| Forces and Feelings | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1970 | |||
| Recorded | November 11, 1970 | |||
| Studio | Sound Studios, Chicago | |||
| Genre | Jazz | |||
| Length | 55:22CD reissue with additional tracks | |||
| Label | Delmark DS-425 | |||
| Producer | Robert G. Koester | |||
| Maurice McIntyre chronology | ||||
| ||||
Forces and Feelings is an album by the American jazz saxophonist Maurice McIntyre recorded in 1970 and released by the Delmark label. [1] [2]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [3] |
| The Austin Chronicle | [4] |
| The Penguin Guide to Jazz Recordings | [5] |
| The Encyclopedia of Popular Music | [6] |
AllMusic reviewer Al Campbell stated: "Much like his first effort, Humility in Light of the Creator, Forces and Feelings projects a spiritual tone. While it is occasionally more relaxed than his debut, that's not to say this is McIntyre's mellow disc -- far from it. ... Considering the lack of recordings made by this underrated tenor saxophonist, any of his discs are recommended.". [3]
Harvey Pekar of The Austin Chronicle wrote: "The improvisation... may not be based on pre-set chord progressions, but the groups' performances are tight and coherent; members pay attention to collective interplay and textural and dynamic subtleties." [4]
Writing for The Hum, Bradford Bailey commented: "We find McIntyre pushing into unimaginable places, and bringing clarity to his unique creative voice. He skirts closer to outright Free-Jazz with incredibly complex tonal relationships and rhythmic partnerships, but never loses the depth of emotion which characterizes his playing." [7]
All compositions by Kalaparusha Maurice McIntyre
Roscoe Mitchell is an American composer, jazz instrumentalist, and educator, known for being "a technically superb – if idiosyncratic – saxophonist". The Penguin Guide to Jazz described him as "one of the key figures" in avant-garde jazz; All About Jazz stated in 2004 that he had been "at the forefront of modern music" for more than 35 years. Critic Jon Pareles in The New York Times has mentioned that Mitchell "qualifies as an iconoclast". In addition to his own work as a bandleader, Mitchell is known for cofounding the Art Ensemble of Chicago and the Association for the Advancement of Creative Musicians (AACM).
Joseph Jarman was an American jazz musician, composer, poet, and Shinshu Buddhist priest. He was one of the first members of the Association for the Advancement of Creative Musicians and a member of the Art Ensemble of Chicago.
Fred Hopkins was an American double bassist who played a major role in the development of the avant-garde jazz movement. He was best known for his association with the trio Air with Henry Threadgill and Steve McCall, and for his numerous performances and extensive recordings with major jazz musicians such as Muhal Richard Abrams, Arthur Blythe, Oliver Lake, and David Murray. He was a member of the AACM, and a frequent participant in the loft jazz scene of the 1970s. He also co-led a number of albums with the composer and cellist Diedre Murray. Gary Giddins wrote that Hopkins' playing "fused audacious power with mercuric reflexes." Howard Reich, writing in the Chicago Tribune, stated that "many connoisseurs considered [Hopkins] the most accomplished jazz bassist of his generation" and praised him for "the extraordinarily fluid technique, sumptuous tone and innovative methods he brought to his instrument."
Malachi Richard Thompson, was an American avant-garde jazz trumpet player. In addition to his own work as a bandleader, Thompson was known for his work in the brass ensemble led by fellow trumpeter Lester Bowie.
Malachi Favors was an American jazz bassist who played with the Art Ensemble of Chicago.
Andrew Lamb is a jazz saxophonist and flautist. Lamb was raised in Chicago and South Jamaica, Queens. Having studied with AACM charter member Kalaparusha Maurice McIntyre, Lamb came into New York City's avant-garde community during the 1970s, becoming an active presence in the Bedford-Stuyvesant arts world and winning a Brooklyn Arts Council grant.
Thurman Barker is an American jazz drummer.
Kalaparusha Maurice McIntyre was an American free jazz tenor saxophonist.
Sound is the debut album by free jazz saxophonist Roscoe Mitchell, recorded in 1966 and released on the Delmark label. It features performances by Mitchell, Lester Bowie, Malachi Favors, Maurice McIntyre, Lester Lashley and Alvin Fielder. The CD reissue includes two takes of "Sound", which were edited together to form the original LP version, and an alternative take of "Ornette".
Ethnic Heritage Ensemble is an American jazz ensemble founded in 1973 by percussionist Kahil El'Zabar. Its members have included Kalaparusha Maurice McIntyre, Joseph Bowie, Ernest Dawkins, Light Henry Huff, Edward Wilkerson, Hanah Jon Taylor, and 'Atu' Harold Murray.
Delmark Records is an American jazz and blues independent record label. It was founded in 1958 as Delmar Records and is based in Chicago, Illinois. The label originated in St. Louis, Missouri, in 1953 when then owner, and founder, Bob Koester released a recording of the Windy City Six, a traditional jazz group, under the Delmar imprint.
Peace and Blessings is an album by the American jazz saxophonist Kalaparusha Maurice McIntyre recorded in 1979 for the Italian Black Saint label.
Live at the Glenn Miller Café is the third album by the AALY Trio + Ken Vandermark, which was recorded in Stockholm in 1999 and released on Wobbly Rail, a short-lived imprint started by Merge Records/Superchunk principal Mac McCaughan. AALY Trio is a Swedish free jazz band led by saxophonist Mats Gustafsson. Originally just a guest, Vandermark became a full member of the group.
Underground Railroad is a live album by saxophonist and composer Joe McPhee recorded in 1969 at the Holy Cross Monastery and originally released on the CjR label, then reissued by Atavistic in 2001 with a bonus concert from the same venue.
Nicky's Tune is an album by American jazz trumpeter Ira Sullivan, which was recorded in 1958 but not issued until 1970 by Delmark. He leads a quintet with saxophonist Nicky Hill, pianist Jodie Christian, bassist Victor Sproles and drummer Wilbur Campbell.
Return of the Lost Tribe is an album by Bright Moments, a collaborative project by saxophonists Joseph Jarman and Kalaparusha Maurice McIntyre, percussionist Kahil El'Zabar, bassist Malachi Favors and pianist Adegoke Steve Colson, which was recorded in 1997 and released on the Delmark label.
Humility in the Light of the Creator is the debut album by the American jazz saxophonist Maurice McIntyre recorded in 1969 and released by the Delmark label.
All the Gin Is Gone is an album by the American jazz saxophonist Jimmy Forrest recorded in 1959 but not released by the Delmark label until 1965.
Birth Sign is the debut album by the American jazz guitarist George Freeman recorded in 1969 and released by the Delmark label.
Wildflowers: The New York Loft Jazz Sessions is a series of five albums recorded May 14–23, 1976 at Studio Rivbea, a loft jazz space in New York City, run by Sam Rivers and his wife Bea. The albums include performances by groups led by musicians such as Hamiet Bluiett, Anthony Braxton, Marion Brown, Dave Burrell, Andrew Cyrille, Oliver Lake, Jimmy Lyons, Ken McIntyre, Kalaparusha Maurice McIntyre, Roscoe Mitchell, David Murray, Sunny Murray, Sam Rivers, Leo Smith, Henry Threadgill, and Randy Weston. The recordings were originally released in 1977 on the Douglas and Casablanca labels as five separate LPs, and were reissued in 1999 by Knit Classics as a 3-CD set.
