This article needs additional citations for verification .(February 2023) |
Krush Groove | |
---|---|
Directed by | Michael Schultz |
Written by | Ralph Farquhar |
Produced by | Michael Schultz George Jackson Russell Simmons |
Starring | |
Cinematography | Ernest Dickerson |
Edited by | Jerry Bixman Conrad M. Gonzalez |
Music by | David Lombard |
Distributed by | Warner Bros. |
Release date |
|
Running time | 97 minutes |
Country | United States |
Language | English |
Budget | $3 million [1] |
Box office | $11 million [2] |
Krush Groove is a 1985 American musical comedy-drama film distributed by Warner Bros. Pictures that was written by Ralph Farquhar and directed by Michael Schultz (who also produced the movie, along with George Jackson and Doug McHenry). This film is loosely based on the early days of Def Jam Recordings and up-and-coming record producer Russell Simmons (renamed Russell Walker in the film), portrayed by Blair Underwood in his feature film debut. Simmons was the film's co-producer and story consultant; he also had a cameo in the film as a club owner named Crocket.
Russell Walker has signed all of the hottest acts to his Krush Groove record label, including Run-D.M.C., Dr. Jeckyll & Mr. Hyde (Alonzo Brown), and Kurtis Blow. Rick Rubin produces their records. When Run-D.M.C. has a hit record and Russell doesn't have the money to press records, he borrows money from a street hustler. At the same time, Russell and his brother Run are both competing for the heart of R&B singer-percussionist Sheila E. Also appearing in the film are LL Cool J, Beastie Boys, New Edition, The Fat Boys and some of their songs, as well as others from Chaka Khan, Debbie Harry, and the Gap Band. Members of the R&B group Full Force also make a cameo in the film as bodyguards.
The following appeared as themselves, except where noted:
Chris Rock makes an uncredited appearance as a man standing next to a phone during the fight in the club. Dr. Know of the Bad Brains also makes an uncredited appearance standing in the background during the club fight scene. Kara Vallow appeared uncredited as a Hip Hop Dancer. Coati Mundi was seen uncredited as a record shop owner.
Krush Groove is based on the inception of the Def Jam Recordings label and the hardships that artists Run-D.M.C. and Russell Simmons faced to become successful. Simmons began his career trying to get his company Rush Management up and running. However, in the movie, he is shown as already being teamed up with producer Rick Rubin to form Def Jam, referred to as Krush Groove Records in the film. In reality, the label was started by Rubin in 1984 in his college dorm at New York University. [3]
Larry Smith was the producer of Run-D.M.C.'s first two albums, despite them being credited to Rick Rubin, who produced the group's third album, Raising Hell. [4]
Later on, the team was joined by its first popular teen sensation, LL Cool J, who plays a very small role in the movie at the age of 17. Playing himself, LL Cool J is discovered through his piece "I Can't Live without My Radio", which is performed at an audition in front of Dr. Jekyll and Mr Hyde, Jam Master Jay, DMC and Rubin in the latter's apartment. In reality, LL Cool J was discovered in Rubin's apartment but not through an audition. While going through a box of demos, Beastie Boy Ad-Rock stumbled across LL's demo tape. [5] With this, he produced a beat and co-wrote "I Need a Beat" with LL and Rubin, which launched both of their careers, which allowed the Def Jam label to take off. [6] The song "I Can't Live without My Radio" was made for the movie as a way for LL Cool J to star in it. However, this song was also one of the hit songs on his debut album Radio. [7]
The Fat Boys were the first group to showcase a human beat box while rhyming. [8] In the movie, the group originally referred to itself as the Disco Three. It was not until a scene in an Italian buffet, where the three boys took the phrase all you can eat to the next level by eating everything. When the group realized that they were really fat, they decided to give themselves the name Fat Boys. In reality, the name Fat Boys was suggested by the group's manager when he received a $350 hotel bill for extra breakfast ordered by the group on their European tour. [9] As portrayed in the movie, the group was discovered through the Coca-Cola and Tin Pan Apple hip-hop contest at Radio City Music Hall, where the trio won the grand prize—a recording contract—but had entered the contest to win the second-place prize, a stereo set. [8] The group perform their songs "Don't You Dog Me", "All You Can Eat", "Fat Boys", and "Pump it Up."
