| Albani Torlonia Altarpiece | |
|---|---|
 | |
| Artist | Pietro Perugino |
| Year | c. 1491 |
| Medium | Tempera on panel |
| Dimensions | 174 cm× 88 cm(69 in× 35 in) |
| Location | Torlonia Collection, Rome |
The Albani Torlonia Altarpiece is a painting by the Italian Renaissance painter Pietro Perugino, executed in 1491 and housed in the Torlonia Collection, Rome. It was commissioned by Cardinal Giuliano della Rovere, the future pope Julius II.
The polyptych includes two levels: the lower one has in the centre a Nativity scene and, at the sides, two arched panels depicting Michael the Archangel, John the Baptist, Jerome and Saint George, sharing the same background. The upper one as, in the centre, a lunette with a Crucifixion, flanked by two small panels, with the Annunciation Angel and the Annunciation to the Virgin, set in a double portico.
The main scene, that of the Nativity, is perhaps inspired by that painted by Perugino in the Sistine Chapel, which is now lost. The Child is housed in the Virgin's dress, lying on a red cushion; Mary and Saint Joseph are adoring him, flanked by two kneeling angels and, behind, the ox and the donkey. The scene is set inside a perspective portico, while the background includes a series of hills.
The Basilica della Santissima Annunziata is a Renaissance-style, Catholic minor basilica in Florence, region of Tuscany, Italy. This is considered the mother church of the Servite Order. It is located at the northeastern side of the Piazza Santissima Annunziata near the city center.
Pietro Perugino, an Italian Renaissance painter of the Umbrian school, developed some of the qualities that found classic expression in the High Renaissance. Raphael became his most famous pupil.
Filippo Lippi, also known as Lippo Lippi, was an Italian Renaissance painter of the Quattrocento and a Carmelite priest. He was an early Renaissance master of a painting workshop, who taught many painters. Sandro Botticelli and Francesco di Pesello were among his most distinguished pupils. His son, Filippino Lippi, also studied under him and assisted in some late works.
The Portinari Altarpiece or Portinari Triptych is an oil-on-wood triptych painting by the Flemish painter Hugo van der Goes, commissioned by Tommaso Portinari, representing the Adoration of the Shepherds. It measures 253 x 304 cm, and is now in the Galleria degli Uffizi in Florence, Italy. This altarpiece is filled with figures and religious symbols. Of all the late-fifteenth-century Flemish artworks, this painting is said to be the most studied.
The Villa Albani is a villa in Rome, built on the Via Salaria for Cardinal Alessandro Albani. It was built between 1747 and 1767 by the architect Carlo Marchionni in a project heavily influenced by others – such as Giovanni Battista Nolli, Giovanni Battista Piranesi and Johann Joachim Winckelmann – to house Albani's collection of antiquities, curated by Winckelmann. The villa has been conserved intact into the 21st century by the Torlonia Family, who bought it in 1866. In 1870, the treaty following the Capture of Rome from the Papal States was signed here.
The Maestà, or Maestà of Duccio, is an altarpiece composed of many individual paintings commissioned by the city of Siena in Tuscany in 1308 from the artist Duccio di Buoninsegna and is his most famous work. Duccio's the Maestà was originally composed with a front and back side that relied on each other to encompass the full knowledge of the altarpiece. This was the first altarpiece to contain both a front and back side. The front panels make up a large enthroned Madonna and Child with saints and angels, and a predella of the Childhood of Christ with prophets.
The Tornabuoni Chapel is the main chapel in the church of Santa Maria Novella, Florence, Italy. It is famous for the extensive and well-preserved fresco cycle on its walls, one of the most complete in the city, which was created by Domenico Ghirlandaio and his workshop between 1485 and 1490.
The Marriage of the Virgin is the subject in Christian art depicting the marriage of the Virgin Mary and Saint Joseph. The wedding ceremony is not mentioned in the canonical Gospels but is covered in several apocryphal sources and in later redactions, notably the 14th-century compilation the Golden Legend. Unlike many other scenes in Life of the Virgin cycles, it is not a feast in the church calendar, though it sometimes has been in the past.
Mary has been one of the major subjects of Western art for centuries. There is an enormous quantity of Marian art in the Catholic Church, covering both devotional subjects such as the Virgin and Child and a range of narrative subjects from the Life of the Virgin, often arranged in cycles. Most medieval painters, and from the Reformation to about 1800 most from Catholic countries, have produced works, including old masters such as Michelangelo and Botticelli.
Annunciation of Fano is a painting by the Italian Renaissance artist Pietro Perugino, executed around 1488–1490, and housed in the church of Santa Maria Nuova, Fano, Italy.
The Fano Altarpiece is a painting by the Italian Renaissance artist Pietro Perugino, executed in 1497, and housed in the church of Santa Maria Nuova, Fano, central Italy. It also includes a lunette with a Pietà and several predella panels.
Pietà is a painting by the Italian Renaissance artist Pietro Perugino, executed around 1483–1493, and housed in the Uffizi Gallery, Florence.
The Madonna and Child Enthroned with Saints John the Baptist and Sebastian is a painting by the Italian Renaissance artist Pietro Perugino, executed in 1493 and housed in the Uffizi Gallery, Florence.
The Averoldi Polyptych, also known as the Averoldi Altarpiece, is a painting by the Italian Renaissance painter Titian, dating to 1520–1522, in the basilica church of Santi Nazaro e Celso in Brescia, northern Italy.
The Recanati Polyptych is an oil-on-panel painting by the Italian Renaissance painter Lorenzo Lotto, executed in 1506–1508 and housed in the Civic Museum of Villa Colloredo Mels, Recanati, Italy. The work is dated and signed Laurent[ius] Lotus MDVIII.
Decemviri Altarpiece is a painting by the Italian Renaissance artist Pietro Perugino, executed in 1495–1496, and housed in the Pinacoteca Vaticana in Vatican City.
The Annunciation with Saint Margaret and Saint Ansanus is a painting by the Italian Gothic artists Simone Martini and Lippo Memmi, now housed in the Uffizi Gallery in Florence, Italy. It is a wooden triptych painted in tempera and gold, with a central panel having double size. Considered Martini's masterwork and one of the most outstanding works of Gothic painting, the work was originally painted for a side altar in Siena Cathedral.
The Bladelin Altarpiece, or Middelburg Altarpiece, is a triptych painting created around 1450 by the Early Netherlandish painter Rogier van der Weyden, towards the end of his artistic career. It depicts scenes relating to the birth of Jesus; and as the only nativity scene definitively attributed to van der Weyden is sometimes known as the Nativity Triptych.
The Sant'Agostino Altarpiece is a painting by Perugino, produced in two stages between around 1502 and 1512 and then around 1513 to 1523. The altarpiece's 28, 29 or 30 panels were split up during the Napoleonic suppression of religious houses - most of its panels are now in the Galleria Nazionale dell'Umbria in Perugia. It is notable as the painter's last masterwork before he moved into his late phase producing more provincial commissions.
The Madonna of Loreto is a c.1507 oil on panel painting by Perugino, now in the National Gallery, London, which bought it in 1879. It shows the Madonna and Child flanked by Jerome (left) and Francis of Assisi (right). Two angels hover over Mary's head holding a crown. It reuses the low parapet from Madonna and Child with St Rose and St Catherine (1492) and probably also involved the master's studio assistants.