Carlton Douglas Ridenhour, known professionally as Chuck D, is an American rapper, best known as the leader and frontman of the hip hop group Public Enemy, which he co-founded in 1985 with Flavor Flav. Chuck D is also a member of the rock supergroup Prophets of Rage. He has released several solo albums, most notably Autobiography of Mistachuck (1996).
Public Enemy is an American hip hop group formed by Chuck D and Flavor Flav in Roosevelt, New York, in 1985. The group rose to prominence for their political messages including subjects such as American racism and the American media. Their debut album, Yo! Bum Rush the Show, was released in 1987 to critical acclaim, and their second album, It Takes a Nation of Millions to Hold Us Back (1988), was the first hip hop album to top The Village Voice's Pazz & Jop critics' poll. Their next three albums, Fear of a Black Planet (1990), Apocalypse 91... The Enemy Strikes Black (1991) and Muse Sick-n-Hour Mess Age (1994), were also well received. The group has since released twelve more studio albums, including the soundtrack to the 1998 sports-drama film He Got Game and a collaborative album with Paris, Rebirth of a Nation (2006).
The new school of hip hop was a movement in hip hop music, beginning in 1983–84 with the early records of Run–D.M.C., Whodini, and LL Cool J. Predominantly from Queens and Brooklyn, it was characterized by Drum Machine-led minimalism, often tinged with elements of Rock; rapped taunts, boasts, and socio-political commentary; and aggressive, self-assertive delivery. In song and image, its artists projected a tough, cool, street B-boy attitude. These elements contrasted sharply with Funk and Disco, Novelty hits, live bands, synthesizers, and party rhymes of artists prevalent in the early 1980s. Compared to their older hip hop counterparts, new school artists crafted more cohesive LPs and shorter songs more amenable to airplay. By 1986, their releases began to establish hip hop in the mainstream.
Raising Hell is the third studio album by American hip hop group Run-D.M.C., released on May 15, 1986, by Profile Records. The album was produced by Russell Simmons and Rick Rubin. Raising Hell is notable for being the first Platinum and multi-Platinum hip hop record. The album was first certified Platinum on July 15, 1986, before it was certified as 3× Platinum by the Recording Industry Association of America (RIAA) on April 24, 1987. It is widely considered to be one of the greatest and most important albums in the history of hip hop music and culture.
Fear of a Black Planet is the third studio album by American hip hop group Public Enemy. It was released on April 10, 1990, by Def Jam Recordings and Columbia Records, and produced by the group's production team The Bomb Squad, who expanded on the sample-layered sound of Public Enemy's previous album, It Takes a Nation of Millions to Hold Us Back (1988). Having fulfilled their initial creative ambitions with that album, the group aspired to create what lead rapper Chuck D called "a deep, complex album". Their songwriting was partly inspired by the controversy surrounding member Professor Griff's anti-Semitic public comments and his consequent dismissal from the group in 1989.
The Bomb Squad was an American hip hop production team known for their work with hip hop group Public Enemy.
Apocalypse 91… The Enemy Strikes Black is the fourth studio album by American hip hop group Public Enemy, released on October 1, 1991, by Def Jam Recordings and Columbia Records. The album received critical acclaim, ranking at No. 2 in The Village Voice's 1991 Pazz & Jop critics' poll.
Yo! Bum Rush the Show is the debut studio album by American hip hop group Public Enemy, released on February 10, 1987. It was recorded at Spectrum City Studios in Hempstead, New York, and became one of the fastest-selling hip hop records, but was controversial among radio stations and critics, in part due to lead rapper Chuck D's black nationalist politics. Despite this, the album has since been regarded as one of hip hop's greatest and most influential records.
Run-D.M.C. is the debut studio album by American hip hop group Run-D.M.C., released on March 27, 1984, by Profile Records, and re-issued by Arista Records. The album was primarily produced by Russell Simmons and Larry Smith.
Golden age hip hop refers to hip hop music created from the mid or mid-late 1980s to the early or early-mid 1990s, particularly by artists and musicians originating from the New York metropolitan area. A precursor to the new-school hip hop movement, it is characterized by its diversity, quality, innovation and influence on overall hip hop after the genre's emergence and establishment in the old-school era, and is associated with the development and eventual mainstream success of hip hop. There were various types of subject matter, while the music was experimental and the sampling from old records was eclectic.