Throughout the movie, Sheila E. and Russell Simmons are romantically involved, which discouraged Run, who was always interested in her. In reality, Run did not like the concept of being disloyal to his brother, and the romance between him and Sheila was made up. Sheila E. made it into the film simply because they wanted a love interest, like in most films, and she recorded for Warner Bros. Records, the sister company of the film's distributor. In the movie. Sheila plays herself, a drummer and percussionist, in which she performs her songs "Holly Rock" and "A Love Bizarre". In addition, all of the money issues that Russell Simmons faced in funding the label by borrowing from loan sharks and friends is also false. [10]
The movie was not made the way the artists desired, but with all the talent of that time and most of the members of the Def Jam and Rush Management family. The purpose of the movie, according to Russell Simmons, was to showcase the array of young talent emerging from New York's black music scene and depict its vibrancy. [11]
Krush Groove was filmed in The Bronx, Manhattan (including at least one scene in the Marble Hill projects) and Queens in 26 days in April 1985 at a cost of $3 million. [1] [12] Among the locations where the movie was shot was the famous Disco Fever, a popular club during the embryonic stages of hip hop that, by the time of the film, had fallen on some hard times. Disco Fever owner Sal Abbatiello expected the movie not only to turn the spotlight on the burgeoning hip-hop movement but also to "bring attention [back] to the club" and so agreed to have scenes shot there. Unfortunately, the attention surrounding the filming brought the scrutiny of the local authorities, who shut the club down for good on the last day of shooting for not having all the proper licenses and permits. There was also a scene shot in Shepard Hall of the historic City College of New York.[ citation needed ]
During an interview to celebrate the 25th anniversary of the film, Russell Simmons reflected on the legacy of Krush Groove and its place in hip-hop culture history. The film, Simmons said, is still recognizable not only for having brought together so many Def Jam stars at the time, but for also introducing new talent, such as LL Cool J. Cool J was so persistent during filming, showing up to shooting locations and performing freestyles, that producers ended up putting him in the final cut. This backdoor auditioning process became a staple of the production.[ citation needed ]
The movie received a mixed reception. [13] [14] The movie currently holds a 43% rating on Rotten Tomatoes based on seven reviews. [15]
Krush Groove | ||||
---|---|---|---|---|
Soundtrack album by various artists | ||||
Released | September 30, 1985 | |||
Recorded | 1984–1985 | |||
Genre | ||||
Length | 45:00 | |||
Label | Warner Bros. | |||
Producer | ||||
Michael Schultz film soundtracks chronology | ||||
| ||||
Singles from Krush Groove | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [16] |
The Village Voice | B+ [17] |
Music from the Original Motion Picture Krush Groove (also called just Krush Groove Soundtrack) is a soundtrack album by various urban-oriented artists, which was released on Warner Bros. Records in 1985. The album peaked at number 79 on the Pop chart and number 14 on the R&B chart. The Krush Groove soundtrack was released on Warner Bros. Records in 1985 and featured songs from the movie. Only 1,000 copies of the album were ever pressed on compact disc.[ citation needed ] The film was nominated for a Golden Raspberry Award for Worst Original Song for the song "All You Can Eat".
