Folkestone Triennial | |
---|---|
Status | Active |
Genre | Arts festival |
Frequency | Triannually |
Location(s) | Folkestone, Kent |
Coordinates | 51°04′52″N1°09′58″E / 51.081°N 1.166°E |
Country | England |
Years active | since June 2008 |
Most recent | 2017 |
Next event | 22 July-2 November 2021 |
Attendance | 51,000 in 2008; 103,000 in 2011; 135,000 in 2014, 150,000 in 2017 |
Website | http://www.folkestonetriennial.org.uk |
The Creative Folkestone Triennial is an arts festival held every three years in Folkestone, Kent, England. [2]
Site-specific artworks are commissioned for what are often unusual locations around the town, a number of works remaining in place permanently after the end of each festival as part of the permanent Creative Folkestone Artworks exhibition. [3] [4] The 2021 Triennial will be the first to break the usual three-year cycle following a postponement from its original 2020 dates due to the global COVID-19 pandemic. [5]
Artists who have exhibited at the Triennial include Lubaina Himid, Tracy Emin, Cornelia Parker, Martin Creed, Myles Stephens, Emma Hart, Sir Anthony Gormley, Andy Goldsworthy and Bob and Roberta Smith. [6] [7] During 2014, graffiti artist Banksy contributed Art Buff to the town, announcing that it was "Part of the Folkestone triennial. Kind of." [8]
The Folkestone Triennial was curated by Andrea Schlieker in 2008 and 2011, [9] and Lewis Biggs in 2014, 2017 and 2021. [9]
Announcing the 2021 artists, curator Lewis Biggs described the Triennial's connection with Folkestone by saying "we will treat the town as a gallery", adding it "has to be about the context and history of Folkestone". [10]
Community engagement and involvement with the development with the artworks is a key feature of the Triennial, including HoyCheong Wong's 2017 piece working with Folkestone's Islamic Cultural Centre - a relationship which will be extended for Wong's collaboration with the local Islamic community, artist Simon Davenport and architect Shahed Saleem/Makespace for the 2021 Triennial. [11]
Other pieces commissioned for 2021 with strong elements of community engagement include those commissioned through Pioneering Places East Kent [12] and funded by Arts Council England and National Lottery Heritage Fund inspired by the former site of Folkestone's Ship Street Gasworks. These include Jacqueline Donachie's piece inspired by a social club which remained on the derelict site long after it ceased production while Morag Myerscough is designing a gateway or 'welcome pavilion' for the former gasworks site. [13]
The Triennial's significant educational programme has been growing since its first inception in the 2014 edition, which involved over 18,000 learners across more than 70 schools and 50 community groups. In 2017 this was further developed to 202 talks, tours, workshops and conferences through a schools, community and further and higher education programme. [14] In 2021 the Triennial will expand its footprint online through virtual tours and video content. [15]
According to the organiser, the direct and indirect impact of the Folkestone Triennial was worth more £65 million in 2014, [16] including £2m in grants and donations, £2.7 million in visitor spend and £59 million in media value. [17]
An independent survey was conducted after the 2014 Triennial, finding that 89.8% of visitors gave a good or excellent rating for the artworks; 96.3% rated the Folkestone Triennial as good or excellent. [18] In 2014, the Triennial attracted 119 articles in regional, national and international media, as well as 14 items of radio or television coverage and over 1.6 billion hits across more than 200 web articles, [16] generating a combined media value in excess of £59m. [19]
Inspired by Folkestone's past, present and future the inaugural Triennial saw work displayed in Folkestone's beach, harbour, parks, marine promenade and historic buildings. [20]
Artists included Christian Boltanski, Tacita Dean, Jeremy Deller, Tracey Emin, Langlands and Bell, Heather and Ivan Morison, Mark Wallinger and Richard Wilson. Works retained and still included in the Creative Folkestone Artworks collection include Tracey Emin's series of works, Baby Things, Mark Wallinger's Folk Stones, Patrick Tuttofuoco's FOLKESTONE, Richard Wilson's 18 Holes, Adam Chozko's Pyramid, Christian Boltanski's The Whispers, Pae White's Barking Rocks and Richard Wentworth's series, Racinated.
In 2011, the theme highlighted an outward-looking facet of Folkestone and the town's place as "a gateway to other cultures, politics, environmental warnings and the fundamental notion of how our shores contribute to our sense of place and belonging". Notable highlights included Cornelia Parker's Folkestone Mermaid - her own version of Copenhagen's 'Little Mermaid', with a local woman acting as a model for the sculpture. Parker's piece can still be viewed overlooking Folkestone's Sunny Sands as part of the permanent Creative Folkestone Artworks collection dotted across the town, along with works by Richard Wentworth, Hamish Fulton, Tonica Lemos Auad, A K Dolven, Paloma Varga Weisz, Ruth Ewan, Spencer Finch and Christina Iglesias.
Additional artists presenting hailed from Algeria, Morocco, Kosovo, Israel, Egypt, Guyana, India, Brazil, Denmark, Spain, Germany and the USA.
