Funny Farm | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1993 | |||
Genre | Indie rock | |||
Label | Drag City [1] | |||
Producer | Brad Wood | |||
King Kong chronology | ||||
|
Funny Farm is an album by the American band King Kong, released in 1993. [2] [3] The band supported the album with a North American tour. [4]
Funny Farm was produced by Brad Wood. [5] It is a loose concept album about country living. [6] It was frontman Ethan Buckler's intention to combat what he saw as the seriousness of indie rock by creating a fun and unpretentious sound. [7] Britt Walford contributed on keyboards. [8]
Review scores | |
---|---|
Source | Rating |
AllMusic | [9] |
Chicago Tribune | [10] |
The Washington Post wrote that "the Louisville quartet employs a bluesy groove on songs like 'Dirty City Rainy Day' and plunges into the Delta with the honking 'Bad Cat Blues', but its sauntering rhythms, zany lyrics and boy-girl vocals more often recall the B-52's than Muddy Waters." [11] Trouser Press thought that, "with its herky-jerky rhythms and kitschy organ flourishes ... Funny Farm bears more than a passing resemblance to the B-52’s’ early days—an analogy furthered by the decidedly Cindy Wilsonized vocal harmonies Amy George drizzles over 'Island Paradise' and the frankly touching 'Dirty City, Rainy Day'." [12] The Wisconsin State Journal labeled the album "oddly Jonathan Richman-esque pop." [13]
Spin deemed Funny Farm "the compost-rock party record of the summer," writing that "the concept is Southern soul with all the archivism purged away, all the metaphorical presence reduced to a sneer, and all the sing-songy party hooks mixed loud." [14] The Chicago Tribune praised the "sparse, casually goofball lyrics spread over chattering funk guitar, danceable bass lines and cheesy organ." [10] The Albuquerque Journal called it "a loping and stilted funk, soul and blues amalgam with songs about running out of gas in Nevada, Kentucky tornados, scuba divers and flippant cartoon characters." [15] The Chicago Reader determined that Funny Farm "brings to mind Dr. Seuss and Calvin Johnson collaborating on a musical version of Orwell's Animal Farm." [16]
AllMusic wrote that "the arrangements are fun and playful, as organs and synths creep in among neatly crafted guitar lines and witty lyrics, making for an incredibly live texture -- very fitting for a record with such a lack of seriousness." [9]
No. | Title | Length |
---|---|---|
1. | "Funny Farm" | |
2. | "Dirty City Rainy Day" | |
3. | "Scooba Dooba Diver" | |
4. | "Uh-Oh" | |
5. | "Here I Am" | |
6. | "Bad Cat Blues" | |
7. | "Tornado Song" | |
8. | "King Kong" | |
9. | "White Horse" | |
10. | "Island Paradise" |
Congregation is the third studio album by American alternative rock band The Afghan Whigs. It was released on January 31, 1992, by Sub Pop and followed two years of the band's touring in support of their first album for the label, Up in It (1990).
Slint was an American rock band from Louisville, Kentucky, formed in 1986, after the dissolution of two local bands, Squirrel Bait and Maurice. The band consisted of Brian McMahan, David Pajo (guitar), Britt Walford, Todd Brashear, and Ethan Buckler. Though little known during their original run, they have retrospectively gained a cult following and critical acclaim as one of the pioneers of post-rock and math rock.
Pork Soda is the third studio album by the American rock band Primus. It was released on April 20, 1993, by Interscope Records and Prawn Song Records. The album was certified gold in September 1993 and platinum in May 1997. The 2005 re-issue comes in a digipak and contains a booklet with lyrics printed to nine songs, omitting "Pork Soda" which consists of a series of unintelligible rants. Claypool explained the term "pork soda" was meant to refer to how Primus - a band that, in his eyes, wasn't suitable for radio play - was "an acquired taste, like a meat-flavored soda would be".
