Nice, was a rapper, beatboxer, and actor who was a member of the 1980s hip hop group The Fat Boys. He, along with Doug E. Fresh and others, were pioneers of beatboxing, a form of vocal percussion used in many rap groups throughout the 1980s and 1990s.
Lawrence Smith was a pioneering American musician and hip hop record producer. He is best known for his co-productions of Run-DMC's Run-D.M.C. (1984) and King of Rock (1985) and his solo production of Whodini's Escape (1984) and Back in Black (1986).
"Sucker M.C.'s" is a song by American hip hop group Run-D.M.C. It was first released in 1983 as B-side to "It's Like That". The two-sided release marked the start of Run-D.M.C.'s career as their first single, and it is widely regarded as ushering in a new school of hip hop artists with a street image and an abrasive, minimalist sound that marked them out from their predecessors. Both tracks were collected on the trio's self-titled debut album in 1984. WBAU was the first station to play the two songs.
The Fat Boys Are Back is the second studio album by the hip hop group the Fat Boys, released on June 1, 1985, by Sutra Records. The album was produced by Kurtis Blow. The album peaked at number 63 on the US Billboard 200, and number 11 on the Top R&B/Hip Hop Albums chart. The album was certified Gold by the RIAA on January 9, 1986.
Big & Beautiful is the third studio album by the hip hop group the Fat Boys, released in May 1986 through Sutra Records; it was their last release on the label.
Run-DMC was an American hip hop group from Hollis, Queens, New York City, founded in 1983 by Joseph Simmons, Darryl McDaniels, and Jason Mizell. Run-DMC is regarded as one of the most influential acts in the history of hip hop culture and one of the most famous hip hop acts of the 1980s. Along with Beastie Boys, LL Cool J and Public Enemy, the group pioneered new school hip hop music. The group was among the first to highlight the importance of the MC and DJ relationship.