Fever Tree | ||||
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Studio album by | ||||
Released | March 28, 1968 | |||
Recorded | January 1968 | |||
Studio | Andrus Recording Studios, Los Angeles, California | |||
Genre | ||||
Length | 34:41 | |||
Label | Uni | |||
Producer | Scott Holtzman, Vivian Holtzman | |||
Fever Tree chronology | ||||
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Singles from Fever Tree | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Fever Tree is the debut studio album by the American psychedelic rock band Fever Tree and was released on March 28, 1968 on Uni Records (see 1968 in music). It blended multiple influences ranging from psychedelia to baroque pop and folk rock, and was marked by eerie ballads and hard rock numbers. Much of the group's material was penned by the husband-wife songwriting duo of Scott and Vivian Holtzman, along with renditions of contemporary rock songs. The album was preceded by arguably Fever Tree's best known song, "San Francisco Girls (Return of the Native)", becoming the group's only nationally charting single. Like its attendant single, Fever Tree was also moderately successful and managed to reach number 156 on the Billboard 200.
Fever Tree's first two singles became successful enough on a regional scale to convince record producing and songwriting duo, Scott and Vivian Holtzman, to secure a recording contract with Uni Records. Recording sessions commenced in January 1968 at Andrus Studios in Los Angeles after the group's relocation from Houston. [2] With arrangements conducted by David Angel, who worked on the acclaimed Love album, Forever Changes , the recordings featured baroque and classical orchestration, and intricate horn instrumental patterns. The album is highlighted by the striking lead vocals of Dennis Keller, and the experimental keyboard textures arranged by Rob Landes. [3]
The eleven songs included on Fever Tree exhibit a wide array of styles, encompassing elements of hard rock and jazz on "Where Do You Go?", pop music on "The Sun Also Rises", folk rock, on the cover version of "Nowadays Clancy Can't Even Sing", and psychedelia throughout. In addition, the multi-sectioned structures and classical structures served as an indication toward Fever Tree's progressive rock experimentation that they would explore on their second album, Another Time, Another Place. [4] The album's centerpiece is the group's only charting single, "San Francisco Girls (Return of the Native)". Written by the Holtzman duo, the composition made use of baroque pop-style harpsichord droning sustain guitar instrumentals, and somber percussion. The song saw heavy US airplay and managed to reach number 91 on the Billboard Hot 100.
Fever Tree was released on March 28, 1968 and became a moderate hit when it charted at number 156 on the Billboard 200. In 1993, the album was rereleased on compact disc along with Fever Tree's second album, Another Time, Another Place on Collector's Choice Records. Additionally, the album was distributed on CD by Sundazed Records in 2009. Most of the material from Fever Tree is also featured on the 1986 compilation album, San Francisco Girls: The Best of Fever Tree. [5]
Psychedelic rock is a rock music genre that is inspired, influenced, or representative of psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously.
Acid rock is a loosely defined type of rock music that evolved out of the mid-1960s garage punk movement and helped launch the psychedelic subculture. While the term has sometimes been used interchangeably with "psychedelic rock", acid rock also specifically refers to a more musically intense, rawer, or heavier subgenre or sibling of psychedelic rock. Named after lysergic acid diethylamide (LSD), the style is generally defined by heavy, distorted guitars and often contains lyrics with drug references and long improvised jams.
The Beau Brummels was an American rock band. Formed in San Francisco in 1964, the band's original lineup included Sal Valentino, Ron Elliott, Ron Meagher, Declan Mulligan, and John Petersen (drums). They were discovered by local disc jockeys who were looking to sign acts to their new label, Autumn Records, where Sylvester Stewart—later known as Sly Stone—produced the group's early recording sessions. Initially, the band's musical style blended beat music and folk music and typically drew comparisons to the Beatles, while their later work incorporated other music genres such as psychedelic rock and country rock.
Psychedelic folk is a loosely defined form of psychedelia that originated in the 1960s. It retains the largely acoustic instrumentation of folk, but adds musical elements common to psychedelic music.
Fever Tree is a former American psychedelic rock band of the 1960s, chiefly known for their anthemic 1968 hit, "San Francisco Girls ".
Baroque pop is a fusion genre that combines rock music with particular elements of classical music. It emerged in the mid 1960s as artists pursued a majestic, orchestral sound and is identifiable for its appropriation of Baroque compositional styles and dramatic or melancholic gestures. Harpsichords figure prominently, while oboes, French horns, and string quartets are also common.
