The Staatliches Bauhaus, commonly known as the Bauhaus, was a German art school operational from 1919 to 1933 that combined crafts and the fine arts. The school became famous for its approach to design, which attempted to unify individual artistic vision with the principles of mass production and emphasis on function. Along with the doctrine of functionalism, the Bauhaus initiated the conceptual understanding of architecture and design.
Ludwig Mies van der Rohe was a German-American architect, academic, and interior designer. He was commonly referred to as Mies, his surname. He is regarded as one of the pioneers of modern architecture.
Walter Adolph Georg Gropius was a German-American architect and founder of the Bauhaus School, who, along with Alvar Aalto, Ludwig Mies van der Rohe, Le Corbusier and Frank Lloyd Wright, is widely regarded as one of the pioneering masters of modernist architecture. He was a founder of Bauhaus in Weimar (1919). Gropius was also a leading architect of the International Style.
The International Style or internationalism is a major architectural style that was developed in the 1920s and 1930s and was closely related to modernism and modernist architecture. It was first defined by Museum of Modern Art curators Henry-Russell Hitchcock and Philip Johnson in 1932, based on works of architecture from the 1920s. The terms rationalist architecture and modern movement are often used interchangeably with International Style, although the former is mostly used in the English-speaking world to specifically refer to the Italian rationalism, or even the International Style that developed in Europe as a whole.
Modern architecture, also called modernist architecture, was an architectural movement and style that was prominent in the 20th century, between the earlier Art Deco and later postmodern movements. Modern architecture was based upon new and innovative technologies of construction ; the principle functionalism ; an embrace of minimalism; and a rejection of ornament.
In architecture, functionalism is the principle that buildings should be designed based solely on their purpose and function. An international functionalist architecture movement emerged in the wake of World War I, as part of the wave of Modernism. Its ideas were largely inspired by a desire to build a new and better world for the people, as broadly and strongly expressed by the social and political movements of Europe after the extremely devastating world war. In this respect, functionalist architecture is often linked with the ideas of socialism and modern humanism.
Postmodern architecture is a style or movement which emerged in the late 1950s as a reaction against the austerity, formality, and lack of variety of modern architecture, particularly in the international style advocated by Philip Johnson and Henry-Russell Hitchcock. The movement was introduced by the architect and urban planner Denise Scott Brown and architectural theorist Robert Venturi in their 1972 book Learning from Las Vegas. The style flourished from the 1980s through the 1990s, particularly in the work of Scott Brown & Venturi, Philip Johnson, Charles Moore and Michael Graves. In the late 1990s, it divided into a multitude of new tendencies, including high-tech architecture, neo-futurism, new classical architecture, and deconstructivism. However, some buildings built after this period are still considered postmodern.
Marcel Lajos Breuer was a Hungarian-German modernist architect and furniture designer. He moved to the United States in 1937 and became a naturalized American citizen in 1944.
Mid-century modern (MCM) is a movement in interior design, product design, graphic design, architecture and urban development that was popular in the United States and Europe from roughly 1945 to 1970 during the United States's post-World War II period. MCM-style decor and architecture have seen a major resurgence that began in the late 1990s and continues today.
Eliot Fette Noyes was an American architect and industrial designer, who worked on projects for IBM, most notably the IBM Selectric typewriter and the IBM Aerospace Research Center in Los Angeles, California. Noyes was also a pioneer in development of comprehensive corporate-wide design programs that integrated design strategy and business strategy. Noyes worked on corporate imagery for IBM, Mobil Oil, Cummins Engine and Westinghouse.
Modern furniture refers to furniture produced from the late 19th century through the present that is influenced by modernism. Post-World War II ideals of cutting excess, commodification, and practicality of materials in design heavily influenced the aesthetic of the furniture. It was a tremendous departure from all furniture design that had gone before it. There was an opposition to the decorative arts, which included Art Nouveau, Neoclassical, and Victorian styles. Dark or gilded carved wood and richly patterned fabrics gave way to the glittering simplicity and geometry of polished metal. The forms of furniture evolved from visually heavy to visually light. This shift from decorative to minimalist principles of design can be attributed to the introduction of new technology, changes in philosophy, and the influences of the principles of architecture. As Philip Johnson, the founder of the Department of Architecture and Design at the Museum of Modern Art articulates:
"Today industrial design is functionally motivated and follows the same principles as modern architecture: machine-like simplicity, smoothness of surface, avoidance of ornament ... It is perhaps the most fundamental contrast between the two periods of design that in 1900 the Decorative Arts possessed ..."
