Francesco di Assisi | |
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Screenplay by |
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Directed by | Liliana Cavani |
Starring | Lou Castel |
Music by | Peppino De Luca |
Production | |
Producer | Leo Pescarolo |
Cinematography | Giuseppe Ruzzolini |
Editor | Luciano Gigante |
Production companies |
|
Original release | |
Network | RAI |
Release | 6 May 1966 [1] [2] |
| runtime =
| country = Italy
| language =
}} Francesco di Assisi [a] (sometimes credited as Francesco d'Assisi), English title Francis of Assisi, is a 1966 Italian drama television film by Liliana Cavani. [1] [2] [5] It was Cavani's first non-fiction feature-length film, with a screenplay written by her and Tullio Pinelli. It follows the life of Saint Francis of Assisi from 1205 until his death in 1226.
Cavani, who, in her own words, had not had a Catholic upbringing, was drawn to the character of Francis of Assisi because of Paul Sabatier's biography, regarding him a "protestor" [6] and his venture "existential and poetic" and "revolutionary". [1] Francesco di Assisi was her first feature film after directing a series of documentary films for television station RAI, and also the first film produced by RAI and Leo Pescarolo. [5] As she wanted an unknown actor for the role of Francis, she gave the part to Lou Castel (whose breakthrough film Fists in the Pocket had not been released yet), and also cast the majority of his friars with non-professional actors from the region of Umbria. [6]
Francesco di Assisi was shot on 16 mm film and aired in two parts on RAI on 6 and 8 May 1966, reaching an audience of approx. 20 million viewers. [1] [2] [5] It was shown out of competition at the 27th Venice International Film Festival the same year [1] and eventually saw a limited cinema release in 1972. [2] [5]
Although successful, [1] Cavani's film, compared with the works of directors Roberto Rossellini and Pier Paolo Pasolini, [7] was also received controversially and divided viewers, critics and Catholic groups in particular. [1] Labelled by a member of the Movimento Sociale Italiano as "heretical, blasphemous and offensive for the faith of the Italian people", it was praised by Italo Moscati for breaking the boundaries of "television conformism". [1] In a round table discussion, Pasolini, who had liked Rossellini's interpretation of Francis of Assisi (see The Flowers of St. Francis ), criticised Castel's "bourgeois" portrayal of the titular character [7] and Cavani's omission of the "oriental" aspect of his life and the performed miracles, and her turning him into a man of action. [8]
Francesco di Assisi was digitally restored in 2007. [5] It has since been screened, among other events, at the Karlovy Vary International Film Festival in 2013, [9] at the Il Cinema Ritrovato Festival in 2020 [10] and at the Istituto Italiano di Cultura, New York, in 2023. [11]
Giovanni di Pietro di Bernardone, known as Francis of Assisi, was an Italian mystic, poet, and Catholic friar who founded the religious order of the Franciscans. Inspired to lead a Christian life of poverty, he became a beggar and itinerant preacher.
Paolo Bonacelli is an Italian stage and film actor.
Liliana Cavani is an Italian film director and screenwriter. Cavani became internationally known after the success of her 1974 feature film Il portiere di notte. Her films have historical concerns. In addition to feature films and documentaries, she has also directed opera.
The Flowers of St. Francis is a 1950 film directed by Roberto Rossellini and co-written by Federico Fellini. The film is based on two books, the 14th-century novel Fioretti di San Francesco and La Vita di Frate Ginepro, both of which relate the life and work of St. Francis and the early Franciscans. I Fioretti is composed of 78 small chapters. The novel as a whole is less biographical and instead focuses on relating tales of the life of St. Francis and his followers. The movie follows the same premise, though rather than relating all 78 chapters, it focuses instead on nine of them. Each chapter is composed in the style of a parable and, like parables, contains a moral theme. Every new scene transitions with a chapter marker, a device that directly relates the film to the novel. On October 6, 1952, when the movie debuted in America, where the novel was much less known, the chapter markers were removed.
Fists in the Pocket is a 1965 Italian satirical drama film written and directed by Marco Bellocchio and starring Lou Castel. It was Bellocchio's first feature film and became one of the most critically acclaimed films of the year. The film centers on a young man suffering from epilepsy, who plots the murders of the members of his dysfunctional family.
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The Little Flowers of St. Francis is a florilegium, divided into 53 short chapters, on the life of Saint Francis of Assisi that was composed at the end of the 14th century. The anonymous Italian text, almost certainly by a Tuscan author, is a version of the Latin Actus beati Francisci et sociorum eius, of which the earliest extant manuscript is one of 1390 AD. Luke Wadding ascribes the text to Ugolino da Santa Maria, whose name occurs three times in the Actus. Most scholars are now agreed that the author was Ugolino Brunforte.
The Sacro Convento is a Franciscan friary in Assisi, Umbria, Italy. The friary is connected as part of three buildings to the upper and lower church of the Basilica of San Francesco d'Assisi, which contains the body of Saint Francis. St. Francis wanted to be buried at this location outside of Assisi's city walls, called Hill of Hell, because his master Jesus of Nazareth also was killed like a criminal outside of the city of Jerusalem.
Francesco is a 1989 historical drama film about the life of St. Francis of Assisi. It is directed and co-written by Liliana Cavani, and stars Mickey Rourke as Francis and Helena Bonham Carter as the future St. Claire. The screenplay is adapted from Hermann Hesse’s 1904 book Francis of Assisi. Vangelis composed the musical score.
Milarepa is a 1973 Italian drama film directed by Liliana Cavani. The film tells the story of the famous Tibetan yogi and poet Milarepa.
Italo Moscati is an Italian writer, film director, and screenwriter. He was born in Milan and, since 1967, has lived and worked in Rome.
The 29th annual Venice International Film Festival was held from 25 August to 7 September 1968.
Galileo is a 1968 Italian–Bulgarian biographical drama film directed by Liliana Cavani. It depicts the life of Galileo Galilei and particularly his conflicts with the Catholic Church over his scientific theories.
L'ospite, English title The Guest, is a 1971 Italian drama film directed by Liliana Cavani and starring Lucia Bosè. It follows a woman who, released from a mental hospital after twenty years, tries in vain to fit into society.
Leo Pescarolo was an Italian film producer.
Glauco Mauri was an Italian actor and theatre director.
People and Religions – Terni Film Festival is an international film festival, which takes place annually in November at the CityPlex Politeama Lucioli in Terni and at many other venues around the town. It deals with interfaith dialogue, spirituality in cinema, immigrant integration, visual education and activities for prisoners. For two consecutive years, the festival was awarded the Medal of the President of the Italian Republic. It has been organized by ISTESS, Institute of Theological and Historical-Social Studies, directed by Stefania Parisi. Honorary president of the festival is Krzysztof Zanussi, Polish film director; the artistic director is Arnaldo Casali. Promoted by the diocese of Terni Narni Amelia and by the Episcopal Conference of Umbria, the festival enjoys the patronage of the Municipality of Terni and the Pontifical Council for Culture, with the support of the Umbria Region, the Ministry of Cultural Heritage and Activities, as well as the Fondazione Cassa di Risparmio di Terni e Narni.
This is a list of Italian television related events from 1966.
This is a list of Italian television related events from 1963.
Mino Bellei was an Italian theatre and film actor and director.