Fat Boys | ||||
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Studio album by | ||||
Released | May 29, 1984 | |||
Genre | Hip hop | |||
Length | 39:10 | |||
Label | Sutra | |||
Producer |
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The Fat Boys chronology | ||||
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Fat Boys is the self-titled debut studio album by American hip hop group the Fat Boys, released on May 29, 1984, by Sutra Records. It was produced by Kurtis Blow. [1] The album is dedicated to the memory of Rebecca Wimbley and William (Divine) Santos. It peaked at number 48 on the US Billboard 200, and number 6 on the Top R&B/Hip Hop Albums chart. The album was certified Gold by the RIAA on May 6, 1985. [2]
The album contains two Billboard singles: "Jail House Rap" and "Can You Feel It?". The songs "Don't You Dog Me" and "Fat Boys" were performed in the movie Krush Groove during the Disco Fever scene. [3] "Jail House Rap" and "Fat Boys" were performed on an episode of Soul Train that aired on January 5, 1985. [4]
On November 23, 2012, the album was reissued in a limited edition CD and vinyl package. The album is housed in a pizza box, with the album itself being a picture disc of pizza, with a special book and bonus material (downloadable for the vinyl version). [5] XXL revisited the Fat Boys' iconic debut album 30 years later. [6]
Buff a.k.a. The Human Beat Box (Darren Robinson), Prince Markie Dee (Mark Morales) and Kool Rock-Ski (Damon Wimbley) were hip-hop's first brand, jumping out of helicopters in Swatch commercials and demolishing buffets in movies. Their manager is a Swiss-born promoter named Charlie Stettler, the owner of his label-management company Tin Pan Apple. In 1983, he put on a hip-hop talent contest at Radio City Music Hall, and the Fat Boys-then rapping as Disco 3-were the unexpected walk-on champs. "Stick 'Em" was the song they used to win the contest. [7] Stettler took the group to his native Switzerland. And though they arrived in Europe as the Disco 3, the group flew back to New York as the Fat Boys. Charlie Stettler hooked up the group with producer Kurtis Blow who gave them their signature sound. [8] Kurtis Blow enlisted Run-D.M.C. drum-machine programmer Larry Smith and bassist Davy "DMX" Reeves, both of whom were behind some of the best records of the era to work on it. "Stick 'Em" was the first thing that they recorded with Kurtis Blow. Charlie Stettler also got Swatch to sponsor 1984's Fresh Festival Tour and convinced Russell Simmons to add the Fat Boys to a line-up that included Run-D.M.C., Whodini and Newcleus. [9]
The Fat Boys released 3 singles from this album: "Jail House Rap", "Can You Feel It?" and "Fat Boys".
The group released 5 official music videos on the songs from this album: "Fat Boys", "Jail House Rap", "Can You Feel It?", "Stick 'Em" and "Don't You Dog Me". [10]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Robert Christgau | A− [12] |
Rolling Stone | ![]() ![]() ![]() ![]() ![]() |
In a contemporary interview and review, Sounds described both the album and single for "Fat Boys" as "well naff. It's this sort of pointless juvenile gimmickry which is rapidly turning the hip-hop culture into a trembling jelly of silliness with its desperate appeals to the lowest criteria." [14]
In a retrospective review AllMusic stated that "Because of their comic image, some hip-hoppers dismissed the Fat Boys as a novelty act -- some, but not many." and noted that The Fat Boys were "among the best and most popular rappers of the mid-1980s. Along with Run-D.M.C., L.L. Cool J, and Whodini, the Fat Boys were the finest that hip-hop's "Second Generation" (as it was called) had to offer." The review declared it to be an "excellent debut album" which was "humorous, wildly entertaining, and unapologetically funky" and that the album was "a true hip-hop classic."
