Gaia is an arts centre in Havana, Cuba, set up on January 1, 2000, as a not-for-profit collaboration between Cuban and international artists. [1] [2]
The centre offers theatre, music and dance performances, workshops, programs for children and the physically disadvantaged, and exhibitions of works by young artists. Gaia Teatro, the centre's resident theatre company, has produced some interesting works: Las cenizas de Ruth was director Esther Cardoso's radical reinterpretation of the biblical story of Ruth. Los Reyes was a staging of Julio Cortázar's version of the tale of Theseus and the Minotaur. And Reciclaje used recycled items for wardrobe to explore environmental themes. [3] [4] In collaboration with the British Council, Gaia staged a rehearsed reading of Cooking with Elvis, by Lee Hall, directed by British director Sebastian Doggart, in the Teatro Nacional in 2000. Eight years later, on October 4, 2008, the show finally premiered, in the Sala Avellaneda at the Teatro Nacional. [5] It was the first new British play performed in Cuba since An Inspector Calls opened in 1947. [2] [6]
Gaia Dance has collaborated with Cuban ballerina Viengsay Valdes on a production of Balance of Ice, a contemporary dance piece inspired by the sounds of ice sheets calving. The piece was directed by Sebastian Doggart, and featured music by Canadian composer Andrew Staniland. which can be viewed on YouTube. [7]
On the last Saturday of every month, Gaia hosts a mask workshop for children in the morning, and, at 5pm, a unique theatrical event, called Felices Los Normales (Happy the Normal). Targeted at Cubans with HIV/AIDS – and the community surrounding them—the program is directed by inspirational activist Carlos Borbon. He and his group, Teatro Espontaneo, invite participants to come forward to tell an HIV-related story which is then enacted by a group of professional actors and musicians. The stories are moving and dramatic, and the atmosphere is electric. In December 2006, UNESCO presented the company with an award for its efforts in combating HIV/AIDS. [8]
Gaia also has a 'Casa de Mascara', teaching the techniques and traditions of masks to children and adults, and taking promenade performances into the streets of Old Havana.
Gaia has hosted numerous exhibitions of Cuban and international artists, including Leysis Quesada Vera, Angel Delgado, Catherine Bertola, Paul Rooney (artist) and US artist Scott Griesbach. [9] In 2006, it put on an exhibition -- Kachita, Mango y el Jim—startlingly documenting the havoc caused by two hurricanes that flooded the city in 2005.
Gaia has staged performances by musicians such as Chucho Valdes, [10] Tony Perez, Los Jovenes Clasicos del Son, Sonora Matancera, Alicia Bustamante, Gaia Jazz, and Aris Garit. [11] It offers percussion lessons for foreign music students.
Gaia Teatro is located at Calle Brazil (Teniente Rey) #157, between Cuba y Aguiar, La Habana Vieja. [1] In 2007, Gaia embarked on major construction work to create permanent workshops for its arts and community activities, including the building of a new semi-outdoors performance space.
Havana is the capital and largest city of Cuba. The heart of the La Habana Province, Havana is the country's main port and commercial center. It is the most populous city, the largest by area, and the second largest metropolitan area in the Caribbean region. The population in 2012 was 2,154,454 inhabitants, and its area is 728.26 km2 (281.18 sq mi) for the capital city side and 8,475.57 km2 for the metropolitan zone.
La Sonora Matancera is a Cuban band that played Latin American urban popular dance music. Founded in 1924 and led for more than five decades by guitarist, vocalist, composer, and producer Rogelio Martínez, musicologists consider it an icon of this type of music. Notable singers to have sung and recorded with the band include Bienvenido Granda, Daniel Santos, Myrta Silva, Miguelito Valdés, Leo Marini, Celia Cruz, Nelson Pinedo, Vicentico Valdés, Estanislao "Laíto" Sureda, Alberto Beltrán, Carlos Argentino, and Celio González.
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Alicia Alonso was a Cuban prima ballerina assoluta and choreographer whose company became the Ballet Nacional de Cuba in 1955. She is best known for her portrayals of Giselle and the ballet version of Carmen.
Fernando Ramón Martínez Heredia was a prominent Cuban revolutionary thinker and politician. Martínez was a founding member of the Cuban Communist Party, and as a member of the July 26 Movement, he took part in the Revolution which overthrow the Batista dictatorship.
Sebastian Doggart is an English-American television producer, director, writer, journalist, translator, cinematographer and human rights activist.
Esther Cardoso is a Cuban film and theater actress, producer, director and educator.
Gran Teatro de La Habana is a theater in Havana, Cuba, home to the Cuban National Ballet. It was designed by the Belgian architect Paul Belau and built by Purdy and Henderson, Engineers in 1914 at the site of the former Teatro Tacón. Its construction was paid for by the Galician immigrants of Havana to serve as a community-social center. Located in the Paseo del Prado, its facilities include theatres, a concert hall, conference rooms, a video screening room, as well as an art gallery, a choral center and several rehearsal halls for dance companies. It hosts the International Ballet Festival of Havana every two years since 1960.
Viengsay Valdés is a Cuban ballerina. Since 2003, Valdés is the Prima ballerina and since 2019 she is the Artistic Director of the National Ballet of Cuba.
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Noel Guzmán Boffil Rojas was a Cuban painter.
Rita Aurelia Fulcida Montaner y Facenda, known as Rita Montaner, was a Cuban singer, pianist and actress. In Cuban parlance, she was a vedette, and was well known in Mexico City, Paris, Miami and New York, where she performed, filmed and recorded on numerous occasions. She was one of Cuba's most popular artists between the late 1920s and 1950s, renowned as Rita de Cuba. Though classically trained as a soprano for zarzuelas, her mark was made as a singer of Afro-Cuban salon songs including "The Peanut Vendor" and "Siboney".
Cuban musical theatre has its own distinctive style and history. From the 18th century to modern times, popular theatrical performances included music and often dance as well. Many composers and musicians had their careers launched in the theatres, and many compositions got their first airing on the stage. In addition to staging some European operas and operettas, Cuban composers gradually developed ideas which better suited their creole audience. Characters on stages began to include elements from Cuban life, and the music began to reflect a fusion between African and European contributions.
Miguelito Valdés, also known as Mr. Babalú, was a renowned Cuban singer. His performances were characterized by a strong voice and a particular sense of cubanismo.
The Lonja del Comercio building in Old Havana, Cuba served as the stock exchange in the capital until the 1959 Cuban Revolution. Today, it is an office building.
The following is a timeline of the history of Havana, Cuba.
Obdulio Morales Ríos was a Cuban pianist, conductor, composer and ethnomusicologist, an important figure in the late afrocubanismo movement. He championed Afro-Cuban music traditions and sponsored artists such as Merceditas Valdés.
The following is a timeline of the history of the city of Matanzas, Cuba.
Lisandra Ramos Martinez is an artist and designer from Cuba known for her assemblage and period costume design. Known for work in El Compañante and Ultimos dias en La Habana. Her work is on display in Havana, Cuba at the Fábrica de Arte.
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