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Gary Shoefield is a television and film producer.
Shoefield was portrayed in the 2006 film 'Alien Autopsy' by Ant McPartlin having been involved with the now infamous faked footage from the beginning with business partner and friend Ray Santilli.
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Gary Shoefield is a television and film producer.
Shoefield was portrayed in the 2006 film 'Alien Autopsy' by Ant McPartlin having been involved with the now infamous faked footage from the beginning with business partner and friend Ray Santilli.
Shoefield was involved in various roles with children's television programmes, such as Pinky and Perky, Tales of the Riverbank and The Magic Roundabout .
In 1990 he collaborated with the F.A.B. group which had a few hits by sampling movie dialogues to electronic music. They are best known for Thunderbirds Are Go which reached No. 5 in the UK Top 40. [1]
For a time he also managed television actor Patrick McGoohan. He has also worked with self-described psychic Derek Acorah, having launched him on TV in the UK.
Shoefield has worked for Arista Records, Disney, Warner Bros., PolyGram, EMI and ITV. [2]
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Thunderbirds Are Go is a 1966 British science-fiction puppet film based on Thunderbirds, a Supermarionation television series created by Gerry and Sylvia Anderson and produced by their company Century 21 Productions. Written by the Andersons and directed by David Lane, Thunderbirds Are Go concerns spacecraft Zero-X and its human mission to Mars. When Zero-X suffers a malfunction during re-entry, it is up to life-saving organisation International Rescue, supported by its technologically-advanced Thunderbird machines, to activate the trapped crew's escape pod before the spacecraft hits the ground.
FAB 1 is a pink, six-wheeled car seen in the 1960s British science-fiction television series Thunderbirds, its three film adaptations and its reboot, Thunderbirds Are Go.
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Thunderbirds is a British science fiction television series created by Gerry and Sylvia Anderson, filmed by their production company AP Films (APF) and distributed by ITC Entertainment. It was made between 1964 and 1966 using a form of electronic marionette puppetry combined with scale model special effects sequences. Two series, totalling thirty-two 50-minute episodes, were filmed; production ended with the completion of the sixth episode of the second series after Lew Grade, the Andersons' financial backer, failed in his bid to sell the programme to American network television.
Alan Jones is a film critic, broadcaster, and reporter primarily focused on movies in production, especially in the horror fantasy genre. His first assignment was on Star Wars in 1977, after which he became the London correspondent for Cinefantastique magazine from 1977 to 2002 and reviewed for the British magazine Starburst from 1980 until 2008. A film critic for Film Review and Radio Times, he has made contributions to the Radio Times Guide to Films, the Radio Times Guide to Science Fiction, and Halliwell's Film Guide. He has also been a film critic for BBC News 24, Front Row on BBC Radio 4, and Sky News programme Sunrise. He has worked for Empire, Première, and Total Film. An article of his in the latter coined the term for the Splat Pack.
This article primarily discusses screen and audio works of fiction based on Thunderbirds, a British Supermarionation television series created by Gerry and Sylvia Anderson. It also covers imitations and references in other media.