No. | Title | Artist | Length |
---|---|---|---|
1. | "(Krush Groove) Can't Stop the Street" | Chaka Khan | 5:10 |
2. | "I Can't Live Without My Radio" (short version) | LL Cool J | 4:25 |
3. | "If I Ruled the World" | Kurtis Blow | 6:19 |
4. | "All You Can Eat" | Fat Boys | 3:27 |
5. | "Feel the Spin" | Debbie Harry | 4:01 |
6. | "Holly Rock" | Sheila E. | 4:57 |
7. | "She's on It" | Beastie Boys | 3:32 |
8. | "Love Triangle" | Gap Band | 4:47 |
9. | "Tender Love" | Force MD's | 3:55 |
10. | "Krush Groovin'" | Krush Groove All-Stars (Run-D.M.C., Sheila E., Kurtis Blow, Fat Boys) | 5:05 |
No. | Title | Artist | Length |
---|---|---|---|
11. | "Feel the Spin" (extended remix) | Debbie Harry | 6:50 |
12. | "(Krush Groove) Can't Stop the Street" (extended remix) | Chaka Khan | 6:01 |
Other songs appeared in the film but were not on the album soundtrack:
The movie was released on VHS in 1986, then DVD in 2003. Among the special extras included on the DVD is commentary from Underwood, Schultz, and The Source magazine Senior Editor Brett Johnson, a theatrical trailer for the movie, and the Krush Groove All-Stars video "Krush Groovin'."
Krush Groove is referenced in the movie Dogma (1999) as being the subject of a bet between the two fallen angels, Bartleby and Loki, on whether it was going to be a bigger movie than E.T. (1982). Krush Groove is also referenced in the 1990 film House Party . Near the end of the film, Play mentions it was going to be on cable, and Bilal suggests they go to Play's house to watch it.
The new school of hip hop was a movement in hip hop music, beginning in 1983–84 with the early records of Run–D.M.C., Whodini, and LL Cool J. Predominantly from Queens and Brooklyn, it was characterized by Drum Machine-led minimalism, often tinged with elements of Rock; rapped taunts, boasts, and socio-political commentary; and aggressive, self-assertive delivery. In song and image, its artists projected a tough, cool, street B-boy attitude. These elements contrasted sharply with Funk and Disco, Novelty hits, live bands, synthesizers, and party rhymes of artists prevalent in the early 1980s. Compared to their older hip hop counterparts, new school artists crafted more cohesive LPs and shorter songs more amenable to airplay. By 1986, their releases began to establish hip hop in the mainstream.
James Todd Smith, known professionally as LL Cool J, is an American rapper and actor. He is one of the earliest rappers to achieve commercial success, alongside fellow new school hip hop acts Beastie Boys and Run-DMC.
Radio is the debut studio album by American rapper LL Cool J. It was released on November 18, 1985, by Def Jam Recordings and Columbia Records. It was also Def Jam's first full-length album release.
Frederick Jay Rubin is an American record producer. He is a co-founder of Def Jam Recordings, founder of American Recordings, and former co-president of Columbia Records.
The Fat Boys were an American hip hop trio from Brooklyn, New York, who emerged in the early 1980s. The group was briefly known originally as the Disco 3, originally composed of Mark "Prince Markie Dee" Morales, Damon "Kool Rock-Ski" Wimbley, and Darren "Buff Love" Robinson.
Def Jam Recordings is an American multinational record label owned by Universal Music Group. It is based in Manhattan, New York City, specializing predominantly in hip hop, contemporary R&B, soul and pop.
Lyor Cohen is an American music industry executive and entrepreneur. He has been actively involved in hip hop at various record labels for more than 30 years. He started by managing rappers for Rush Productions, then led Def Jam. After Def Jam, Cohen took on a leadership role at Warner Music Group. In September 2012, Cohen resigned from Warner and started his own independent label, 300 Entertainment. On September 28, 2016, Cohen was named YouTube's Global Head of Music.
Run-D.M.C. is the debut studio album by American hip hop group Run-D.M.C., released on March 27, 1984, by Profile Records, and re-issued by Arista Records. The album was primarily produced by Russell Simmons and Larry Smith.
King of Rock is the second studio album by American hip hop group Run-D.M.C., released on January 21, 1985, by Profile Records. The album was produced by Russell Simmons and Larry Smith. King of Rock became the first rap album to be released on CD, and was the third rap album to be certified Platinum by the Recording Industry Association of America (RIAA). The album saw the group adopting a more rock-influenced sound, with several tracks prominently featuring heavy guitar riffs. The song "Roots, Rap, Reggae" features Yellowman, and was one of the first hybrids of rap and dancehall.
