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The Fontignano Madonna is a 1522 fresco Madonna and Child by Perugino. Angniolus Toni Angeli and the Confraternity of the Annunciation commissioned him to decorate their church of S. Maria dell'Annunziata in Fontignano in 1521. It is his only surviving work in the church and probably reused his cartoons from Santa Maria Maggiore in Spello, such as those for the Spello Pietà. Angeli's name appears at the base of the work. [1]
Pinturicchio, or Pintoricchio, also known as Benetto di Biagio or Sordicchio, was an Italian painter during the Renaissance. He acquired his nickname because of his small stature and he used it to sign some of his artworks that were created during the fifteenth and sixteenth centuries.
Pietro Perugino, an Italian Renaissance painter of the Umbrian school, developed some of the qualities that found classic expression in the High Renaissance. Raphael became his most famous pupil.
Lo Spagna, "the Spaniard" in Italian, was a painter of the High Renaissance, active in central Italy. His name was Giovanni di Pietro, but he was known as Lo Spagna because he was born in Spain. After Raphael, he was a main pupil and follower of the Umbrian painter Perugino, whose style his paintings develop. He should not be confused with Pietro di Giovanni D'Ambrogio of Siena.
Spello is an ancient town and comune (township) of Italy, in the province of Perugia in eastern-central Umbria, on the lower southern flank of Monte Subasio. It is 6 km (4 mi) NNW of Foligno and 10 km (6 mi) SSE of Assisi. It is one of I Borghi più belli d'Italia.
The Marriage of the Virgin is a painting by the Italian Renaissance master Perugino, although it is now sometimes attributed to his pupil Lo Spagna. It depicts the marriage between Joseph and Mary, and is now in the Musée des Beaux-Arts of Caen, France. Initially commissioned to Pinturicchio for the recently completed cathedral of Perugia, Perugino took over the commission and finished the work around 1500–1504, probably after several periods of stasis.
The Basilica of Saint Mary of the Angels is a papal minor basilica situated in the plain at the foot of the hill of Assisi, Italy, in the frazione of Santa Maria degli Angeli.
The Solly Madonna by the Italian Renaissance artist Raphael was painted sometime between 1500 and 1504.
Andrea Camassei was an Italian Baroque painter and engraver mainly active in Rome under the patronage of the Barberini.
Florentine painting or the Florentine School refers to artists in, from, or influenced by the naturalistic style developed in Florence in the 14th century, largely through the efforts of Giotto di Bondone, and in the 15th century the leading school of Western painting. Some of the best known painters of the earlier Florentine School are Fra Angelico, Botticelli, Filippo Lippi, the Ghirlandaio family, Masolino, and Masaccio.
Tiberio d'Assisi was an Italian painter of the Renaissance period, active in the early 16th century. He painted in the style of Pietro Perugino. He is also known as Tiberio Diatelevi or Tiberio di Assisi.
Fontignano is a frazione of the comune of Perugia, Italy, located near Lake Trasimeno.
Antonio del Massaro da Viterbo, or Antonio da Viterbo, nicknamed il Pastura was an Italian painter.
The Adoration of the Magi is a painting by the Italian Renaissance painter Pietro Perugino, housed in the Galleria Nazionale dell'Umbria of Perugia, Italy.
The Fano Altarpiece is a painting by the Italian Renaissance artist Pietro Perugino, executed in 1497, and housed in the church of Santa Maria Nuova, Fano, central Italy. It also includes a lunette with a Pietà and several predella panels.
The Baglioni Chapel is a chapel in the Collegiate church of Santa Maria Maggiore, Spello, central Italy. It is known for its Renaissance frescoes executed by Pinturicchio from c. 1500 to 1501.
Ottaviano Nelli (1375–1444?) was an Italian painter of the early Quattrocento. Nelli primarily painted frescoes, but also panel paintings. He had several pupils and two painters were influenced by him.
Madonna and Child with St Peter and St Paul is a c.1515 painting by Perugino or his studio, held in the Collegiata dei santi San Pietro e Paolo in Monteleone d'Orvieto. It shows the Madonna and Child between St Peter and Paul of Tarsus, with a semi-circular cymatium showing the Resurrection.
The Madonna of Loreto is a c.1507 oil on panel painting by Perugino, now in the National Gallery, London, which bought it in 1879. It shows the Madonna and Child flanked by Jerome (left) and Francis of Assisi (right). Two angels hover over Mary's head holding a crown. It reuses the low parapet from Madonna and Child with St Rose and St Catherine (1492) and probably also involved the master's studio assistants.
The Spello Pietà is a fresco of the Pietà by Perugino executed in 1521–1522. It also shows John the Apostle and Mary Magdalene kneeling either side of the Virgin Mary. It is now sited in the left transept of the Chiesa Santa Maria Maggiore in Spello, but its origins are unknown.
The Benedetto Portinari Triptych is a group of three 1487 oil on panel paintings by Hans Memling. It is named after its commissioner, who is probably the subject of its right-hand panel, now in the Uffizi in Florence. The left panel of Saint Benedict and the central panel of the Madonna and Child are both now in the Gemäldegalerie, Berlin. All three panels are set within a single loggia, with a unified landscape background across all three, which proved a major influence on Umbrian painters, Perugino and Leonardo da Vinci.