King Kong is an American indie rock music project fronted by musician Ethan Buckler. Buckler left his previous band, Slint, in 1989 to start a new musical project. King Kong's first release, Movie Star, featured the other three members of Slint, David Pajo, Britt Walford, and Brian McMahan. King Kong would go on to feature an ever-changing lineup of performers including John McEntire, David Grubbs, and Peter Townsend.
Tweez is the debut studio album by American rock band Slint and the only studio recording released before their disbandment. It was released on the label Jennifer Hartman Records in 1989 as the only record put out by the label, which was run by their friend, Jennifer Hartman. It is the only Slint album to feature bassist Ethan Buckler.
Mind Funk is the debut studio album by American rock band Mind Funk, released in 1991 by Epic Records.
Mystical Shit is the third studio album by experimental music band King Missile, released in 1990 by Shimmy Disc. It is the first of their albums to be recorded after guitarist Dave Rick and bassist Chris Xefos had joined and composer Stephen Tunney had departed the group to form Dogbowl. The album was first issued on vinyl record in 1990 and was later included on the compilation album Mystical Shit & Fluting on the Hump.
Pain Makes You Beautiful is the third album by the American band the Judybats, released in 1993 by Sire Records. The album contains the band's most successful single, "Being Simple", which peaked at No. 7 on the Billboard Modern Rock Tracks chart. The band supported the album with a North American tour.
Holy Terror is an album by rap/spoken word pioneers The Last Poets, released in 1995. The album was financed and released by P-Vine Records in Japan and then released by Rykodisc Records in the United States and the United Kingdom later that same year, with a rerelease in 2004 by Innerhythmic. The U.S. and UK releases contain a bonus track titled "Black and Strong (Homesick)."
Strangers from the Universe is an album by the American band Thinking Fellers Union Local 282, released in 1994 through Matador Records. The band supported the album by touring with Live. Strangers from the Universe was a moderate commercial success. Mark Davies used an Optigan keyboard on some of the tracks.
Show Some Emotion is the fourth studio album by British singer-songwriter Joan Armatrading, released in 1977 on A&M. It reached No. 6 on the UK Albums Chart, No. 52 on the US Billboard 200 albums chart, and No. 18 on the Australian Kent Music Report albums chart.
Tings an' Times is an album by the Jamaican dub poet Linton Kwesi Johnson, released in 1991. It was Johnson's first album in six years. Tings an' Times also served as the title of a book of Johnson's poetry.
That's What Love Songs Often Do is an album by the American band Fig Dish, released in 1995. "Seeds" and "Bury Me" were released as singles. That's What Love Songs Often Do was a commercial disappointment. The band supported it with a North American tour.
Murk Time Cruiser is the second album by the American band aMiniature. It was released in 1995. The band promoted the album by touring with Seam, Versus, and Venus Cures All, bands, like aMiniature, that included Asian-American members.
Corruption is an album by the Zimbabwean musician Thomas Mapfumo, released in 1989. The album criticized the government of Robert Mugabe. Mugabe's displeasure with the criticism eventually forced Mapfumo into exile, and Mapfumo's music was barred from Zimbabwean radio. The title track was discussed in the Zimbabwean parliament, around the same time as several government officials were indicted as part of a smuggling ring.
Million Seller is an album by the Welsh band the Pooh Sticks, released in 1993. The album was a commercial disappointment, and the band was dropped by Zoo Entertainment after its release.
Beneath the Rhythm and Sound is an album by the American band the Ocean Blue, released in 1993.
Every Dog Has His Day is an album by the American band Let's Active, released in 1988. It was the band's final album.
The Mekons Honky Tonkin' is an album by the British band the Mekons, released in 1987. It was their first album to be released in the United States and the band's third country music-influenced album. The band supported the album with a North American tour.
In the Shadow of the City is an album by the American musician Maurice John Vaughn, released in 1993. Vaughn supported the album with a North American tour. "(Everything I Do) Got to Be Funky", which was a minor, regional radio hit, appears on the soundtrack to Major League II.