Nordic Classicism was a style of architecture that briefly blossomed in the Nordic countries between 1910 and 1930.
The New Objectivity is a name often given to the Modern architecture that emerged in Europe, primarily German-speaking Europe, in the 1920s and 30s. It is also frequently called Neues Bauen. The New Objectivity remodeled many German cities in this period.
In architecture, Rationalism is an architectural current which mostly developed from Italy in the 1920s and 1930s. Vitruvius had claimed in his work De architectura that architecture is a science that can be comprehended rationally. The formulation was taken up and further developed in the architectural treatises of the Renaissance. Eighteenth-century progressive art theory opposed the Baroque use of illusionism with the classic beauty of truth and reason.
The Everett McKinley Dirksen United States Courthouse, commonly referred to as the Dirksen Federal Building, is a skyscraper in the Chicago Loop at 219 South Dearborn Street. It was designed by Ludwig Mies van der Rohe and completed in 1964. The building is 384 feet (117 m) tall with 30 floors; it was named for U.S. Congressman Everett Dirksen. The building houses the United States Court of Appeals for the Seventh Circuit, the United States District Court for the Northern District of Illinois, the United States Bankruptcy Court, the United States Marshal for the Northern District of Illinois, United States Attorney for the Northern District of Illinois, and local offices for various court-related federal agencies, such as the Federal Public Defender, United States Probation Service, United States Trustee, and National Labor Relations Board. It is one of three buildings making up the modernist Chicago Federal Center complex designed by van der Rohe, along with Federal Plaza, the U.S. Post Office and the Kluczynski Federal Building. Separate from the Federal Plaza, but opposite the Kluczynski Building across Jackson Boulevard, is the Metcalfe Federal Building.
Moderne architecture, also sometimes referred to as Style Moderne or simply Moderne, Jazz Age, Moderne, Jazz Modern or Jazz style, describes certain styles of architecture popular from 1925 through the 1940s. It is closely related to Art Deco. Both belong to the architectural Modern Movement, which broke with tradition on purpose to create a fresh look that was uninfluenced by earlier forms and styles.
Stripped Classicism is primarily a 20th-century classicist architectural style stripped of most or all ornamentation, frequently employed by governments while designing official buildings. It was adopted by both totalitarian and democratic regimes. The style embraces a "simplified but recognizable" classicism in its overall massing and scale while eliminating traditional decorative detailing. The orders of architecture are only hinted at or are indirectly implicated in the form and structure.
Gertrude Lempp Kerbis was an American modernist architect. Kerbis' education includes studying at Wright Junior College, University of Wisconsin, University of Illinois, Harvard University, and Illinois Institute of Technology. She studied under and worked for several significant modernists of her day, including Walter Gropius, Ludwig Mies Van Der Rohe, and Carl Koch. Kerbis worked at Skidmore, Ownings & Merrill and C.F. Murphy Associates before establishing her own firm, Lempp Kerbis, in Chicago 1967. Her work entails that interior design can also be viewed as architecture and not just the aesthetic of a space. She was a lead designer in several major works of American modernism, including the Lustron house for a MoMA competition, Mitchell Hall at the US Air Force Academy, the Seven Continents Restaurant at the O'Hare International Airport Rotunda, and the Skokie Public Library in Skokie, IL. Kerbis founded the Chicago Women in Architecture group in 1973. She was a member of the American Institute of Architects, and notably became an AIA Fellow in 1970.
Modern architecture in Athens flourished during two periods, between 1930 and 1940, and between 1950 and 1975. Influenced by the European modern movement led by Le Corbusier and other architects, Greek architects tried to adapt these principles into Greek practice. However, conservatism was often a hindering factor and usually both classically inspired as well as modernist buildings were built during the same periods.
Bauhaus and its Sites in Weimar, Dessau and Bernau is a World Heritage Site in Germany, comprising six separate sites which are associated with the Bauhaus art school. It was designated in 1996 with four initial sites, and in 2017 two further sites were added.
