| Portrait of Lorenzo di Credi | |
|---|---|
 | |
| Artist | Pietro Perugino |
| Year | c. 1488 |
| Type | Tempera on wood transferred to canvas |
| Dimensions | 44 cm× 30.5 cm(17 in× 12.0 in) |
| Location | National Gallery of Art, Washington, DC |
The Portrait of Lorenzo di Credi is a painting by the Italian Renaissance artist Perugino, dating to around 1504 and housed in the National Gallery of Art, Washington, DC, United States.
Before the painting was transferred to canvas, the wooden support had the inscription "Lorenzo di Credi, pittore più eccellente, 1488, età 32 anni, 8 mesi", perhaps added in the 16th century. For centuries, this was thought to be a self-portrait signature: however, starting from the 20th centuries the work was attributed, due to styilistical considerations, to Pietro Perugino (in particular, for the similitarities to the Portrait of Francesco delle Opere at the Uffizi), who had studied with Lorenzo in Verrocchio's workshop.
The painter is portrayed from three-quarters, with a rocky and hilly landscape in the background. He wears a black berret and a blouse of the same color, the collar of a white shirt barely visible at the neck. The melancholic expression, as well as the black clothes, are perhaps connected to the death of the common master Verrocchio, which occurred in 1488.
Domenico di Tommaso Curradi di Doffo Bigordi, professionally known as Domenico Ghirlandaio, also spelt as Ghirlandajo, was an Italian Renaissance painter born in Florence. Ghirlandaio was part of the so-called "third generation" of the Florentine Renaissance, along with Verrocchio, the Pollaiolo brothers and Sandro Botticelli. Ghirlandaio led a large and efficient workshop that included his brothers Davide Ghirlandaio and Benedetto Ghirlandaio, his brother-in-law Bastiano Mainardi from San Gimignano, and later his son Ridolfo Ghirlandaio. Many apprentices passed through Ghirlandaio's workshop, including the famous Michelangelo. His particular talent lay in his ability to posit depictions of contemporary life and portraits of contemporary people within the context of religious narratives, bringing him great popularity and many large commissions.
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Pietro Perugino, born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil.
Lorenzo di Credi was an Italian Renaissance painter and sculptor best known for his paintings of religious subjects. He is most famous for having worked in the studio of Andrea del Verrocchio at the same time as the young Leonardo da Vinci.
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