Moby Grape is the 1967 debut album by rock band Moby Grape. Coming from the San Francisco scene, their reputation quickly grew to immense proportions, leading to a bidding war and a contract with Columbia Records. The album peaked at #24 on the Billboard 200 albums chart in September 1967.
The Great Society was a 1960s San Francisco rock band that existed from 1965 to 1966, and was closely associated with the burgeoning Bay Area acid rock scene. Best known as the original group of model-turned-singer Grace Slick, the initial lineup of the band also featured her then-husband Jerry Slick on drums, his brother Darby Slick on guitar, David Miner on vocals and guitar, Bard DuPont on bass, and Peter van Gelder on flute, bass, and saxophone. Miner and DuPont did not remain with the band for the duration of its existence.
"Lady Jane" is a song recorded by the English rock band the Rolling Stones. Written by the group's songwriting duo of Mick Jagger and Keith Richards, the song was initially included on the band's 1966 album Aftermath.
H. P. Lovecraft was an American psychedelic rock band, formed in Chicago, Illinois, in 1967 and named after the horror writer H. P. Lovecraft. Much of the band's music was possessed of a haunting, eerie ambience, and consisted of material that was inspired by the macabre writings of the author whose name they had adopted. Combining elements of psychedelia and folk rock, the band's sound was marked by the striking vocal harmonies of ex-folk singer George Edwards and the classically trained Dave Michaels. In addition, Michaels' multi-instrumentalist abilities on organ, piano, harpsichord, clarinet and recorder provided the band with a richer sonic palette than many of their contemporaries.
Psychedelic music is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as 5-MeO-DMT, DMT, LSD, mescaline, and psilocybin mushrooms, to experience synesthesia and altered states of consciousness. Psychedelic music may also aim to enhance the experience of using these drugs and has been found to have a significant influence on psychedelic therapy.
Triangle is the fourth studio album by American rock band the Beau Brummels. Produced by Lenny Waronker and released in July 1967, it was the band's first album to include songs that vocalist Sal Valentino and guitarist Ron Elliott composed together. The band incorporated fantasy elements and surreal characters into the album's song titles and lyrics, and worked with a variety of session musicians to create Triangle's psychedelic musical style. The Beau Brummels were reduced to a trio—Valentino, Elliott, and Ron Meagher—at the time Triangle was recorded, as former group members Don Irving (guitars) and John Petersen (drums) left the band following the release of the group's previous album, Beau Brummels '66.
The Beau Brummels were an American rock band that formed in 1964 and originally consisted of singer Sal Valentino, lead guitarist Ron Elliott, bassist Ron Meagher, rhythm guitarist Declan Mulligan and drummer John Petersen. Local radio disc jockeys Tom Donahue and Bobby Mitchell discovered the band at a club near San Francisco. They signed the Beau Brummels to their fledgling Autumn Records label, and their house producer, Sylvester Stewart, later known as Sly Stone, recorded the band's early sessions.
Not to be confused with Styx (band)
The Mojo Men was an American rock band based in San Francisco. Formed in 1965, the group underwent several name and personnel changes until their 1969 breakup. Their highest-charting Billboard Hot 100 single was a cover of Buffalo Springfield's "Sit Down, I Think I Love You", which peaked at number 36 in 1967.
Garage Beat '66 Volume 3: Feeling Zero... is a compilation album featuring rare material recorded by American psychedelic and garage rock bands that were active in the 1960s. The album's contents are sourced from the original master tapes. It is the third installment of the Garage Beat '66 series and was released on April 27, 2004, on Sundazed Records.
"San Francisco Girls (Return of the Native)" is a song by the American psychedelic rock band Fever Tree, written by the songwriting duo Scott and Vivian Holtzman, and was released for the group's third single—their first on Uni Records—in March 1968 (see 1968 in music). It was the only single by Fever Tree to reach the Billboard Hot 100 and also appears on their first album Fever Tree.
"Nowadays Clancy Can't Even Sing" is a song by the Canadian-American folk rock band Buffalo Springfield, released as the group's debut single in 1966. Neil Young wrote the song in Yorkville in 1965 shortly after returning from a series of performances in Toronto, during a period when his bid at a solo career had been met with little positive response. The lyrics reflect metaphorically on Young's frustration toward his stalled career in music, and was inspired by Ross "Clancy" Smith, an aberrant classmate who incited awe in his school. Commentators recognize "Nowadays Clancy Can't Even Sing" as one of Buffalo Springfield's signature songs, as well as a milestone in Young's progression as a songwriter.
Rock Romano is an American, Houston-based, audio engineer, record producer, guitarist, and bassist. Romano’s Red Shack Recording Studio in the Heights has been a key fixture in the Houston music scene since 1989.