The Festival della Valle d'Itria is a summer opera festival held in the south eastern Italian town of Martina Franca in the Apulia region. The Festival was founded in 1975 and performances are given in July and August each summer on a specially constructed stage in the outdoor courtyard of the Palazzo Ducale. [1]
The primary aim of the festival is to present obscure, neglected or rarely performed works, and often works in the standard operatic repertoire are given in their original versions (such as Verdi's original 1857 version of Simon Boccanegra ).
Notable revivals include:
Since 2021 the German opera manager Sebastian F. Schwarz serves as Artistic Director of the festival alongside its longtime music director Fabio Luisi.
Martina Franca, or just Martina, is a town and municipality in the province of Taranto, Apulia, Italy. It is the second most populated town of the province after Taranto, and has a population (2016) of 49,086. Since 1975, the town has hosted the annual summer opera festival, the Festival della Valle d'Itria.
Margherita d'Anjou is an opera semiseria in two acts by Giacomo Meyerbeer. The Italian libretto was by Felice Romani after a text based on legends around the English Wars of the Roses by René-Charles Guilbert de Pixérécourt. The title role is the Queen Margaret of Shakespeare's Henry VI plays, who also appears in Richard III. Margherita d'Anjou is the first opera by Meyerbeer to mix historical events and personages with fictional characters and situations, as his French grand operas Les Huguenots, Le prophète and L'Africaine were later to do. It is the fourth of Meyerbeer's Italian operas and was his first international success.
Adelaide di Borgogna, ossia Ottone, re d'Italia is a two-act opera composed by Gioachino Rossini to a libretto by Giovanni Schmidt. It was premièred at the Teatro Argentina in Rome on 27 December 1817.
Il Xerse is an opera by Francesco Cavalli about Xerxes I. The libretto was written by Nicolò Minato, and was later set by both Giovanni Bononcini (1694, Xerse and George Frideric Handel. Minato's plot outline is loosely based on Book 7 of Herodotus's Histories. The opera, Cavalli's twenty-first, consisting of a prologue and three acts, was first performed at Venice on 12 January 1655, at the Teatro SS. Giovanni e Paolo. It was dedicated to the Ferrarese nobleman Marchese Cornelio Bentivoglio.
Ivanhoé is an 1826 pastiche opera in three acts with music by Gioachino Rossini to a French-language libretto by Émile Deschamps and Gabriel-Gustave de Wailly, after Walter Scott's 1819 novel of the same name. The music was adapted, with the composer's permission, by the music-publisher Antonio Pacini from Rossini's operas, namely Semiramide, La Cenerentola, La gazza ladra, and Tancredi in order to introduce his music to Paris. An examination of the score shows that Pacini also used music from Bianca e Faliero, Armida, Maometto II, Aureliano in Palmira, Sigismondo, Torvaldo e Dorliska, Mosè in Egitto and an amount of newly composed music including fanfares and the gallop that was later to become famous from its inclusion in Guglielmo Tell. The work was premiered on 15 September 1826, at the Odéon Theatre.
Amica is an opera in two acts by Pietro Mascagni, originally composed to a libretto by Paul Bérel. The only opera by Mascagni with a French libretto, it was an immediate success with both the audience and the critics on its opening night at the Théâtre du Casino in Monte-Carlo on 16 March 1905. Mascagni himself conducted the performance. The opera had its Italian premiere on 13 May 1905 at the Teatro Costanzi in Rome.
Crispino e la comare o Il medico e la morte is an opera written collaboratively by Luigi Ricci and Federico Ricci with an Italian libretto by Francesco Maria Piave.
Il giuramento is an opera in three acts by Italian composer Saverio Mercadante. The libretto, by Gaetano Rossi, is based on Victor Hugo's 1835 play Angelo, Tyrant of Padua..