While Andy Goldsworthy was seen by some as the "headline act", [21] Berlin-based artist Michael Sailstorfer attracted most media attention by hiding £10,000 of 24-carat gold bars on Folkestone beach, [22] with some of the 30 bars yet to be found despite the rush to dig. [23] Artists with works still featured in the permanent Creative Folkestone Artworks collection include Cézanne Charles and John Marshall (a.k.a. rootoftwo), Pablo Bronstein, Diane Dever and Jonathan Wright, Strange Cargo, muf Architecture, Ian Hamilton Finlay, Tim Etchells, Sarah Staton, Will Kwan and Yoko Ono, who contributed two pieces - Earth Peace and Skyladder 2014. [24]
Renowned graffiti artist, Banksy, gatecrashed the 2014 Triennial, painting a mural called Art Buff on the side of Palace Amusements in Payers Park in October 2014. His website announced that the mural was "Part of the Folkestone triennial. Kind of". It was soon vandalised with the addition of a phallic symbol, spray painted onto the previously empty plinth in the artwork. [25] It was then flown to the US to be sold two months after its creation. [26] In September 2015, a London judge – Richard Arnold – ruled that Banksy's mural Art Buff must be delivered to Creative Foundation (now known as Creative Folkestone) [27] from storage in New York, where it was being kept by the curator of a December 2014 exhibition of Banksy's works in Miami, at which it failed to sell. [28] It was finally returned to Folkestone in 2020, inspiring Creative Folkestone's celebration of creativity in the community, The Plinth. [29] [30]
The 'double edge' theme in 2017 "plays with ambiguity, dialogue and deceit," according to the curator, Lewis Biggs. [31] Audiences were tasked with exploring why the world is the way that it is, how it might be, and how change is always possible. Issues explored included borders; thresholds; margins; the periphery; gateways and the liminal.
Notable works in the 2017 Triennial which still reside as pieces in the Folkestone Artworks collection include Antony Gormley's Another Time XXI, Richard Woods's Holiday Home sequence, featuring model second homes by the sea, Bob and Roberta Smith's Folkestone is an Art School and Marc Schmitz and Dolgor Ser-Od's giant shell-cum-gramophone piece, Siren, which was described as an example of a work that "seems to have fallen to Earth on the East Cliff". [32] Other remaining pieces in the Folkestone Artworks collection from the 2017 collection include works by Amalia Pica, Rigo 23, Diane Dever and the Decorators, Sol Calero, Michael Craig-Martin, Lubaina Himid, Gary Woodley, Bill Woodrow, David Shrigley and Studio Ben Allen, whose architectural piece, The Clearing, is still a feature of the first floor bar at Folkestone's Quarterhouse.
Additional artists exhibiting at Triennial 2017 included Alex Hartley, Emily Peasgood, Nomeda and Gediminas Urbonas and HoyCheong Wong. [32]
The theme in 2021 is 'The Plot', subtitled 'Urban myths and their relation to verifiable realities: the gap between the story and the materiality'. [33] The first artwork to be unveiled for the 2021 Triennial is/was Rana Begum's brightly painted new beach huts, replacing rundown chalets along the coast between Folkestone and Sandgate.
Interactive sculptures - Skating Situations - at the mainline railway viaduct and the Harbour Arm is a collaboration between Turner Prize-Winning collective Assemble and local skate boarders. [9] The event will include 20 outdoor, newly commissioned public artworks by artists including Assemble, Rana Begum, Gilbert & George, Atta Kwami, Pilar Quinteros, and Richard Deacon.
2014 supported by The Roger De Haan Charitable Trust, Arts Council England, the Folkestone Estate, Kent County Council and Shepway District Council. [34]
2017 sponsored by Saga and supported by The Roger De Haan Charitable Trust and Arts Council England along with Kent County Council, Shepway District Council and the Oak Foundation. [31]
2021 supported by The Roger De Haan Charitable Trust, Arts Council England, Folkestone & Hythe District Council, Kent County Council, Oak Foundation, Henry Moore Foundation and EU Interreg North Sea Region Cupido.
Individual works are often supported by specific funders: e.g. Pilar Quinteros' piece in 2021 [35] is co-commissioned by England's Creative Coast, [36] Beach Huts by Folkestone and Hythe District Council and 2021 pieces by Jacqueline Donachie, Jacqueline Poncelet and Morag Myserscough have been commissioned through Pioneering Places East Kent [37] and funded by Arts Council England and National Lottery Heritage Fund.
Folkestone is a port town on the English Channel, in Kent, south-east England. The town lies on the southern edge of the North Downs at a valley between two cliffs. It was an important harbour, shipping port and fashionable coastal resort for most part of the 19th and mid 20th centuries.
Banksy is a pseudonymous England-based street artist, political activist, and film director whose real name and identity remain unconfirmed and the subject of speculation. Active since the 1990s, his satirical street art and subversive epigrams combine dark humour with graffiti executed in a distinctive stenciling technique. His works of political and social commentary have appeared on streets, walls, and bridges throughout the world. His work grew out of the Bristol underground scene, which involved collaborations between artists and musicians. Banksy says that he was inspired by 3D, a graffiti artist and founding member of the musical group Massive Attack.
