Madonna and Child with St Herculanus and St Constantius or Madonna of the Kitchen is a 1515 painting by Perugino, now in the Galleria Nazionale dell'Umbria in Perugia. Its title refers to the fact that it once hung in the former kitchen of the Palazzo dei Priori in Perugia. The two accompanying saints are Herculanus and Constantius, both local saints to Perugia.
It restored in the 20th century, recovering its original colours. Bombe, Adolfo Venturi, F. Canuti, Domenico Gnoli and Berenson had previously held it to be studio work, but after the restoration decided it was an autograph work with studio assistance. Santi and Cavalcaselle consider the work's attribution to Perugino to be doubtful and argue it was an autograph work subjected to major alterations by assistants at a late stage in its production.
Bibliography
(in Italian) Vittoria Garibaldi, Perugino, in Pittori del Rinascimento, Scala, Florence, 2004 ISBN88-8117-099-X
(in Italian) Pierluigi De Vecchi, Elda Cerchiari, I tempi dell'arte, volume 2, Bompiani, Milan, 1999 ISBN88-451-7212-0
(in Italian) Stefano Zuffi, Il Quattrocento, Electa, Milan, 2004 ISBN88-370-2315-4
Perugia is the capital city of Umbria in central Italy, crossed by the River Tiber. The city is located about 164 km (102 mi) north of Rome and 148 km (92 mi) southeast of Florence. It covers a high hilltop and part of the valleys around the area.
Pinturicchio, or Pintoricchio, also known as Benetto di Biagio or Sordicchio, was an Italian painter during the Renaissance. He acquired his nickname because of his small stature and he used it to sign some of his artworks that were created during the fifteenth and sixteenth centuries.
Benedetto Bonfigli was an Italian Renaissance painter born in Perugia, and part of the Umbria school of painters including Raphael and Perugino. He is also known as Buonfiglio. Influenced by the style of Domenico Veneziano, Benozzo Gozzoli, and Fra Angelico, Bonfigli primarily painted frescos for the church and was at one point employed in the Vatican. His best-preserved work is the Annunciation, but his masterpiece is the decoration of the chapel of the Palazzo dei Priori. Bonfigli specialized in gonfaloni, a Perugian style using banners painted on canvas or linen. Little is known of his personal life, but he was an esteemed painter in Perugia before Perugino, who is said to be his pupil.
Pietro Perugino, an Italian Renaissance painter of the Umbrian school, developed some of the qualities that found classic expression in the High Renaissance. Raphael became his most famous pupil.
Perugia Cathedral is a Roman Catholic cathedral in Perugia, Umbria, central Italy, dedicated to Saint Lawrence. Formerly the seat of the bishops and archbishops of Perugia, it has been since 1986 the archiepiscopal seat of the Archdiocese of Perugia-Città della Pieve.
The Palazzo dei Priori or comunale is one of the best examples in Italy of a public palace from the communal era. It is located in the central Piazza IV Novembre in Perugia, Umbria. It extends along Corso Vannucci up to Via Boncambi. It still houses part of the municipality, and, on the third floor, the Galleria Nazionale dell'Umbria. It takes its name from the Priori, the highest political authority governing the city in the medieval era.
The Adoration of the Magi is a painting by the Italian Renaissance painter Pietro Perugino, housed in the Galleria Nazionale dell'Umbria of Perugia, Italy.
The Tezi Altarpiece is a painting by the Italian Renaissance painter Pietro Perugino, housed in the Galleria Nazionale dell'Umbria of Perugia, Italy. The work was once associated to a single predella panel portraying the Last Supper, now at the Gemäldegalerie of Berlin.
Decemviri Altarpiece is a painting by the Italian Renaissance artist Pietro Perugino, executed in 1495–1496, and housed in the Pinacoteca Vaticana in Vatican City.
The San Pietro Polyptych is a polyptych by Italian Renaissance master Perugino, painted around 1496–1500. The panels are now in different locations: the lunette and the central panel, depicting the Ascension of Christ, are in the Museum of Fine Arts of Lyon, France.
Anton or Antonio Maria Fabrizi or Fabrizzi was an Italian painter, active in Perugia and Foligno in a Baroque style.
The Sant'Agostino Altarpiece is a painting by Perugino, produced in two stages between around 1502 and 1512 and then around 1513 to 1523. The altarpiece's 28, 29 or 30 panels were split up during the Napoleonic suppression of religious houses - most of its panels are now in the Galleria Nazionale dell'Umbria in Perugia. It is notable as the painter's last masterwork before he moved into his late phase producing more provincial commissions.
Madonna della Consolazione is an oil on panel painting by Perugino, datable ca. around 1496–1498. The work, completed in April 1498, was carried out in the Sala delle Udienze of the Collegio del Cambio. Since c. 1820 it is preserved in the National Gallery of Umbria in Perugia.
Mary Magdalene is an oil on panel painting of Mary Magdalene, dating to around 1500 and now in the Galleria Palatina in Florence - it has featured in its inventory since 1641. It is now attributed to Perugino. It is modelled on his wife Chiara Fancelli, who also modelled for several of his Madonnas. It is comparable to his Madonna and Child with St John the Baptist and St Catherine of Alexandria (Louvre), of similar date and with a similar dark background.
Madonna and Child with St John the Baptist and St Catherine of Alexandria is a c.1495 oil on panel painting by Perugino of the Madonna and Child with John the Baptist and Catherine of Alexandria. It is now in the Louvre in Paris.
Saint Sebastian is a c.1495 painting of Saint Sebastian by Perugino, now in the Louvre collection. It was temporarily on display at the Louvre-Lens branch between 2012 and 2017. It is probably the work mentioned in the 17th century inventory of the Barberini collection in Rome, which was later dispersed. Several pieces from it were taken abroad during the 19th century, with St Sebastian being bought by the Louvre in 1896.
Madonna and Child with St John the Baptist and St Augustine is a c.1494 painting by Perugino of the Madonna and Child enthroned between John the Apostle and Augustine of Hippo. It is in the church of Sant'Agostino in Cremona. It was commissioned in 1493 by the rich Roncadelli family, and the following year he painted it at his Florence studio before shipping it to Cremona. It is signed and dated on the throne Petrus Perusinus pinxit MCCCCLXXXXIIII.
Madonna and Child with St Peter and St Paul is a c.1515 painting by Perugino or his studio, held in the Collegiata dei santi San Pietro e Paolo in Monteleone d'Orvieto. It shows the Madonna and Child between St Peter and Paul of Tarsus, with a semi-circular cymatium showing the Resurrection.
The Madonna of Loreto is a c.1507 oil on panel painting by Perugino, now in the National Gallery, London, which bought it in 1879. It shows the Madonna and Child flanked by Jerome (left) and Francis of Assisi (right). Two angels hover over Mary's head holding a crown. It reuses the low parapet from Madonna and Child with St Rose and St Catherine (1492) and probably also involved the master's studio assistants.
'Madonna of Graces with Two Saints is a 1522 fresco painting by Perugino. Its central figure shows Mary as Our Lady of Graces, flanked by Antony the Great and Antony of Padua. It is in a side chapel of the church of Sant’Agnese, the Poor Clares convent in Perugia. It was commissioned a year before the painter's death by Eufrasia and Teodora, two nuns of the convent.
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