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For Sale: Live at Maxwell's 1986 | ||||
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Live album by | ||||
Released | October 6, 2017 | |||
Recorded | February 4, 1986 | |||
Venue | Maxwell's, Hoboken, New Jersey, United States | |||
Genre | Alternative rock | |||
Label | Rhino | |||
Producer | Bob Mehr | |||
The Replacements chronology | ||||
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Aggregate scores | |
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Source | Rating |
Metacritic | 86/100 [1] |
Review scores | |
Source | Rating |
AllMusic | [2] |
American Songwriter | [3] |
Pitchfork | 8.7/10 [4] |
For Sale: Live at Maxwell's 1986 is a 2017 live album by the American alternative rock band The Replacements. Recorded at the famous Maxwell's at the height of the band's commercial and creative arc, it is one of the few good recordings of their live performances. The band's only previous live album—1985's The Shit Hits the Fans —was a limited cassette tape release which features poor audio quality and several false starts and stops on songs. In 2007, bassist Tommy Stinson stated that "There are no good Replacements live recordings", [5] in part due to a lack of high-quality recordings and in part due to the band's notoriously sloppy performances due to alcohol abuse. The album was produced by Bob Mehr, who wrote the 2016 biography of the band Trouble Boys: The True Story of the Replacements. [5]
The album was recorded with a mobile recording studio as an attempt to market the band by Seymour Stein of Sire/Warner Bros. Records but was canceled after guitarist Bob Stinson left the band a few months later. [5]
All songs written by Paul Westerberg, except where noted.
Disc one
Disc two
Chart (2017) | Peak position |
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US Billboard 200 [6] | 52 |
US Top Alternative Albums (Billboard) [7] | 6 |
US Top Rock Albums (Billboard) [8] | 9 |
The Replacements were an American rock band formed in Minneapolis, Minnesota, in 1979. Initially a punk band, they are one of the main pioneers of alternative rock. The band was composed of the guitarist and vocalist Paul Westerberg, guitarist Bob Stinson, bass guitarist Tommy Stinson, and drummer Chris Mars for most of its existence. After several acclaimed albums including Let It Be and Tim, Bob Stinson was kicked out of the band in 1986, and Slim Dunlap joined as lead guitarist. Steve Foley replaced Mars in 1990. Towards the end of the band's career, Westerberg exerted more control over its creative output. The group disbanded in 1991, with the members eventually pursuing various projects. A reunion was announced on October 3, 2012. Fans affectionately refer to the band as the 'Mats, a nickname which originated as a truncation of "The Placemats".
Paul Harold Westerberg is an American musician, best known as the lead singer, guitarist, and songwriter for The Replacements. Following the breakup of The Replacements, Westerberg launched a solo career that saw him release three albums on two major record labels.
Thomas Eugene Stinson is an American rock musician. He came to prominence in the 1980s as the bass guitarist for The Replacements, one of the definitive American alternative rock groups. After their breakup in 1991, Stinson formed Bash & Pop, acting as lead vocalist, guitarist and frontman. In the mid-1990s he was the singer and guitarist for the rock band Perfect, and eventually joined the hard rock band Guns N' Roses in 1998.
Don't Tell a Soul is the sixth studio album by the American rock band the Replacements, released on February 1, 1989, by Sire Records.
Robert Neil Stinson was an American musician best known as a founding member and lead guitarist of the rock band The Replacements.
Pleased to Meet Me is the fifth studio album by the American rock band The Replacements, released in 1987 by Sire Records. The album was acclaimed by music critics.
Chris Mars is an American painter and musician. He was the drummer for the seminal Minneapolis-based alternative rock band The Replacements from 1979 to 1990, and later joined the informal supergroup Golden Smog before beginning a solo career. While Mars concentrates mainly on his art career, he still occasionally releases new music.
Hootenanny is the second studio album by the American rock band The Replacements, released on April 29, 1983, by Twin/Tone Records. The album received positive reviews from critics.
All Shook Down is the seventh and final studio album by the American rock band The Replacements, released on September 25, 1990, by Sire Records.
Bash & Pop are an American alternative rock band formed in 1992 by Tommy Stinson in Minneapolis, Minnesota, following the breakup of the Replacements. It released one album before disbanding in 1994. Tommy Stinson reformed the band in 2016 with a new lineup and album.
The Shit Hits the Fans is a Twin/Tone Records cassette-only live album by The Replacements which was released January 25, 1985. It was recorded live at The Bowery, Oklahoma City, Oklahoma on November 11, 1984. The cassette J-Card cover art is by Chris Mars. According to the Twin/Tone website, 10,000 copies were produced, of which 9,276 sold immediately. The rest were given away as promotional copies.
The discography of American rock band The Replacements consists of seven studio albums, four live albums, seven compilation albums, five extended plays, 16 singles, and 10 music videos. Formed in Minneapolis, Minnesota by guitarist and vocalist Paul Westerberg, guitarist Bob Stinson, bass guitarist Tommy Stinson, and drummer Chris Mars in 1979, the band signed with Twin/Tone Records the following year.
"I Will Dare" is a song by American alternative rock band The Replacements, written by Paul Westerberg. The song's pop stylings were a departure from the band's punk origins and its lyrics reflected the band's willingness to "dare to do anything." The track also features guitar performed by Peter Buck of R.E.M.
"Unsatisfied" is a song written by Paul Westerberg and recorded by his band the Replacements for their third studio album Let It Be (1984). Revolving around the central lyric "I'm so unsatisfied," the song was largely fleshed out in the studio and featured improvised guitar lines from guitarist Bob Stinson.
Don't You Know Who I Think I Was? is a greatest hits album by the American rock band The Replacements, released in 2006 by Rhino Records. It includes eighteen tracks spanning the band's eight studio releases from 1981 to 1990, as well as two new tracks recorded specifically for this release. The new tracks—"Message to the Boys" and "Pool & Dive"—feature the three surviving original band members: singer and guitarist Paul Westerberg, bass guitarist Tommy Stinson, and drummer Chris Mars. However, Mars does not play drums on these tracks: they were played by session drummer Josh Freese while Mars sang backing vocals.
"Bastards of Young" is a song written by Paul Westerberg and recorded by his band The Replacements for their fourth studio album Tim (1985). Inspired by Westerberg's sister Mary and the band's feelings of alienation, the song has been described as an "anthem" and features a Who-inspired guitar intro.
Stephen B. Foley was an American drummer who played for Curtiss A, Things That Fall Down, The Replacements, Bash & Pop, Wheelo, and several other bands in Minneapolis, Minnesota. He played live for the most part, but he recorded with songwriter Peter Lack, and he appears in a Replacements video, "When It Began," which received two 1991 MTV Video Music Awards nominations.
Tim is the fourth studio album by American alternative rock band The Replacements. It was released in September 1985 on Sire Records. It was their first major label release and also the last album made by the original line-up of the band: guitarist Bob Stinson was kicked out of the band towards the end of 1986.
"Merry Go Round" is a song by American alternative rock band the Replacements, from their 1990 studio album All Shook Down. Written by lead singer Paul Westerberg, the song features lyrics inspired by his relationship with his younger sister Mary as well as a drumming performance by Charley Drayton instead of the band's drummer Chris Mars.
Friday Night Is Killing Me is the first album by the American rock band Bash & Pop, released in 1993. It was Tommy Stinson's first project after the dissolution of the Replacements. The band supported the album with a North American tour that included dates opening for the Black Crowes.