Street art is visual art created in public locations for public visibility. It has been associated with the terms "independent art", "post-graffiti", "neo-graffiti" and guerrilla art.
Adam Chodzko is a contemporary British artist, exhibiting internationally. His practice uses a wide range of media, including video, installation, photography, drawing, and performance.
Sinta Tantra is a British artist of Balinese descent. She was born in New York on 11 November 1979, and spent her childhood in Indonesia, America and the UK. She graduated from the Slade School of Fine Art, London, in 2003 and completed her postgraduate degree at Royal Academy of Arts in 2006. In the same year, she was awarded the prestigious Deutsche Bank Award in Fine Art. Highly regarded for her site-specific work in the public realm, she has since undertaken commissions that include the Folkestone Triennial (2017), Songdo Tech City (2016), Liverpool Biennial (2012), The Southbank Centre (2008), and TFL Art on the Underground (2007). She held the inaugural Bridget Riley Fellowship 2016–17 at the British School at Rome, is the recipient of the British Council's International Development Award and was shortlisted for the Jerwood Painting Prize. She lives and works between London and Bali.
Ben Moore is a British art curator, entrepreneur and artist. He is the founder and curator of Art Below, a contemporary art organisation that places art in public spaces and has had shows in England, Germany, Japan and the United States. He is also the founder and curator of Art Wars, an exhibition of designs based on the Imperial Stormtrooper helmets from Star Wars. In 2021, Moore was part of the Art Wars NFT project which resulted in massive losses for the purchasers of the NFTs and claims of copyright theft from artists whose physical work was reproduced without their permission.
Robin Barton is a British art dealer dealing primarily with Banksy's. Barton studied photography and graphic design at the Exeter College of Art and Design and this was his first encounter with Russell Young. Moving to London in 1980 he began working as a freelance photographer for music and fashion publications Sounds, NME, Blitz, The Face moving on to working regularly for pioneering Independent Magazine photographing amongst others Alec Guinness, Oliver Reed, Johnny Depp, Lou Reed, Hugh Grant and Sir Peter Hall. Later he worked for other publications Sunday Times, Sunday Telegraph, Elle, Vogue, Tatler and Blueprint.
Art Buff is a graffiti artwork by Banksy which was created in Folkestone in 2014, Banksy announcing it as "part of the Folkestone triennial. Kind of". The work depicts a woman wearing headphones and staring at a plinth, upon which rests a patch of painted-out graffiti. The name of the piece is a play on words, "buff" being a slang term for the painting over of graffiti.
Girl with Balloon is a series of stencil murals around London by the graffiti artist Banksy, started in 2002. They depict a young girl with her hand extended toward a red heart-shaped balloon carried away by the wind. The locations for this work include street murals in Shoreditch and the South bank in London on the Waterloo Bridge and other murals were around London, though none remain there.
Well Hung Lover, also called Naked Man Hanging From Window and simply Naked Man, is a mural by the anonymous street artist Banksy, on a wall in Frogmore Street, Bristol, England.
Creative Folkestone, is a UK charity dedicated to art and culture, based in Folkestone, Kent, UK.
The year 2020 in art involved various significant events.
Emily Anne Peasgood is an Ivors Composer Awards winning English composer and sound artist.
Jyll Bradley is an artist based in London. She makes installations, films, drawings and sculptures. She has produced public realm projects such as 'Green/Light ' (2014) commissioned by the Folkestone Triennial, and 'Dutch Light' (2017) commissioned by Turner Contemporary (Margate).
Creative Folkestone Quarterhouse is a performance and exhibition space in Folkestone, Kent, England. It is used for activities including theatre, dance, music, film, comedy, family shows, and live screenings from organisations including National Theatre and Royal Opera House. The venue is also home to numerous festivals, including Creative Folkestone Book Festival, Normal? Festival of the Brain, and SALT Festival of the Sea and Environment.
Folkestone’s outdoor public art exhibition – Folkestone Artworks – is the UK’s largest urban outdoor contemporary art exhibition, consisting of 74 contemporary artworks by 46 artists in scenic locations around the town and its coastline. Artworks include those by Lubaina Himid, Tracey Emin, Yoko Ono and Antony Gormley. Folkestone Artworks is refreshed every three years, as permanent works commissioned for the Folkestone Triennial are incorporated. Folkestone Artworks is maintained and cared for by Creative Folkestone on behalf of the Roger De Haan Charitable Trust.
A Great British Spraycation are a series of 2021 artworks by the anonymous British street artist Banksy in various East Anglian towns in England. Pieces appeared in Great Yarmouth, Oulton Broad, Lowestoft, Gorleston-on-Sea, Cromer, and King's Lynn.
Jason Wilsher-Mills is a digital artist from Wakefield West Yorkshire. He now lives in Sleaford in Lincolnshire, England. His work uses sculpture, Augmented-Reality, 3D Printing, murals, cinematography, portraiture and painting. In 2015, he was featured at the Museum of Islamic art in Doha, Qatar, and in 2020 he received the Adam Reynolds Award.
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