Revolverlution is the eighth studio album by American hip hop group Public Enemy, released July 23, 2002 on Koch Records in the United States. The album debuted at number 110 on the U.S. Billboard 200 chart. Upon its release, it received generally positive reviews from most music critics, based on an aggregate score of 65/100 from Metacritic.
Power to the People and the Beats is a greatest hits album by hip hop group Public Enemy.
The discography of Public Enemy, an American hip hop group, consists of 15 studio albums, two live albums, four compilation albums, two remix albums, one soundtrack album, four video albums, 39 singles, four promotional singles and 39 music videos. The group released their debut studio album, Yo! Bum Rush the Show, in February 1987; it peaked at number 125 on the United States Billboard 200. The album spawned the singles "Public Enemy No. 1" and "You're Gonna Get Yours". Public Enemy released their second studio album, It Takes a Nation of Millions to Hold Us Back, in April 1988. The album peaked at number 42 on the Billboard 200. It has since sold 1.3 million copies in the US, earning a platinum certification from the Recording Industry Association of America (RIAA). Four of the album's singles charted on the US Billboard Hot R&B/Hip-Hop Songs chart: "Bring the Noise", "Don't Believe the Hype", "Night of the Living Baseheads" and "Black Steel in the Hour of Chaos". The former three, along with the single "Rebel Without a Pause", also charted in the United Kingdom.
"Bring the Noise" is a song by the American hip hop group Public Enemy. It was included on the soundtrack of the 1987 film Less than Zero; the song was also released as a single that year. It later became the first song on the group's 1988 album, It Takes a Nation of Millions to Hold Us Back. The single reached No. 56 on the Billboard Hot R&B/Hip-Hop Songs chart.
"Shut 'Em Down" is a song by American hip hop group Public Enemy. It was released in 1991 via Def Jam Recordings as the second single from the group's fourth studio album Apocalypse 91... The Enemy Strikes Black. Recording sessions took place at The Music Palace in Long Island. Production was handled by the Imperial Grand Ministers of Funk, with The Bomb Squad serving as executive producers. An accompanying music video was directed by Mark Pellington.
How You Sell Soul to a Soulless People Who Sold Their Soul??? is the tenth studio album by American hip hop group Public Enemy, released August 7, 2007 on Slam Jamz Recordings in the United States. Its release coincided with the 20th anniversary of their career. The album debuted at number 49 on Independent Albums chart, and it received generally positive reviews from most music critics, based on an aggregate score of 71/100 from Metacritic. Music critic Robert Christgau named How You Sell Soul to a Soulless People Who Sold Their Soul??? his second favorite album that didn't make Rolling Stone's Top 50 albums of 2007. In September 2012, the album finally entered the UK chart at number 199, followed by success of the top 5 single "Harder Than You Think" after it became the theme song to the British comedy talk show The Last Leg, which debuted the previous month as The Last Leg with Adam Hills.
It Takes a Nation of Millions to Hold Us Back is the second studio album by American hip hop group Public Enemy, released on June 28, 1988, by Def Jam Recordings and Columbia Records. It was recorded from 1987 to 1988 in sessions at Chung King Studios, Greene St. Recording, and Sabella Studios in New York.
Khari James Wynn is an American guitarist and recording artist from Memphis, Tennessee.
"Can't Truss It" is a song by American hip hop group Public Enemy. It was released on September 18, 1991 through Def Jam Recordings as the lead single from the group's fourth studio album Apocalypse 91... The Enemy Strikes Black. Recording sessions took place at The Music Palace in Long Island. Production was handled by the Imperial Grand Ministers of Funk, with The Bomb Squad serving as executive producers. An accompanying music video was directed by Eric Meza.
"Long and Whining Road" is a song by American hip hop group Public Enemy that appears as the 16th track on their 20th anniversary album How You Sell Soul to a Soulless People Who Sold Their Soul? released in 2007. The song functions as a retrospective of Public Enemy's career, with Chuck D positioning the group as inheritors of the American protest music tradition of the 1960s, particularly by reference to the music of Bob Dylan. The song was produced by Gary G-Wiz.