The L.A. Posse is an American hip hop record production team, composed of DJ Pooh, DJ Bobcat, Muffla, and Big Dad.
David Franklin Reeves Jr. is an American musician, DJ, and producer best known for his work in cooperation with Run-DMC, Kurtis Blow, The Fat Boys, and Jam Master Jay. An early associate of Russell Simmons and Larry Smith, Dave first made his name in the 1980s.
Disco Fever was a New York City dance club located in the South Bronx on Jerome Avenue and 167th street that operated from 1976 to 1986. After initially failing to draw many customers, Sal Abbatiello convinced his father, the owner, to hand over the reins. Abbatiello quickly began featuring hip hop artists including a young Grandmaster Flash, and the club greatly increased in popularity and fame. Hip hop group Run-D.M.C. performed their first show at the club.
"I Can't Live Without My Radio" is the lead single from LL Cool J's debut album, Radio. It was released in 1985 for Def Jam Recordings and was both written and produced by LL Cool J and Rick Rubin. It is a love song to the boombox. The song reached No. 15 on the Billboard R&B singles chart. "I Can't Live Without My Radio" was released with the follow-up single "I Can Give You More". It is the first Def Jam single distributed through Columbia Records.
Fat Boys is the self-titled debut studio album by American hip hop group the Fat Boys, released on May 29, 1984, by Sutra Records. It was produced by Kurtis Blow. The album is dedicated to the memory of Rebecca Wimbley and William (Divine) Santos. It peaked at number 48 on the US Billboard 200, and number 6 on the Top R&B/Hip Hop Albums chart. The album was certified Gold by the RIAA on May 6, 1985.
Terrence Ronnie Keaton known by the stage name T La Rock, is an American old-school emcee best known for his collaboration with Def Jam Recordings co-founder Rick Rubin and the 1984 single "It's Yours."
The Show is a 1995 American documentary film about hip hop music. It was directed by Brian Robbins and featured interviews with some of hip hop's biggest names. Def Jam founder Russell Simmons stars in and narrates the film. The film grossed $1,482,892 in its opening weekend and $2,702,578 during its theatrical run.
Darren Robinson, also known as Big Buff, Buff Love, Buffy, The Human Beat Box, The Ox That Rocks, and DJ Doctor Nice, was a rapper, beatboxer, and actor who was a member of the 1980s hip hop group The Fat Boys. He, along with Doug E. Fresh and others, were pioneers of beatboxing, a form of vocal percussion used in many rap groups throughout the 1980s and 1990s.
"Sucker M.C.'s" is a song by American hip hop group Run-D.M.C. It was first released in 1983 as B-side to "It's Like That". The two-sided release marked the start of Run-D.M.C.'s career as their first single, and it is widely regarded as ushering in a new school of hip hop artists with a street image and an abrasive, minimalist sound that marked them out from their predecessors. Both tracks were collected on the trio's self-titled debut album in 1984. WBAU was the first station to play the two songs.
Hip Hop Family Tree is a series of educational and historical comic books by Ed Piskor that documents the early history of hip hop culture. Originating online with Boing Boing, the series was published in print form by Fantagraphics. The first collection was a 2014 New York Times Graphic Books Best Seller (#7) and was listed in The Washington Post Top 10 graphic novels of 2013. The second collection won the Eisner Award for Best Reality-Based Work in 2015.
Run-DMC was an American hip hop group from Hollis, Queens New York City, formed in 1983 by Joseph Simmons, Darryl McDaniels, and Jason Mizell. Run-DMC is regarded as one of the most influential acts in the history of hip hop culture and especially one of the most famous hip hop acts of the 1980s. Along with Beastie Boys, LL Cool J, DJ Jazzy Jeff & the Fresh Prince, and Public Enemy, the group pioneered new-school hip hop music and helped usher in the golden age of hip hop. The group was among the first to highlight the importance of the MC and DJ relationship.
{{cite web}}
: CS1 maint: numeric names: authors list (link)