Robert Christgau gave the album A−, saying "...These prize porkers parody insatiability--long after the break of dawn (long after you're limp, Dick), they'll still be stuffing it. They won't ever be great rappers technically, though Prince Markie Dee has the poise and clarity to get close and the bass-kazoo hums and belchlike aspirations of the Human Beat Box show rhythmic instinct and sonic imagination. But their shambling, cheerful fat-boy dance is a party for kids of all ages. I love the hooks on "Fat Boys" and the barks on "Don't You Dog Me," and if "Jail House Rap" is no "Message" or "Hustler's Convention," neither is it a trivialization—at least as silly and serious as Lee Dorsey in the coal mine or Sam Cooke on the chain gang."
Title | Samples |
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"Jail House Rap" |
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"Can You Feel It" |
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Chart (1984) | Peak position |
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US Billboard 200 [15] | 48 |
US Top R&B/Hip-Hop Albums (Billboard) [16] | 6 |
Region | Certification | Certified units/sales |
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United States (RIAA) [17] | Gold | 500,000^ |
^ Shipments figures based on certification alone. |
Kurtis Walker, known professionally by his stage name Kurtis Blow, is an American rapper, songwriter, and record producer. Walker is the first commercially successful rapper and the first to sign with a major record label. "The Breaks", a single from his 1980 self-titled debut album, is the first certified gold record rap song. Over his career he released 17 albums. He is an ordained minister.
The new school of hip hop was a movement in hip hop music, beginning in 1983–84 with the early records of Run–D.M.C., Whodini, and LL Cool J. Predominantly from Queens and Brooklyn, it was characterized by Drum Machine-led minimalism, often tinged with elements of Rock; rapped taunts, boasts, and socio-political commentary; and aggressive, self-assertive delivery. In song and image, its artists projected a tough, cool, street B-boy attitude. These elements contrasted sharply with Funk and Disco, Novelty hits, live bands, synthesizers, and party rhymes of artists prevalent in the early 1980s. Compared to their older hip hop counterparts, new school artists crafted more cohesive LPs and shorter songs more amenable to airplay. By 1986, their releases began to establish hip hop in the mainstream.
Radio is the debut studio album by American rapper LL Cool J. It was released on November 18, 1985, by Def Jam Recordings and Columbia Records. It was also Def Jam's first full-length album release.
The Fat Boys were an American hip hop trio from Brooklyn, New York, who emerged in the early 1980s. The group was briefly known originally as the Disco 3, originally composed of Mark "Prince Markie Dee" Morales, Damon "Kool Rock-Ski" Wimbley, and Darren "Buff Love" Robinson.
Run-D.M.C. is the debut studio album by American hip hop group Run-D.M.C., released on March 27, 1984, by Profile Records, and re-issued by Arista Records. The album was primarily produced by Russell Simmons and Larry Smith.
Krush Groove is a 1985 American musical comedy-drama film distributed by Warner Bros. Pictures that was written by Ralph Farquhar and directed by Michael Schultz. This film is loosely based on the early days of Def Jam Recordings and up-and-coming record producer Russell Simmons, portrayed by Blair Underwood in his feature film debut. Simmons was the film's co-producer and story consultant; he also had a cameo in the film as a club owner named Crocket.
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David Franklin Reeves Jr. is an American musician, DJ, and producer best known for his work in cooperation with Run-DMC, Kurtis Blow, The Fat Boys, and Jam Master Jay. An early associate of Russell Simmons and Larry Smith, Dave first made his name in the 1980s.
Disco Fever was a New York City dance club located in the South Bronx on Jerome Avenue and 167th street that operated from 1976 to 1986. After initially failing to draw many customers, Sal Abbatiello convinced his father, the owner, to hand over the reins. Abbatiello quickly began featuring hip hop artists including a young Grandmaster Flash, and the club greatly increased in popularity and fame. Hip hop group Run-D.M.C. performed their first show at the club.
Disorderlies is a 1987 comedy film starring the rap group, The Fat Boys, and Ralph Bellamy. The film was directed by Michael Schultz who previously directed The Fat Boys in Krush Groove.
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Mark Anthony Morales, better known by the stage name Prince Markie Dee, was an American rapper. He was a member of the Fat Boys, a pioneering hip hop group that gained fame during the 1980s. Morales was the vice-president of Uncle Louie Music Group.
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