Five Modern Noh Plays | |
---|---|
Written by | Yukio Mishima |
Original language | Japanese |
Five Modern Noh Plays is a collection of plays written by Japanese writer Yukio Mishima. Mishima wrote these plays between 1950 and 1955 and presented them as modern plays in Tokyo. Of these five, only The Damask Drum was expressed in the traditional Noh fashion. [1] The Lady Aoi was expressed as a Western-style opera. The plays take older Nō plots or traditional and foreign fairy tales and bring them to a modern setting.
Famed Japan scholar Donald Keene translated Five Modern Noh Plays. [2]
A poet meets Komachi, a repulsive-looking old woman, at a Tokyo park at night. [3] She expresses the memory of when she had been lovely 80 years ago. She reminisces on a night in the 1880s, and together with the help of the poet (who acts the part of the military officer with whom she fell in love), they relive that night. The poet realizes that she is still beautiful, and sees past her ragged clothes and wretched body.
An old man becomes enamored with a neighbor. The neighbor and her associates play a trick on the man by challenging him to sound a drum. If he can make the drum sound, he will earn a kiss. However, this drum is made of damask, and is only a prop, incapable of making any sound.
A youth who sees no meaning in anything, wonders what will happen if he sleeps on a magical pillow which makes the dreamer realize what he already understands, the futility of existence.
Mishima received the illustrious Kishida Prize for Drama from Shinchosha Publishing in 1955.
Yukio Mishima, born Kimitake Hiraoka, was a Japanese author, poet, playwright, actor, model, Shintoist, nationalist, and founder of the Tatenokai. Mishima is considered one of the most important writers of the 20th century. He was considered for the Nobel Prize in Literature five times in the 1960s — including in 1968, but that year the award went to his countryman and benefactor Yasunari Kawabata. His works include the novels Confessions of a Mask and The Temple of the Golden Pavilion, and the autobiographical essay Sun and Steel. Mishima's work is characterized by "its luxurious vocabulary and decadent metaphors, its fusion of traditional Japanese and modern Western literary styles, and its obsessive assertions of the unity of beauty, eroticism and death", according to author Andrew Rankin.
Ono no Komachi was a Japanese waka poet, one of the Rokkasen—the six best waka poets of the early Heian period. She was renowned for her unusual beauty, and Komachi is today a synonym for feminine beauty in Japan. She also counts among the Thirty-six Poetry Immortals.
Yukio Ninagawa was a Japanese theatre director, actor and film director, particularly known for his Japanese language productions of Shakespeare plays and Greek tragedies. He directed eight distinct renditions of Hamlet. Ninagawa was also emeritus of the Toho Gakuen College of Drama and Music.
Aoi no Ue (葵の上) is a fictional character in The Tale of Genji. Daughter of the Minister of the Left and Genji's first principal wife, she marries Genji when she is sixteen and he is only twelve. Proud and distant from her husband, Aoi is constantly aware of the age difference between them and very much hurt by Genji's philandering. Aoi temporarily gains Genji's favour after giving birth to his son Yūgiri and experiencing spells of spirit possession. The episode of spirit possession itself is extremely controversial and brings forward two female characters of the tale: Aoi and Lady Rokujō. The relationship between the two women may be that between victim and aggressor, if one follows the traditional interpretation of spirit possession, or that between accomplices expressing their discontent with the Heian system of polygynous marriage. Aoi dies at the end of the "Aoi" chapter and her exit from the tale is thus definitive.
Death in Midsummer and Other Stories is a 1966 collection of English translations of stories by Japanese writer Yukio Mishima. The book takes its name from the included short story of the same title.
La Valse des monstres is the first album released by Breton composer Yann Tiersen. It includes several pieces he wrote as an accompaniment for short films and plays, together with original material. Most tracks had been used for the theatrical adaptation of Freaks, a 1932 American Pre-Code horror film directed by Tod Browning, or for the classic Japanese musical drama The Damask Drum, rewritten by Japanese author, poet and playwright, Yukio Mishima in 1955.
Lady Rokujō is a fictional character in The Tale of Genji. She is a mistress of the novel's protagonist, Hikaru Genji, with whom she becomes infatuated with and jealous of his other lovers. Her jealousy subconsciously causes her ikiryō to become a Shiryo that attacks and murders multiple other mistresses and wives of Genji.
Aoi no Ue is a Muromachi period Japanese Noh play based on the character Lady Aoi from the Heian period novel The Tale of Genji. It is an example of the fourth category of "miscellaneous" Noh plays. Aoi no Ue was the first of many Noh plays based on The Tale of Genji. It is sometimes attributed to Zeami Motokiyo or to his son-in-law Zenchiku; the extant version of the text is likely a reworking of a version written for the troupe of a contemporary, Inuō.
Tetsuji Takechi was a Japanese theatrical and film director, critic, and author. First coming to prominence for his theatrical criticism, in the 1940s and 1950s he produced influential and popular experimental kabuki plays. Beginning in the mid-1950s, he continued his innovative theatrical work in noh, kyōgen and modern theater. In late 1956 and early 1957 he hosted a popular TV program, The Tetsuji Takechi Hour, which featured his reinterpretations of Japanese stage classics.
Patriotism or the Rite of Love and Death is a 1966 Japanese short film directed by Yukio Mishima. It is based on Mishima's short story "Patriotism", published in 1960.
Aya no Tsuzumi is a Japanese Noh play by an unknown author, written in the 15th century.
Komachi may refer to:
The bibliography of Kimitake Hiraoka, pen name Yukio Mishima, includes novels, novellas, short stories and literary essays, as well as plays that were written not only in a contemporary-style, but also in the style of classical Japanese theatre, particularly in the genres of noh and kabuki. However, although Mishima took themes, titles and characters from the noh canon, he included his own twists and modern settings, such as hospitals and ballrooms, which startled audiences who were accustomed to the long-settled originals.
Yuriko Doi is a stage director, choreographer, performer and former founding artistic director of Theatre of Yugen. Doi specializes in the fusion of traditional Japanese dramatic arts with modern world theater.
Sotoba Komachi (卒塔婆小町) is one of the stories in Five Modern Noh Plays by Yukio Mishima. The original work was written by Kanami and was later reworked by Mishima Yukio for modern theatre. The kanji 卒塔婆 means stupa and小町 is the synonym of belle or beautiful woman. The story was written in 1952 and published in 1956. It was translated by Japanese literature expert Donald Keene into English in 1957. Sotoba Komachi is the third story of The Five Modern Noh Plays.
The Lady Aoi is a play written by Yukio Mishima in 1954, which appears in his Five Modern Noh Plays. It modernizes the noh drama Aoi no Ue.
Komachi Monogatari (小町物がたり) is a Japanese otogi-zōshi in two volumes, composed late in the Muromachi period or the beginning of the early modern period.
Sotoba Komachi is a Noh play written by Kan'ami, and is one of the most compelling and best-known of the type.
Kayoi Komachi (通小町) or Shii no Shōshō is a Noh play by Kan'ami Kiyotsugu, about the legend of the famous poetess Ono no Komachi.
Death in Midsummer is a short story by Japanese writer Yukio Mishima first published in October 1952.