Gabriel P. Weisberg | |
---|---|
Born | Gabriel Paul Weisberg New York City, U.S. |
Occupation(s) | Art historian Educator |
Spouse | Yvonne (m. 1967) |
Academic background | |
Alma mater | New York University Johns Hopkins University |
Thesis | The Early Years of Philippe Burty: Art Critic, Amateur, and Japoniste, 1855-1875 (1967) |
Influences | Henri Dorra |
Academic work | |
Discipline | Art history |
Sub-discipline | Nineteenth- and twentieth-century French art |
Institutions | University of New Mexico University of Cincinnati University of Minnesota |
Notable students | Colleen Denney Guy McElroy |
Website | www |
Gabriel Paul Weisberg OAL is an American art historian and educator. Weisberg is Professor of Art History Emeritus at the University of Minnesota. [1]
A native of New York City,Weisberg received a Bachelor of Arts from New York University in 1963. He then earned two degrees in Art History from Johns Hopkins University:a Master of Arts in 1966 and a Doctor of Philosophy in 1967. [2] His doctoral dissertation was on the art critic Philippe Burty.
Shortly after graduating,Weisberg began his teaching career in art history at the University of New Mexico until 1969. Weisberg then moved on to the University of Cincinnati from 1969 to 1973. In 1982,he was awarded a Guggenheim Fellowship for research in art history. Three years later,Weisberg was hired as a professor of art history at the University of Minnesota,where he would spend the rest of his career. Upon retirement,he was given the title of Emeritus. During his career,Weisberg also had a stint as President of the Association of Historians of Nineteenth-Century Art.
In 1995,he was honored by the Government of France by being named Chevalier of the Ordre des Arts et des Lettres. [3]
In 2008,a festschrift was produced in Weisberg's honor titled Twenty-First-Century Perspectives on Nineteenth-Century Art:Essays in Honor of Gabriel P. Weisberg. [4] The publication included thirty essays from art historians,who were colleagues or students of Weisberg. At the end of that year,the Minneapolis Institute of Art exhibited nineteenth- and twentieth-century Realist drawings from the collection of Weisberg and his wife,Yvonne. [5]
Throughout his career,Weisberg has published extensively within the field of art history and has studied artists in-depth such as François Bonvin,Léon Bonvin,and Félix Bracquemond,and topics such as Artistic Japan and Japonisme. He has placed special focus on nineteenth- and twentieth-century French art.
Georges Duby was a French historian who specialised in the social and economic history of the Middle Ages. He ranks among the most influential medieval historians of the twentieth century and was one of France's most prominent public intellectuals from the 1970s to his death.
Japonisme is a French term that refers to the popularity and influence of Japanese art and design among a number of Western European artists in the nineteenth century following the forced reopening of foreign trade with Japan in 1858. Japonisme was first described by French art critic and collector Philippe Burty in 1872.
Louise Catherine Breslau was a German-born Swiss painter,who learned drawing to pass the time while bedridden with chronic asthma. She studied art at the Académie Julian in Paris,and exhibited at the salon of the SociétéNationale des Beaux-Arts,where she became a respected colleague of noted figures such as Edgar Degas and Anatole France.
Théodule-Augustin Ribot was a French realist painter and printmaker.
François Bonvin was a French realist painter.
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Donald Adamson,is a British literary scholar,philosopher and historian.
Albert Boime,was an American art historian and author of more than 20 art history books and numerous academic articles. He was a professor of art history at the University of California,Los Angeles for three decades,until his death.
James Dudley Andrew is an American film theorist. He is R. Selden Rose Professor of Film and Comparative Literature at Yale University,where he has taught since the year 2000. Before moving to Yale,he taught for thirty years at the University of Iowa. Andrew has been called,on the occasion of one of his invited lecture series,"one of the most influential scholars in the areas of theory,history and criticism". He particularly specializes in world cinema,film theory and aesthetics,and French cinema. He has also written on Japanese cinema,especially the work of Kenji Mizoguchi. He has been given a Guggenheim Fellowship and was named an Officier of the Ordre des Arts et des Lettres by the French Ministry of Culture. He was elected a Fellow of the American Academy of Arts and Sciences in 2006. In 2011,he received the Society for Cinema and Media Studies Distinguished Career Achievement Award. Also he has been honored in some countries where his works has been translated and used as textbook in the field. In December 2020,University of Tehran held a session in honor of Dudley Andrew with his presence as the keynote speaker. In this session Nadia Maftouni called Andrew a successful scholar in forming a whole new academic field. Dudley Andrew is currently chair of the Department of Comparative Literature at Yale.
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Theodore Franklin Reff is Professor Emeritus of European Painting and Sculpture,1840–1940 at Columbia University.
Colin Barry Bailey is a British art historian and museum director. Bailey is currently the Director of the Morgan Library &Museum in New York City. He is a scholar of eighteenth- and nineteenth-century French art,specifically on the artist Pierre-Auguste Renoir.
Elizabeth Gilmore Holt was an American art historian.
Philippe Burty was a French art critic. He contributed to the popularization of Japonism and the etching revival,supported the Impressionists,and published the letters of Eugène Delacroix.
Artistic Japan was a magazine of Japanese art,published by German-born French art dealer Siegfried Bing. It ran for thirty-six monthly issues from 1888 to 1891 in French,English,and German editions and contributed to a revival of Japonism.
Charles Léon Bonvin was a French watercolor artist known for genre painting,realist still life and delicate and melancholic landscapes.
Gerald "Jerry" Martin AckermanOAL was an American art historian and educator. Ackerman was Professor of Art History Emeritus at Pomona College. He was a leading authority on the art of Jean-Léon Gérôme and Charles Bargue.
Gary TinterowOAL is an American art historian and curator. A specialist on 19th-century French art,Tinterow is currently Director and Margaret Alkek Williams Chair of the Museum of Fine Arts,Houston.
Henri Dorra was an Egyptian-born American art historian and educator. A specialist on Symbolism in French art,Dorra was Professor Emeritus of Art History at the University of California,Santa Barbara.