The Crucifixion with Mary Magdalene (sometimes called the "Pazzi Crucifixion") is a fresco of c. 1495 of the Crucifixion of Christ by Perugino in the chapter house of the Cistercian monastery of Santa Maria Maddalena dei Pazzi in Florence. It is his most notable work in Florence. It was a commission from the Pucci family - Antonio Billi's account book reports Dionigi and Giovanna Pucci commissioning a work from "Master Piero della Pieve a Chastello, a Perugian" on 20 November 1493 and paying 55 gold ducats on its completion on 20 April 1496.
The central panel shows Mary Magdalene (to whom the monastery church was dedicated in 1257) in prayer at the foot of the cross. The left panel shows the Virgin Mary with Saint Bernard (a major leader in the reform of Benedictine monasticism that caused the formation of the Cistercian order) and the right one shows John the Apostle with Saint Benedict. The three tall trees behind St Bernard may symbolise the Holy Trinity. A fourth panel on the north wall (the others are on the east wall) shows Christ lowering himself from the cross to hold the hands of St Bernard.
The work is also mentioned in 16th century sources, although it was forgotten after the monastery passed to Carmelite nuns in 1628. In 1867 the nuns moved out and the convent was abandoned, leading to the rediscovery of the fresco.
Bibliography (in Italian)
Vittoria Garibaldi, Perugino, in Pittori del Rinascimento, Scala, Florence, 2004 ISBN88-8117-099-X
Pierluigi De Vecchi, Elda Cerchiari, I tempi dell'arte, volume 2, Bompiani, Milan, 1999 ISBN88-451-7212-0
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Mary Magdalene de' Pazzi, OCarm, was an Italian Carmelite nun and mystic. She has been declared a saint by the Catholic Church.
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The Vallombrosa Altarpiece is a painting by the Italian Renaissance painter Pietro Perugino, dating to 1500–01. It is housed in the Accademia Gallery of Florence, Italy.
Crucifixion is a painting of the Crucifixion of Christ, usually attributed to Perugino, with or without assistance from Luca Signorelli. The work's dating and attribution are both uncertain - Venturi and Schmarsow attribute it to a pupil of Perugino, whilst other art historians attribute it to Perugino alone or with assistance from Signorelli. The deep chiaroscuro is comparable to Signorelli's style elsewhere or to the early style of Perugino whilst he was still heavily influenced by Verrochio. The landscape background is typical of Perugino, with mountains and hills in deep perspective.
The Monteripido Altarpiece is a double-sided altarpiece by Perugino, completed in 1502 for San Francesco al Monte church in Monteripido near Perugia. It is now in the Galleria Nazionale dell'Umbria in Perugia.
The Galitzin Triptych is a c.1485 painting by Perugino, now in the National Gallery of Art in Washington.
The Berlin Crucifixion is a tempera and gold on panel painting that was created c. 1320 and is attributed to Giotto. It is stored at the Gemäldegalerie in Berlin.
The Crucifixion with Saint Mary Magdalene is a c. 1502–1505 painting in tempera on canvas by Luca Signorelli, now in the Uffizi in Florence. It is usually held to be a late autograph work.
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