Sonia Ganassi is an Italian mezzo-soprano. Born in Reggio Emilia, she made her debut as Rosina in Rossini’s The Barber of Seville in Rome in 1992. She has performed in many of the world’s famous opera houses including the Metropolitan Opera in New York City, the Royal Opera House in London and the Teatro alla Scala, Milan. She is best known for her work in the bel canto repertoire. Her roles in Rossini operas also include soprano parts, such as Elisabetta in Elisabetta, regina d'Inghilterra, Elena in La donna del lago , Ermione, and Elcia in Mosè in Egitto. In 2009 she participated in a live recording of Giuseppe Verdi's Messa da Requiem conducted by Antonio Pappano. In October 2019 she debuted the leading role of Lady Macbeth in Verdi's Macbeth at the Teatro Lirico di Cagliari.
Rodolfo Celletti (1917–2004) was an Italian musicologist, critic, voice teacher, and novelist. Considered one of the leading scholars of the operatic voice and the history of operatic performance, he published many books and articles on the subject as well as several novels.
Antonio Cagnoni was an Italian composer. Primarily known for his twenty operas, his work is characterized by his use of leitmotifs and moderately dissonant harmonies. In addition to writing music for the stage, he composed a modest amount of sacred music, most notably a Requiem in 1888. He also contributed the third movement, Quid sum miser, to the Messa per Rossini, a collaborative work created by thirteen composers to honor Gioacchino Rossini.
Alberto Zedda was an Italian conductor and musicologist whose specialty was the 19th-century Italian repertoire.
Salvator Rosa is an opera seria in four acts composed by Antônio Carlos Gomes to a libretto in Italian by Antonio Ghislanzoni. It premiered at the Teatro Carlo Felice in Genoa on 21 March 1874. The plot is based on Eugène de Mirecourt's 1851 adventure novel, Masaniello, in turn loosely based on the lives of the Italian painter and poet, Salvator Rosa and Masaniello, a Neapolitan fisherman, who became leader of the 1647 revolt against the Spanish Habsburg rule in Naples.
L'ultimo giorno di Pompei is an opera in two acts composed by Giovanni Pacini to an Italian libretto by Andrea Leone Tottola. It premiered to great success at the Teatro San Carlo in Naples on 19 November 1825 followed by productions in the major opera houses of Italy, Austria, France, and Portugal. When Pacini's popularity declined in the mid-19th century, the opera was all but forgotten until 1996 when it received its first performance in modern times at the Festival della Valle d'Itria in Martina Franca. L'ultimo giorno di Pompei influenced either directly or indirectly several other 19th-century works, most notably Karl Bryullov's 1833 painting, The Last Day of Pompeii.
Proserpine is a French-language opera by the Italian composer Giovanni Paisiello. It takes the form of a tragédie lyrique in three acts. The libretto, by Nicolas-François Guillard, is a reworking of Philippe Quinault's Proserpine. Paisiello's opera was first performed on 28 March 1803 at the Paris Opéra.
Sebastian F. Schwarz is a German-born musician, teacher and administrator.
Nicola De Giosa was an Italian composer and conductor active in Naples. He composed numerous operas, the most successful of which, Don Checco and Napoli di carnevale, were in the Neapolitan opera buffa genre. His other works included sacred music and art songs. His songs were particularly popular, bringing him fame as a salon composer both in Italy and abroad. De Giosa died in Bari, the city of his birth, at the age of 66.
Francesca da Rimini is an 1831 opera by Saverio Mercadante to a libretto by Felice Romani based on Silvio Pellico's play which had already been set twice and ultimately was set by fifteen composers. It was to be premiered in Madrid in 1831, but the premiere was cancelled and the opera lost.
Marcella is a 1907 opera by Umberto Giordano.
Don Checco is an opera in two acts composed by Nicola De Giosa to a libretto by Almerindo Spadetta. It premiered on 11 July 1850 at the Teatro Nuovo in Naples. Don Checco was De Giosa's masterpiece and one of the last great successes in the history of Neapolitan opera buffa.