"Fly to the Angels" | ||||
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Single by Slaughter | ||||
from the album Stick It to Ya | ||||
Released | July 14, 1990 | |||
Recorded | 1989 | |||
Genre | Glam metal [1] | |||
Length | 5:05 | |||
Label | Chrysalis | |||
Songwriter(s) | ||||
Producer(s) | ||||
Slaughter singles chronology | ||||
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Music video | ||||
"Fly to the Angels" on YouTube |
"Fly to the Angels" is a power ballad [2] [3] [4] [5] by American glam metal band Slaughter.
Chart (1990–1991) | Peak position |
---|---|
UK Singles (OCC) [6] | 55 |
US Billboard Hot 100 [7] | 19 |
US Mainstream Rock ( Billboard ) | 15 |
"Every Rose Has Its Thorn" is a power ballad by American glam metal band Poison. It was released in October 1988 as the third single from Poison's second album Open Up and Say... Ahh!. The band's signature song, it is also their only number-one hit in the US, reaching #1 on the Billboard Hot 100 on December 24, 1988, for three weeks. It also charted at number 11 on the Mainstream Rock chart. It was a number 13 hit in the UK. "Every Rose Has Its Thorn" was named number 34 on VH1's "100 Greatest Songs of the 80s", number 100 on their "100 Greatest Love Songs" and number seven on MTV and VH1 "Top 25 Power Ballads". Billboard ranked the song number five on their list of "The 10 Best Poison Songs".
"Patience" is a song by American rock band Guns N' Roses from their second studio album, G N' R Lies (1988), released as a single in April 1989. The song peaked at number four on the US Billboard Hot 100. The song is a ballad, played using three acoustic guitars and was recorded in a single session by producer Mike Clink. A music video of the song was shot and appears on the band's music video DVD, Welcome to the Videos.
"Love Bites" is a song by English glam metal band Def Leppard from their album Hysteria. The power ballad is Def Leppard's only number-one single on the US Billboard Hot 100 and became a top-10 hit in Canada, Ireland, and New Zealand. On the UK Singles Chart, the track peaked at number 11.
"More Than Words" is a song by American rock band Extreme. It is a ballad featuring acoustic guitar work by Nuno Bettencourt and the vocals of Gary Cherone. They both wrote the song, which was produced by Michael Wagener and represented a departure from the band's usual funk metal style. "More Than Words" was released as the third single from the band's second album, Pornograffitti (1990), on March 12, 1991 by A&M Records. It was a number one hit in the United States, where it was certified gold, as well as in Belgium, Canada, the Netherlands and New Zealand. The music video for the song was directed by Jonathan Dayton and Valerie Faris.
"Is This Love" is a song by British rock band Whitesnake. It was released in 1987 as the second single from their self-titled album.
"I Remember You" is a song by American heavy metal band Skid Row. It was released in November 1989 as the third single from their eponymous debut album. Composed as a power ballad, it was written by bandmates Rachel Bolan and Dave "the Snake" Sabo. It reached number six on the US Billboard Hot 100 and number 23 on the Album Rock Tracks in early 1990. The song also charted at number two in New Zealand, number 12 in Ireland, number 14 in Canada, number 18 in Finland, and number 36 on the UK Singles Chart.
"Rock of Ages" is a song by Def Leppard from their 1983 album Pyromania. When issued as a single in the United States, the song reached #16 on the Billboard Hot 100 chart and #19 on the Cash Box Top 100. It also hit #1 on the Top Tracks Rock chart.
"I'll Be There for You" is a song by American rock band Bon Jovi, released as the third single from their 1988 album, New Jersey. The power ballad was written by Jon Bon Jovi and Richie Sambora. The single reached number one on the US Billboard Hot 100 and number five on the Album Rock Tracks chart.
"Here I Go Again" is a song by British rock band Whitesnake. Originally released on their 1982 album, Saints & Sinners, the power ballad was re-recorded for their 1987 self-titled album. It was re-recorded again the same year in a new "radio-mix" version, which was released as a single and hit No. 1 on the Billboard Hot 100 chart on 10 October 1987, and also No. 9 on the UK Singles Chart on 28 November 1987. The 1987 version also made No. 1 on the Canadian RPM singles chart on 24 October 1987. In 2018 at the BMI London Awards, it received the "5 Million Performances Award", while in 2022 it garnered the "8 Million-Air Award".
"Silent Lucidity" is a power ballad by the band Queensrÿche from the 1990 album Empire. The song, which was composed by lead guitarist Chris DeGarmo, was the biggest hit for the band, peaking at #9 on the Billboard Hot 100 and at #1 on the Billboard Album Rock Tracks chart. "Silent Lucidity" was also nominated in 1992 for the Grammy Awards for Best Rock Song and Best Rock Vocal Performance by a Duo or Group.
"18 and Life" is a song by American heavy metal band Skid Row. It was released in June 1989 as the second single from their self-titled debut album. The power ballad is the band's biggest hit, reaching No. 4 on the US Billboard Hot 100 and No. 11 on the Billboard Album Rock Tracks chart. It was certified gold by the Recording Industry Association of America (RIAA) on September 13, 1989, when it sold 500,000 copies. The song also charted at No. 12 on the UK Singles Chart, No. 6 in Canada, and No. 5 in Ireland.
"To Be with You" is a song by American rock band Mr. Big, released in November 1991 as the second single from their second album, Lean into It (1991). The ballad reached number one on the US Billboard Hot 100 for three weeks and topped the charts in 11 other countries, including Australia, Canada, Germany, and New Zealand.
"Don't Know What You Got (Till It's Gone)" is a power ballad written by Tom Keifer and performed by the glam metal band Cinderella, from their second album Long Cold Winter. Released in August 1988, it was their most successful single, peaking at number 12 on US Billboard Hot 100 in November 1988.
"Still Loving You" is a power ballad by the German hard rock band Scorpions. It was released in June 1984 as the second single from their ninth studio album, Love at First Sting (1984). The song reached number 64 on the Billboard Hot 100. It was most successful in Europe, reaching the top 5 in several countries.
Heaven is a power ballad by American glam metal band Warrant. It was released in July 1989, as the second single from Warrant's debut album Dirty Rotten Filthy Stinking Rich. The song is Warrant's most commercially successful single, spending two weeks at number two on the Billboard Hot 100, and number three on the Mainstream Rock Tracks chart. The track's commercial success has led it to becoming one of the best known songs by the band.
"Without You" is a power ballad by American heavy metal band Mötley Crüe. It was originally released on their 1989 album, Dr. Feelgood.
"Cherry Pie" is a song by the American glam metal band Warrant. It was released in late August 1990, as the lead single from the album of the same name. The song became a Top Ten hit on the Billboard Hot 100, reaching number 10 and also reached number 19 on the Mainstream Rock Tracks. The song has been cited by many as a "hair metal" anthem.
"When the Children Cry" is a power ballad performed by Danish-American glam metal band White Lion. It is the third single and closing track on their 1987 album, Pride. It peaked at number three on the US Billboard Hot 100, number two in Canada, and number 88 in the United Kingdom.
"Nothin' But a Good Time" is the first single from the hard rock/glam metal group Poison's second studio album Open Up and Say... Ahh!, with the band releasing that album in May 1988. B-sides "Livin' for the Minute" and "Look But You Can't Touch" were included in the single's release.
Whitesnake is the seventh studio album by British rock band Whitesnake, released on 23 March 1987 by Geffen Records in the US, and by EMI Records in the UK one week later. It was co-written and recorded for over a year in what would be the first and final collaboration between vocalist David Coverdale and guitarist John Sykes, as well as the final album to feature longtime bassist Neil Murray. The album, besides its commercial success, is remarkable for the band's change to a more modern glam metal look and sound, and the first recording to use the band's new logo which would characterise them in the future.